Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.
Catalog ID: Erstwhile 075
Squidco Product Code: 20446
Packaging: Digipack - 3 panel
No recording data listed.
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1. Leuchtfeuer 4:30
2. Aufflattern Die Fledermause 17:17
3. Ein Eisiger Wind 5:26
4. Zerbrochene Munder 17:17
5. Unkonig 4:30
Related Categories of Interest:
Organized Sound and Sample Based Music
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"Schwarze Riesenfalter is an album that is folded in upon itself. Both the musical content and the track lengths of this fantastically confounding disc are mirrors of each other, with two short yet highly dramatic piano pieces bookending the proceedings, nestled up against a pair of lengthy field recording-heavy compositions. These four tracks sandwich the album's drone-based centrepiece, the lovely "Ein eisiger Wind."
As conceptually heavy and full of emotional depth as this collection of music is Ñ the music is accompanied by a short poem that was allegedly set to the songs afterwards Ñ there are elements of humour dotting the soundscape. Graham Lambkin is a former member of the Shadow Ring, a group that turned post-punk on its head and chuckled at it with a dry English wit. His is an oeuvre that doesn't differentiate between musical and non-musical sound; frequently working in the duo format Ñ his trilogy of albums with Jason Lescalleet is particularly noteworthy Ñ he finds joy in the mundane, often recording random events around his own house for use in future projects. Michael Pisaro, on the other hand, is a member of the notoriously quiet Wandelweiser Group, a collective of composers and performers that seek to integrate the notion of silence and sparseness into their work.
It's tempting to point to the light-hearted moments of Schwarze Riesenfalter and immediately think of Lambkin (the buzzing cellphone, the almost drone-like drawn-out voice passages) and similarly attribute the musical piano lines to Pisaro. The reality is most likely not even close to such a conclusion, as the separation between the two contributors is lost in the wake of a happy synergy. It's of no consequence, really, as the music itself obliterates the need to single out the individual personalities. Two men worked as one and unleashed a beast of an album for people to enjoy; enough said."-Bryon Hayes, Exclaim.CA
• Show Bio for Graham Lambkin
"Graham Lambkin first entered the public consciousness at 19 when he formed his band The Shadow Ring, in Folkestone, a small town in Kent, England. The band was memorable and built an rabidly passionate fan base because of its sui generis approach, blending elements of folk, noise, cracked electronics, and surrealist poetry, while radically changing the overall formula with each release. A decade of increasingly skewed and inspired work culminated in 2003's I'm Some Songs, constructed long distance as Lambkin had relocated to the US in 1998. Over the last few years, Lambkin has primarily worked under his own name, most notably with 2007's brilliant Salmon Run, a precursor to The Breadwinner."-erstwhile records (http://www.erstwhilerecords.com/catalog/052.html)
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• Show Bio for Michael Pisaro
"Michael Pisaro was born in Buffalo in 1961. He is a composer and guitarist, a member of the Wandelweiser Composers Ensemble and founder and director of the Experimental Music Workshop, Calarts. His work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues. It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), London (Cutting Edge, 2007), Glasgow (INSTAL 2009), Huddersfield (2009), Chicago (New Music Chicago, 1990, 1991) and elsewhere.
He has had extended composer residencies in Germany (Künstlerhof Schreyahn, Dortmund University), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival, Wisconsin). Concert length portraits of his music have been given in Munich, Jerusalem, Los Angeles, Vienna, Merano (Italy), Brussels, New York, Curitiba (Brazil), Amsterdam, London, Tokyo, Austin, Berlin, Chicago, Düsseldorf, Zürich, Cologne, Aarau (Switzerland), and elsewhere.
He is a Foundation for Contemporary Arts, 2005 and 2006 Grant Recipient. Much of his music of the last several years is published by Edition Wandelweiser (Germany). Several CDs of his work have been released by such labels as Edition Wandelweiser Records, Compost and Height, confront, Another Timbre, Cathnor, Nine Winds and others, including most recently "transparent city, volumes 1-4", "an unrhymed chord", "hearing metal 1", "A Wave and Waves" and "harmony series (11-16)".
His translation of poetry by Oswald Egger ("Room of Rumor") was published in 2004 by Green Integer. He is Co-Chair of Music Composition at the California Institute of the Arts near Los Angeles. He has performed many of his own works and those of close associates Antoine Beuger, Kunsu Shim, Jürg Frey and Manfred Werder, and works from the experimental tradition, especially John Cage, Christian Wolff, James Tenney and George Brecht."-Wandelweiser (http://www.wandelweiser.de/michael-pisaro.html)
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