Martin, Simon (w/ Quasar, Bozzini Quartet, Trio de guitares contemporain)
Hommage a Leduc, Borduas et Riopelle
Composer Simon Martin pays hommage to Quebec painters Ozias Leduc, Paul-Emile Borduas, and Jean-Paul Riopelle in contemplative works for each artist, performed by the ensembles Quatuor Bozzini, Quasar quatuor de saxophons, and Trio de guitares contemporain.
Label: Collection QB
Catalog ID: CQB 1616
Squidco Product Code: 21680
Packaging: Cardboard Gatefold w/ Booklet
Recorded at the Eglise de Sainte-Theodosie, Calixa-Lavallee, in Quebec, Canada, on June 16th, 17th and 18th, 2015 by Amandine Pras.
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1. L'heure mauve 11:11
2. Projections liberantes 11:12
3. Icebergs et Soleil de minuit - Quatuor en blanc 16:52
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sample the album:
"An inspiring visit of the exhibit Leduc, Borduas et le paysage de Saint-Hilaire, presented in 2005 by the Musee des beaux-arts de Mont-Saint-Hilaire, incited a desire to compose works paying hommage to these two painters as well as to Riopelle. The three artists share a student-teacher relationship and span more than a century of pictorial history in Quebec.
"L'heure mauve" crosses rhythmic pulsation with the vibration of open strings (that is without fingering), evoking an ecstatic feeling caused by light and its movement through the foliage of Mont Saint-Hilaire, which Leduc so loved. Or is it, in the distance, the church bell tower, decorated by its colours, that we hear resonate?
"Projections liberantes" begins with the sound of the musicians' breathing through the mouthpiece of their instrument. One hardly perceives the change of this steam which condenses into multiple sounds ("broken" and trembling sounds), a similar transition to the journey of "Borduas, who was the first to recognize himself in total darkness and to assume his true nakedness" (Pierre Vadebonceur). The music gradually reveals itself throughout the work until it explodes with a crash at the very end.
"Icebergs et Soleil de minuit - Quatuor en blanc" presents a series of contrasting sections. The work, however, remains bound by the continuous use of natural harmonics (strings lightly touched, rather than pressed), whose shrill timbre, pure and "white", elicits the cold and ice references in Riopelle's Iceberg series.
Beyond these aspects, by their suggested relationship with time, the three works beckon contemplation. The precedence of sound over the musical reflects my desire to directly portray nature."-Simon Martin
• Show Bio for Clemens Merkel
"Clemens Merkel's unconventional sound defines a new sensibility in contemporary music, through its intimate purity of tone, its settled understanding of microtonal or unconventional harmonic language, and its unhurried sensitivity. He is well known for innovative interpretations of Bach and John Cage, and is sought after by composers worldwide as an inspiration for new repertoire. His diverse collaborators range from the Wandelweiser collective to Montréal's Musique Actuelle community, and from emerging experimentalists to today's most revered composers.
For over a decade, Merkel's unusual sound has fused with that of the Quatuor Bozzini, considered one of the world's leading string quartets. Together they have mentored an entire generation of creators through the Composer's Kitchen; have released numerous critically acclaimed albums on their collection qb label; undertake multiple tours annually to be featured at festivals worldwide; and maintain a profound impact on the music scene across Canada and Europe in particular. They nourish Montréal audiences with unusual self-produced events that bridge worlds and cross boundaries of style, generation and culture.
Following an early career in Europe, where he contributed to the continent's leading ensembles, Merkel has made Montréal his home since 2000. He supports and advocates for new music in Québec and in Canada, and is regularly sought after as speaker, curator and adviser. His presence is felt in academia as well, through articles written for the Revue Circuit, and through his teaching at Concordia University. He's a passionate chef and lives in Montréal's Portuguese neighborhood together with his wife Isabelle Bozzini and children Félix and Béatrice."-Quatuor Bozzini website (http://www.quatuorbozzini.ca/en/select/bio/?id=merkel_cl)
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• Show Bio for Alissa Cheung
" "... classical music without pretence... " is Alissa Cheung's approach to her multi-faceted career. A native of Edmonton (Alberta) violinist and composer, Ms Alissa Cheung (BSc '07, BMus '09, MM '13), is a tenured member of the Edmonton Symphony Orchestra (ESO) since 2010 and will move to Montréal in January 2015 to join the Bozzini Quartet.
She has been involved with the Alberta Baroque Ensemble, and has performed as a soloist and chamber musician in Canada, USA, Europe and Japan. Career highlights include performances at Carnegie Hall and Suntory Hall, and solos with the ESO and the Kitchener-Waterloo Chamber Orchestra. Ms Cheung has been featured in Vue Weekly Magazine and Edmonton Sun, and was aired on CBC, CKUA, and WKPN Radio.
An adamant interpreter of new music, Alissa has performed numerous contemporary works and was an Artist in Residence at the Bang on a Can Summer Festival (2011), at the and at the Lucerne Festival Academy (2013).
As a composer, her works have been performed at the Tonus Vivus Festival of New Music (Edmonton), Jordan Hall (Boston), Morse Recital Hall (New Haven, CT), and the Conservatoire de musique de Montréal. Upcoming projects include a commission by the Arx Duo and the Bass Line Road Ensemble. Ms Cheung studied composition with Hannah Lash (Yale) and Piotr Grella-Mozejko (Edmonton).
In addition to private teaching, Ms Cheung has been Sessional Instructor at King's University College and faculty member of the Alberta College Conservatory of Music. Educational outreach initiatives include being a Teaching Artist with ESO's Adopt-a-Player Program and with the National Arts Centre's Music Alive Program.
Ms Cheung's principal violin teachers were Marian Moody, Ranald Shean, Broderyck Olson (Edmonton), Thomas Williams (McGill), and Ani Kavafian (Yale). Other influential coaches include Malcolm Lowe, Mark Fewer, Rafael Rosenfeld, Kyoko Hashimoto, and members of the former Tokyo, Juilliard and Concord string quartets."-Quatuor Bozzini Website (http://www.quatuorbozzini.ca/en/select/bio/?id=cheung_al)
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• Show Bio for Isabelle Bozzini
"Isabelle Bozzini. Born Montréal, Québec, 1969. Performer (cello).
A passionate chamber player, cellist Isabelle Bozzini is dedicated to exploring two parallel worlds - new music of all kinds and music on period instruments. This endeavour continuously challenges her and nourishes her artistic aspirations.
She is a founding member of the Quatuor Bozzini which since its inception in 1999 has become one of Canada's leading string quartets on national and international scenes. Playing close to forty concerts per year, the Bozzinis produce their own concert series in Montréal including the Salon des compositeurs + Composer's Kitchen event. They tour several times per year in Europe, the US and Canada and have launched the label collection qb in the Fall of 2004 in collaboration with DAME. Isabelle Bozzini also works with Kore Ensemble, and various improvising artists such as Malcolm Goldstein, François Houle, Benoît Delbecq, Diane Labrosse and Jean Derome. Having collaborated for many years with Joël Thiffault and the Montréal Baroque Orchestra, Isabelle Bozzini now plays regularly with Ensemble Arion. She also plays with Idées Heureuses, Ensemble Caprice, the Studio de Musique Ancienne de Montréal, and French harpsichordist and conductor Hervé Niquet."-Quatuor Bozzini Website (http://www.quatuorbozzini.ca/en/select/bio/?id=bozzini_is)
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• Show Bio for Marie-Neige Besner
"Marie-Neige Besner performs on voice, & saxophone.
Marie-Neige Besner, a native of Salluit, Nunavik, who grew up in Maniwaki, in the Outaouais, is a multidisciplinary, multi-instrumentalist, singer and saxophone artist who combines Inuit throat singing with other forms of sound, Including literature as well. Since her arrival in Bas-Saint-Laurent in 2011, she has been present on the Rimouski literary scene as a slammer, storyteller and poetess before investing in music and photography. She is currently a member of the GGRIL (Large regional group of improvised liberation) and the duo Brugir with the musician Robin Servant."-Supermusique Website (translated by Google) (http://www.supermusique.qc.ca/en/artistes/besner_ma/)
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• Show Bio for Jean Jacques Avenel
"Jean-Jacques Avenel, born 16 June 1948 in Saint-Nicolas-d'Aliermont ( Seine-Maritime ) and died 12 August 2014. He was a jazz bassist, a faithful companion to Steve Lacy, and participated in many other musical adventures. He was interested especially in African music, the kora and tradition Mandingo.
Jean-Jacques Avenel was self-taught, although he subsequently benefit from the lessons of Kent Carte. He began his career by participating in the free jazz movement, playing with Steve Waring, Colette Magny, Don Cherry, and with Noah Howard, the quartet of Frank Wright and Intercommunal Free Dance Music Orchestra training François Tusques. He also accompanies the saxophonist Daunik Lazro.
From 1975, he began to be associated with different formations led by Steve Lacy. Trio, sextet, quartet... But also the quintet consisting addition Lacy and Avenel, saxophonist Steve Potts, drummer Oliver Johnson and pianist Bobby Few, often with the singer Irene Aebi. A long collaboration begins. He accompanied Steve Lacy for nearly 30 years, performing in many festivals and other places in Europe and the United States, and participating in more than twenty albums recordings. He had also the opportunity to accompany Butch Morris in 1980, and David Murray in the 1990s.
He participated in the achievements of Michel Edelin and particularly in the quartet with Simon Goubert and Jacques Di Donato since 1995. More recently, he worked with young European pianists Benoît Delbecq, and Gael Mevel. And with American Mal Waldron and Australian Chris Cody. Plus work with Richard Galliano, George Lewis, Pharoah Sanders, Archie Shepp, Dino Saluzzi, Paul Bley, and other.
He also regularly collaborated with François Raulin. In 2000, at the 38th festival Roaring, Avenel, Raulin and Adama Drame together created the ARD trio, training mixing European jazz tradition and the Mandingo. Jean-Jacques Avenel passion for African music and plays the kora, in addition to the bass. In 2004, Avenel and Sissokho surrounded themselves Lansiné Kouyaté, Moriba Koita and Michel Edelin for Waraba project ( "the lion" in language Bamana ). Then in 2006, he formed the trio DAG Domancich and Simon Goubert.
He died of cancer August 12, 2014."-Wikipedia (translated by Google, assisted by Squidco) (https://translate.google.com/translate?hl=en&sl=fr&u=https://fr.wikipedia.org/wiki/Jean-Jacques_Avenel&prev=search)
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