An extract from Berlin composer Jakob Ullman's 2012 3-CD box set on Edition Rz, presenting "solo III for organ" (1992/1993), an hour long work of tone and tension performed by Hans-Peter Schulz at the Big Organ in Abteikirche Neresheim.
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Label: Edition Rz
Catalog ID: ed.RZ 1029
Squidco Product Code: 17326
Packaging: Cardstock gatefold foldover
Recorded at the Big Organ in Abteikirche Neresheim.
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• Show Bio for Jakob Ullmann
"Jakob Ullmann (born 12 July 1958 in Freiberg, Germany) is a German composer and university professor. He is the son of theologian and politician Wolfgang Ullmann.
After refusing to undergo military service in East Germany, Ullmann worked as groundskeeper, boilerman and house painter from 1978 until 1982 in Dresden. From 1979 until 1982 he studied church music in Saxony. Being denied official enrollment in Berlin's Academy of Fine Arts, he studied composition privately with Friedrich Goldmann.
Since the early 1980s he has been working as a freelance composer and author of self-published writings, as well as teaching classes at different universities on New Music, mediaeval music, history of Byzantine music as well as music philosophy. His first major presentation in concert was in East Berlin in 1986, receiving positive reviews as well as a first official publishing deal for his string quartet's score in print. In 1988 a work by Ullmann saw its first performance in West Germany when Gruppe Neue Musik Hanns Eisler guested at the Donaueschingen Festival."-Wikipedia (https://en.wikipedia.org/wiki/Jakob_Ullmann)
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1. solo III fur Orgel, 1992/1993; 2012 1:06:01
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An extract from Berlin composer Jakob Ullman's 2012 3-CD box set on Edition Rz, presenting "solo II for organ" (1992/1993), an hour long work of tone and tension performed by Hans-Peter Schulz at the Big Organ in Abteikirche Neresheim.
"Hush! Hush! Hath not the world now become perfect? What hath happened unto me? As a delicate wind danceth invisibly upon parqueted seas, light, feather-light, so-danceth sleep upon me. No eye doth it close to me, it leaveth my soul awake. Light is it, verily, feather-light. It persuadeth me, I know not how, it toucheth me inwardly with a caressing hand, it constraineth me. Yea, it constraineth me, so that my soul stretcheth itself out:- -How long and weary it becometh, my strange soul! Hath a seventh-day evening come to it precisely at noontide? Hath it already wandered too long, blissfully, among good and ripe things? It stretcheth itself out, long-longer! it lieth still, my strange soul. Too many good things hath it already tasted; this golden sadness oppresseth it, it distorteth its mouth. -As a ship that putteth into the calmest cove:-it now draweth up to the land, weary of long voyages and uncertain seas. Is not the land more faithful? As such a ship huggeth the shore, tuggeth the shore:-then it sufficeth for a spider to spin its thread from the ship to the land. No stronger ropes are required there. As such a weary ship in the calmest cove, so do I also now repose, nigh to the earth, faithful, trusting, waiting, bound to it with the lightest threads. O happiness! O happiness! Wilt thou perhaps sing, O my soul? Thou liest in the grass. But this is the secret, solemn hour, when no shepherd playeth his pipe. Take care! Hot noontide sleepeth on the fields. Do not sing! Hush! The world is perfect."-edition RZ
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