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Graves, Milford / Bill Laswell: Space/Time ~ Redemption (Tum)

Five extended improvisations from New York collaborators, legendary drummer and percussionist Milford Graves and bassist Bil Laswell, who have worked together for several years developing a uniquely active yet dream-like, deeply rhythmic sound world.
 

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product information:


UPC: 6430015280403

Label: Tum
Catalog ID: TUM 40
Squidco Product Code: 19865

Format: CD
Condition: New
Released: 2014
Country: Finland
Packaging: Digipack - 3 panel with attached booklet
Recorded and mixed at Orange Music Sound Studios in West Orange, New Jersey, in September and October 2013 by James Dellatacoma and Robert Musso.


Personnel:

Milford Graves-drums, percussion

Bill Laswell-basses

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Artist Biographies:

"Milford Graves (born August 20, 1941 in Queens, New York) is an American jazz drummer and percussionist, most noteworthy for his early avant-garde contributions in the early 1960s with Paul Bley and the New York Art Quartet alongside John Tchicai, Roswell Rudd, and Reggie Workman. He is considered to be a free jazz pioneer, liberating the percussion from its timekeeping role. In fact, many of his music contemporaries, musician inspirees, and fans worldwide would argue that Graves is perhaps the most influential known musician in the development and continuing evolution of free-jazz/avant-garde music, to date. Milford Graves taught at Bennington College, in Bennington, Vermont, as a full-time professor from 1973 until 2011, when he was awarded Emeritus status.

Initially playing timbales as a kid growing up in Queens, Graves has worked as a sideman and session musician with a variety of jazz musicians throughout his career, including Pharoah Sanders, Rashied Ali, Albert Ayler, Don Pullen, Kenny Clarke, Don Moye, Andrew Cyrille, Philly Joe Jones, Eddie Gómez, and John Zorn. He has invested his time in research within the field of healing through music.

In 2013, Milford Graves along with Drs.Carlo Tremolada and Carlo Ventura received a patent for an invention that relates to a process of preparing a non-expanded tissue derivative, that is not subjected to cell proliferation in vitro, which has a vascular-stromal fraction enriched in stem and multipotent elements, such as pericytes and/or mesenchymal stem cells, or for preparing non-embryonic stem cells obtained from a tissue sample or from such tissue derivative, wherein the tissue derivative or such cells are subjected to vibrations derived from a heart sound to control the degree of differentiation or possible differentiation of the stem and multipotent elements into several other types of cells and optimize their potency. The invention relates also to a device for carrying out the process, to stem cells obtainable by the process as well as a drug for the regeneration of an animal tissue."

-Wikipedia (https://en.wikipedia.org/wiki/Milford_Graves)
11/11/2019

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"Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti.

Laswell's sense of creative daring as a producer was further demonstrated on several recordings that have kept him on the cutting edge, including Afrika Bambaataa's collaboration with John Lydon (aka Johnny Rotten of Sex Pistols fame) on World Destruction and PiL's Album (which brought together an unlikely pairing of drumming greats Ginger Baker and Tony Williams, synth-pop pioneer Ryuichi Sakamoto of Yellow Magic Orchestra fame and rising guitar star Steve Vai). His spoken word collaborations with William S. Burroughs and expatriate writer-composer Paul Bowles have gone against the grain of music industry trends while his radical remixes (or re-constructions) of landmark recordings by Miles Davis (Panthalassa), Carlos Santana (Divine Light), Bob Marley (Dreams of Freedom) and a vast scan of dub-related and atmospheric ambient projects have gone on to further defined Laswell's presence as a revolutionary ikonoklast.

Bill Laswell has helped in generating several innovative recording labels such as Celluloid, Subharmonic, Black Arc, and Innerhythmic. Along with Chris Blackwell, founder of Island Records (Bob Marley and U2), he established the AXIOM label in 1989. M.O.D. Technologies, his most recent imprint is releasing projects by Method Of Defiance, Lee "Scratch" Perry, PRAXIS, Garrison Hawk with Sly & Robbie, Bernie Worrell, The Process (with Red Hot Chili Peppers' drummer Chad Smith and pianist Jon Baptiste) and progressive/futuristic music from Ethiopia (CDs/DVDs).

As a player, Laswell's bass lines resound with rare authority on groundbreaking projects by Tabla Beat Science (with Zakir Hussain and Ustad Sultan Khan), his avant-funk band Material, the apocalyptic assault of Last Exit (with Sonny Sharrock), his progressive dub effected Method of Defiance and the throbbingly intense power trios, Massacre (with Fred Frith and Charles Hayward), Painkiller (with John Zorn and Mick Harris), Praxis (with Buckethead and Brain), Blixt (with Raoul Bjorkenheim and Morgan Agren) and the latest (2014) Bladerunner (with John Zorna and Slayer drummer Dave Lombardo).

Laswell's artistic reach has consistently extended to the continent of Africa, creating ground-breaking, evolutionary snd controversial recording projects in Morocco, Senegal, Mali, Gambia and most recently, Ethiopia where he has established a base for developing new as well as legendary artists, just as he did in the South Bronx some 30 years ago.

A veteran of 300 plus journeys to Japan, where he has worked with everyone from The Gagaku Orchestra (Japan's ancient music, only played for emperors for 1500 years), to avant-jazz, rock, hip-hop and DJ culture. An eternal musical renegade, Bill Laswell has always played by his own rules."

-Bill Laswell Website (http://www.billlaswell.net/biography.html)
11/11/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Eternal Signs 9:05

2. Sonny Sharrock 10:06

3. Another Space 17:31

4. Autopossession 9:10

5. Another Time 15:33
sample the album:








descriptions, reviews, &c.

"Space / Time・Redemption is the first duo recording by the legendary drummer and percussionist Milford Graves, who first rose to the forefront of improvised music in the mid-1960s as a member of the New York Art Quartet, through his solo and duo percussion performances and in groups led by Albert Ayler, Giuseppi Logan, Don Pullen and Sonny Sharrock, among many others, and the equally incomparable bassist Bill Laswell, who is known for his unique electric bass artistry in groups like Material, Massacre, Last Exit and Arcana, for performing and recording with the likes of Ginger Baker, Herbie Hancock, James "Blood" Ulmer and John Zorn and for working as a producer on countless sessions ranging from new age or rock influences to world music and free improvisation.

On the five extended improvisations that comprise Space / Time ・ Redemption, Graves and Laswell, who have in recent years occasionally performed live as a duo at The Stone and other New York venues, jointly create a sound world all of their own. The album was produced by Bill Laswell and the recording took place at his studios in West Orange, New Jersey."-Tum

Related Categories of Interest:


Improvised Music
Free Improvisation
NY Downtown & Jazz/Improv
Duo Recordings


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