Far-ranging improvisation using open and creative techniques from the trio of guitarist Andreas Willers on acoustic and electric, bassist Meinrad Kneer (who runs the Evil Rabbit label) and drummer Christian Marien.
Out of Stock
Shipping Weight: 5.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Creative Sources
Catalog ID: cs222
Squidco Product Code: 17159
Packaging: Jewel Tray
Recorded on February 20th, 2012 at Ausland, Berlin by Roy Caroll.
Andreas Willers-electric guitar, acoustic guitar
Click an artist name above to see in-stock items for that artist.
Highlight an instrument above
and click here to Search for albums with that instrument.
• Show Bio for Christian Marien
"Christian Marien , born 1975 in Münster (Westf.), Has been playing drums since his thirteen years. Punk and rock are his roots, but he found an early access to jazz and art, eventually studying jazz drums in Amsterdam and Berlin where he has been living since 2000. There he first made a name for himself in the jazz scene, including as co-founder of the ensembles Olaf Ton and Stereolisa. More and more, he turned to the improvised music, played with a large number of high-caliber improvisation artists (like Frank Gratkowski, Gebhard Ullmann, Jürgen Kupke, Christian Weber and many others) and became an integral part of Berlin's improvisational and jazz- Scene.
For many years, he has worked extensively with his duo "Superimpose" (with Matthias Müller - Trombone) and the trio "The Astronomical Unit" (with Matthias Müller-Trombone and Clayton Thomas double bass). He plays concerts in Europe and North America, among others, at the Montreux Jazzfestival, the Jazzfestival in Hermannstadt, the Leipzig Jazz Festival, and the Jazzfestival. He is also a member of numerous other ensembles (Z-Country Paradise, UnbedingT, Benjamin Weidekamp Quartet, Miss Platnum, Hannes Zerbe Jazz Orchestra) Rüsselsheim, Jazzfestival Frankfurt, Moers Festival and releases CDs on labels such as "leo records", "Jazzwerkstatt", "Klangräume", "NRW Jazz" or "2ndFLOOR Edition".
His interest in genre-encompassing artistic exchange brings him together with visual artists (Thomas Bratzke, Philip Wiegard), actors (Judith Strößenreuter), or dancers (Hans-Werner Klohe, Kadir "Amigo" Memis, July Hamilton). The performance group "Ritsche, Zast & Marien", which combines improvisation in music and painting, contests performances, festival performances and exhibitions."-Christian Marien Website (translated by Google) (http://www.christianmarien.de/?page_id=158)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Christian Marien
1. triolog 3:24
2. shoct 2:24
3. ubersturz 4:42
4. arcoring 2:47
5. geschiebemergel 7:18
6. fellatmung 10:31
7. unkunft 4:13
8. froschball 4:51
9. wurfblech 5:36
sample the album:
"Releases by Creative Sources indeed hardly land on our desk, despite their extensive catalogue. They are up to catalogue number 222 with this new release, and like we should know from the ones we reviewed in their earlier days, all of their music is from the field of improvisation. Here we have a trio of Andreas Willers on electric and acoustic guitars, Christian Marien on drums and percussion and Meinrad Kneer on double bass. The music was recorded in February of this year at Ausland, one of Berlin's finer places for such music and then mixed a month later, so perhaps taped to multi-track and then mixed, or perhaps it's edited down. Either way is fine. These players aren't well-known to me, even when Kneer every now and then mails releases on his Evil Rabbit label.
These nine pieces, totaling some forty six minutes, show a few things: excellent improvising skills obviously, with a fine love of playing their instruments kind of 'as intended' by them who build such instruments and not like resonant sound boards. But that can result in a fine bit of mean noise, such as in 'Ubersturz'. Stylistically these three men aren't confined to one style. That 'Ubersturz' piece is noise, and rock like, but then they might play as easily something that is much more acoustic jazz like, of course always in a total free mode. This gives the release quite a varied impression, which works pretty well here, and could appeal to a wider audience than those hardcore improvisation/free jazz lovers, but to anyone with an open mind towards free rock, free noise and free jazz. All you need is an open mind, but then this music has a lot to give."-FdW, Vital Weekly
At The Squid's Ear!
European Improv, Free Jazz & Related
Search for other titles on the Creative Sources label.