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Fujii, Satoko Orchestra New York: ETO (Libra)

Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.
 

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product information:


UPC: 4562169330290

Label: Libra
Catalog ID: 215-029
Squidco Product Code: 14676

Format: CD
Condition: New
Released: 2011
Country: Japan
Packaging: Cardstock 3 page foldover
Recorded on October 27th, 2010 at Systems Two, NYC.


Personnel:

Oscar Noriega-alto saxophone

Briggan Krauss-alto saxophone

Ellery Eskelin-tenor saxophone

Chris Speef-tenor saxophone

Andy Laster-baritone saxophone

Herb Robertson-trumpet

Dave Ballou-trumpet

Frank London-trumpet

Natsuki Tamura-trumpet

Joey Sellers-trombone

Curtis Hasselbring-trombone

Joe Fiedler-trombone

Satoko Fujii-piano

Stomu Takeishi-bass

Aaron Alexander-drums

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track listing:


1. The North Wind and The Sun 9:12

2. Overture 2:26

3. Rat 1:29

4. Ox 2:43

5. Tiger 1:39

6. Hare 2:28

7. Dragon 1:50

8. Snake 2:05

9. Horse 1:20

10. Ram 2:13

11. Monkey 1:17

12. Rooset 1:47

13. Dog 1:59

14. Boar 2:10

15. Epilouge 1:58

16. Pressure Cooker 5:59

17. Stroll 7:19
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descriptions, reviews, &c.

"My husband, Natsuki Tamura will turn sixty years old this year. In Japan we have a special celebration for sixty year olds, called "Kanreki." We use the Chinese zodiac in Japan which is called "Eto," so 12 years is one cycle. 60 is a special number because it is 12 x 5 and 10 x 6. The duodecimal system and decimal system meet at 60.

I wanted to write some music for this, and read a bit about the Chinese zodiac. Each of the 12 animals in the zodiac has its own character and each character inspired me a lot, so I wrote a short piece for each of them to make one long suite. Each piece has featured solo player."-Satoko Fujii, Libra



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Artist Biographies:

"Multi-instrumentalist and composer, Oscar lives in Brooklyn since 1992.

He has worked with Lee Konitz, Anthony Braxton, Gerry Hemingway, Dewey Redman and Paul Motion.

He is currently performing with Tim Berne's Snakeoil, Endangered Blood (Chris Speed, Jim Black, Trevor Dunn) and colead with Jacob Garchik, the Mexico-inspired Banda De Los Muertos.

He plays alto saxophone, clarinet, bass clarinet and drums."

-Oscar Noriega Website (http://www.oscarnoriega.com/contact/)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Trumpeter/Improviser/Composer/Educator, Dave Ballou has released ten CD's as a leader and co-leader. He has performed or recorded with ensembles led by Michael Formanek, Denman Maroney, Maria Schnieder, Andrew Hill, Dave Liebman, Oliver Lake, Joe Lovano, Sheila Jordan, Steely Dan, Rabih Abou-Kahlil, Don Preston and an extensive list of jazz personalities. Dave has performed Bach's Brandenburg Concerto #2 with the Bella Musica Orchestra of NY, Larry Austin's Improvisations with the Boston Modern Orchestra Project, and Gunther Schuller's Journey into Jazz with the Spokane Symphony and Boston Modern Orchestra Project. He appeared as a featured soloist for the premiere of Schuller's Encounters, a composition celebrating the 100th anniversary of Jordan Hall.The Meridian Arts Ensemble, The TILT Brass ensemble and the Monarch Trio have all performed his compositions. His work for solo trumpet, "Samskara" has been recorded by Jon Nelson for release in 2010. In 2009, Dave received an Individual Artist Award from the Maryland State Arts Council. In 2010, Universtiy of Michigan French Horn professor, Adam Unsworth, performed an adaptation of "Samskara" for horn.

Dave is a Professor of Music at Towson University and coordinator of the Jazz/Commercial music division. He teaches classes in Jazz history, Jazz theory and improvisation, Jazz arranging, studio jazz trumpet and improvisation for all instrumentalists, jazz composition and coaches small jazz ensembles including the improvisation ensemble. He has taught at the Litchfield Jazz Camp, the Maryland Summer Jazz Camp, the Maine Jazz Camp and The Banff Institute.

He earned a BM (magna cum laude) from Berklee College of Music in 1986 and a MA from the University of New Hampshire in 1991.Born in Peace Dale, Rhode Island Dave was drawn to the trumpet at age 11 and quickly was excited by the sounds of jazz trumpeters Clifford Brown, Woody Shaw, Maynard Ferguson, Clark Terry, the Thad Jones Mel Lewis Orchestra as well as classical trumpeterers John Willbraham and Bud Herseth. His early trumpet studies were with RI philharmonic trumpeter Julio Tancredi. Dave began working gigs at the age of 16 playing society gigs in the mansions of Newport and Italian Festival parades in Providence, RI.After brief study at the University of Rhode Island, Dave attended the Berklee College of Music. There he studied with Herb Pomeroy, Greg Hopkins, Jimmy Mosher and Greg Fritze. Other teachers have been George Garzone, Jerry Bergonzi, Hal Crook, Laurie Frink, Charles Schluter, Jeff Stout and Paul Caputo.

Tours with the big bands of Tommy Dorsey (led by Buddy Morrow) and Woody Herman (led by Frank Tiberi) followed studies at Berklee. Dave then attended the University of New Hampshire and received a Master's of Art's degree in 1992. At UNH he came under the direct influence of the jazz great Clark Terry.

Dave worked many types of gigs in the Boston area during and after his studies at UNH. He was also a member of the bands Orange Then Blue and the Either/Orchestra.

In 1994 Dave moved to New York City. Seeking a community in which he could grow as an artist and be surrounded by like-minded musicians, Dave settled into Brooklyn and took part in the vibrant scene there. In NY Dave played Broadway shows , recording sessions and many jazz concerts with some of his heroes: Joe Lovano, Sheila Jordan, Tim Berne, Billy Hart, Dewey Redman, Michael Formanek and Dave Liebman.

Dave joined the faculty of Towson Universtiy in the fall of 2004. He became to coordinator of the Jazz and Commercial Music division in 2006 and has worked to reconnect the Jazz program with the community of musicians influenced by former TU music professor Hank Levy. Earning tenure and promotion to Associate Professor in the 2009-2010 academic year Dave has become recognized as an innovative pedagouge in the teaching of improvisation and composition. His students have become leaders in the improvised music scene in Baltimore.

He continues to perform with innovative improvisors and composers. Recently appearing with on recordings by Denman Maroney, Mario Pavone and Grammy nominated John Hollenbeck Large Ensemble, Dave continues to develop as an instrumentalist, composer and teacher."

-Dave Ballou Website (http://daveballou.com/?page_id=528)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Japanese trumpeter and composer Natsuki Tamura is internationally recognized for a unique musical vocabulary that blends extended techniques with jazz lyricism. This unpredictable virtuoso's seemingly limitless creativity led François Couture in All Music Guide to declare that "... we can officially say there are two Natsuki Tamuras: The one playing angular jazz-rock or ferocious free improv... and the one writing simple melodies of stunning beauty... How the two of them live in the same body and breathe through the same trumpet might remain a mystery."

Born on July 26, 1951, in Otsu, Shiga, Japan, Tamura first picked up the trumpet while performing in his junior high brass band. He began his professional music career after he graduated from high school, playing in numerous bands including the World Sharps Orchestra, Consolation, Skyliners Orchestra, New Herd Orchestra, Music Magic Orchestra, and the Satoko Fujii Ensemble, as well as in his own ensemble. He was the trumpeter for numerous national television shows in Japan from 1973-1982, including The Best Ten, Music Fair, Kirameku Rhythm and many others.

In 1986, he came to the United States to study at Berklee College of Music. He then returned to his native Japan to perform and teach at the Yamaha Popular Music School and at private trumpet studios in Tokyo and Saitama, before coming back to the US to study at New England Conservatory. He made his debut recording as a leader in 1992 on Tobifudo.

In 1997 he released the duo album How Many? with pianist Satoko Fujii, who is also his wife. It marked the beginning of an artistic collaboration that continues up to the present. The duo has made a total of five CDs over the years, including 2012's Muku. "Muku contains some truly stunning, spine-tingling music...its sheer beauty and elegance is what lingers most," wrote Dave Wayne in All About Jazz. "Fujii's orchestral technique, clear chromatic lines and "prepared piano" devices contrast effectively with Tamura's arsenal of extended techniques which he executes with a warm, vocalized tone throughout the trumpet's full range," Ted Panken said in his four-star DownBeat review. Tamura's collaborations with Fujii reveal an intense musical empathy, and have garnered wide popular and critical acclaim. Jim Santella in All About Jazz described their synergy well in his glowing review of the couple's 2006 Not Two disc, In Krakow, In November: "... the creative couple forcefully demonstrates what can happen when you let your musical ideas run free... Similarly, Tamura's mournful trumpet can fly high or low in search of his next surprise. Oftentimes, they both issue plaintive moans that sing like angels on high." Their sixth duet album is due out in 2017.

In 1998, Tamura began recording his unaccompanied solo performances. The stunning solo trumpet debut release, A Song for Jyaki earned a Writers Choice 1998 in Coda magazine, and Andy Bartlett wrote in Coda, "A fabulous set of hiccuping leaps, drones and post-bop trumpet hi-jinx. Tamura goes from growling lows to fluid, free solo runs and echoes not only Don Cherry's slurring anti-virtuosic chops but also Kenny Wheeler's piercing highwire fullness." He followed it up in 2003 with KoKoKoKe, which Jon Davis described in Exposé as "Buddhist chants from an alien planet." Grego Applegate Edwards explains that on Tamura's most recent solo album, 2013's Dragon Nat, "he pares down to focus on simple unwinding melodic material, the sound of his trumpet as a sensuous thing, a periodicity. Taken as a whole it is a kind of environmental tone poem for the moment Natsuki is in now."

2003 was a breakout year for Tamura as a bandleader, with the release of Hada Hada, featuring his free jazz-avant rock quartet with Fujii on synthesizer. Peter Marsh of the BBC had this to say about the high voltage CD: "Imagine Don Cherry woke up one morning, found he'd joined an avant goth-rock band and was booked to score an Italian horror movie. It might be an unlikely scenario, but it goes some way to describing this magnificent sprawl of a record." The quartet's 2004 Quartet release Exit was deemed "...a brilliantly executed set with a neon glow," by Dan McClenaghan in All About Jazz.

In 2005, Tamura made a 180-degree turn in his music with the debut of his all acoustic Gato Libre quartet. Focusing on the intersection of European folk music and sound abstraction, the quartet featured Fujii on accordion, Kazuhiko Tsumura on guitar, and Norikatsu Koreyasu on bass. The quartet's poetic, quietly surreal performances have been praised for their "surprisingly soft and lyrical beauty that at times borders on flat-out impressionism," by Rick Anderson in CD Hotlist. Dan McClenaghan in All About Jazz described their fourth CD, Shiro, as "intimate, something true to the simple beauty of the folk tradition...Tamura's career has largely been about dissolving musical boundaries. With Gato Libre and Shiro, the trumpeter extends his reach even deeper into the prettiest, most accessible of his endeavors." After the unexpected passing of Norikatsu in 2012, Tamura added trombonist Yasuko Kaneko to the group. The new configuration has toured Europe and Japan and released its debut recording, DuDu, in 2014. "DuDu follows the winning formula of its predecessors but, as with the other discs, eschews the formulaic. The result is another sublimely satisfying, elegant record that brims with raw excitement and a reflective nostalgia," writes Hrayr Attarian in All About Jazz. With the tragic death of guitarist Kazuhiko Tsumura, Gato Libre is now a trio. They will release a CD and LP in 2017.

In 2010, Tamura debuted a new electric quartet, First Meeting, featuring Fujii, drummer Tatsuhisa Yamamoto and electric guitarist Kelly Churko. Their first release, Cut the Rope, is "is a noisy, free, impatient album, and ranks among Fujii and Tamura's most accomplished," according to Steve Greenlee in the Boston Globe.

While fronting groups and recording as a leader, Tamura has also played an integral role in nearly all of Satoko Fujii's many projects. He is featured on all of the CDs by Satoko Fujii's various orchestras (NY, Tokyo, Nagoya, Kobe, and Berlin) and has contributed original compositions and arrangements to each of their 19 critically celebrated albums. In addition, he was a featured soloist in the Satoko Fujii Quartet, her avant-rock free jazz group that also included Tatsuya Yoshida of The Ruins. Of his work on the quartet's 2003 release Minerva, Mark Keresman wrote in JazzReview.com, "Natsuki Tamura's trumpet has some of the stark, melancholy lyricism of Miles, the bristling rage of late 60s Freddie Hubbard and a dollop of the extended techniques of Wadada Leo Smith and Lester Bowie."

Tamura is a vital member of Fujii's Min-Yo Ensemble as well. "Tamura tempers his avant-garde antics with an innate lyricism," wrote Steve Smith of Time Out New York in his review of Fujin Raijin, the intimate acoustic quartet's debut CD. He's also been singled out for his contributions to Fujii's ma do ensemble. "With Tamura's brash and glowing lines, the band incorporates mesmeric ostinatos and thrusting opuses into the grand schema," Glenn Astarita wrote in Ejazznews about their first CD, Desert Ship.

Collaborative groups also play an important role in Tamura's career. Most recently, Tamura joined Fujii and two French musicians, trumpeter Christian Pruvost and drummer Peter Orins, to form Kaze, which made their recording debut in 2011. In 2015, they released their third album, Uminari, which Jazz Magazine (France) called, "a compelling example of free jazz today. Compositions are perfectly scripted, with a well-oiled interaction and playing of beautiful power..." The collaborative trio Junk Box, which he co-founded in 2006 along with pianist Fujii and drummer John Hollenbeck, plays Fujii's "composed improvisations," graphic scores that take "ensemble dynamics to great creative heights," says Kevin Le Gendre in Jazzwise. Their music "is full of bluster and agitation that nonetheless retains moments of great melodic beauty, usually by way of concise, pertly pretty motifs that trumpeter Tamura plays in between bursts of withering roars that often dissolve into austere overtones." Their premiere CD, Fragment, appeared in 2006. As Daniel Spicer wrote of Fragment in JazzWise, "Tamura spits out gloriously rude Lester-Bowie-like snorts, lows like a herd of robotic cattle or makes like a wheezy howler monkey... Cool and clever." Glenn Astarita of All About Jazz declared it "Required listening."

Along the way, there have been one-off cooperative groups and sideman appearances for Tamura as well. In the Tank, an ad hoc quartet with Fujii and electric guitarists Takayuki Kato and Elliott Sharp, is a "triumphant electro-acoustic adventure" according to Daniel Spicer of Jazzwise. "Think AMM meets blues guitar meets 1970s Miles Davis and you get some idea of the disc's flavor: a slow-moving panorama for the ears, where sounds are systematically added, repeated, refined, and replaced in turn," wrote Nate Dorward in Cadence. Tamura and Fujii were one of two piano/trumpet duos featured on the Double Duo Crossword Puzzle CD, a live recording with Dutch trumpeter Angelo Verploegen and pianist Misha Mengelberg. Tamura has also toured and recorded with saxophonist Larry Ochs' Sax and Drumming Core, and appeared on albums by drummer Jimmy Weinstein, saxophonist Raymond McDonald, and CDs by Japanese free-jazz pioneers trumpeter Itaru Oki and pianist Masahiko Sato. In 2014 he released Nax, a duet album with bassist Alexander Frangenheim. Tamua has toured throughout Japan, North America, and Europe, appearing at major jazz festivals, concert halls, and clubs."

-Natsuki Tamura Website (http://www.natsukitamura.com/bio)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Influenced by two older cousins who both played trumpet, trombonist/composer Joe Fiedler, born and raised in Pittsburgh, PA, and based in NYC since 1993, desperately wanted to become a trumpet player himself, but was instead given a trombone by his fourth grade music teacher who saw Fiedler and the trombone as a good match. The young, shy musician accepted the "arranged marriage", and the fourth grade music teacher has since been proven prophetic. Fiedler and the trombone finding each other coincided with the young musician falling under the abiding influence of two albums from his father's collection, The Cannonball Adderley Sextet-Mercy, Mercy, Mercy, and Oscar Peterson's Night Train.

During his high school years Fiedler entertained a fantasy about going to Berklee and studying with the noted educator, Phil Wilson. But as graduation neared he decided to enroll at Allegheny College in Pennsylvania. Fiedler spent a couple of years having a typical college experience, but the trombone was on the back burner. After that period of time he decided to move back home and transferred to the University of Pittsburgh. He soon learned through an old high school buddy who was in Pitt's jazz band that they were in need of trombone players. "So I joined and once my flame was relit, I was all in, and full on! At that time I had no idea how to make a living playing the trombone, but I was just in love with practicing and the whole process," commented Fiedler.

Upon graduating Fiedler quickly becoming an in-demand sideman, freelancing for several years in Pittsburgh, including hitting the road with the Glenn Miller Orchestra and working in pit orchestras for Broadway shows. Shortly after, Fiedler moved to New York City in 1993, and two big breaks really opened up a career path for the trombonist. He heard through some friends who were members of Billy Bang's quintet that the great Cecil Taylor was forming a new large ensemble. As a young, brave, and perhaps naïve musician, Fiedler crashed the first rehearsal, and when he wasn't asked to leave, he kept showing up. "After a while I guess that I was just in the band. While playing with Cecil was great, it was the players that I met that led to many other projects, either directly or indirectly. Some of those players included: Steve Swell, Susie Ibarra, Chris Jonas, Rob Brown, and Chris Lightcap," said Fiedler.

Fiedler also met many future collaborators through Joey Sellers, one of his all time favorite composers /arrangers /trombonists, who was holding open rehearsals at the Local 802 Union with his 11 piece band. Fiedler explains, "through the grape vine, I ended up at one of those rehearsals and was able to stick around. Up until then I was a bit mired in the free jazz scene-which was cool, but I wanted to play in an open setting, but with some harmony and form. (Much in the vein of my hero Ray Anderson.) It was in that band that I finally met a whole slew of like-minded players and finally felt at home. That band included: Tony Malaby, Dave Ballou, Dave Berkman and my future band mates, John Hebert and Michael Sarin."

Since this time, Fiedler, born March 24, 1965, has gone from strength to strength, happily entrenched in a whirlwind of prestigious sideman activity over the past twenty years (Fiedler is one of the first-call trombonists in the world and is featured on more than 100 recordings). He has also been modestly crafting and releasing an exceptional cluster of recordings as a composer and bandleader that has garnered high praise from fans and the most revered journalists and critics covering jazz and creative music.

Fiedler exploded out of the gate as a leader with a one two punch; Joe Fiedler Plays the Music of Albert Mangelsdorff, followed by The Crab (both on the much-revered label, Clean-Feed Records), that put him on the map as triple threat musician; a seriously gifted improviser, an accomplished composer/arranger and an imaginative bandleader. These recordings garnered such praise as, "one of the small group jazz discs of the year" (Jim Macnie, The Village Voice), "a memorable and brilliant tribute. Highly recommended" (All Music Guide) and, "pointing a way toward the future of the trombone." (Stephen Loewy, Cadence Magazine). In 2011 Fiedler released Sacred Chrome Orb, and once again took the trombone to new heights in the exposed setting of a trio (sans chordal instrument), accompanied by bassist John Hebert (who also appears on the Manglesdorff album), and the ubiquitous drummer Michael Sarin.

The idea for Fiedler's newest band and recording, both titled Big Sackbut, featuring Fiedler, Josh Roseman & Ryan Keberle - trombones, and Marcus Rojas - tuba (on the Yellow Sound Label, September, 2012), was born in the late 1980s when Fiedler first saw The World Saxophone Quartet live. He explains this revelation: "The drive and energy that they put forth, all without a traditional rhythm section was quite compelling. In addition, the tunes had a wonderful balance of 'loose-tightness' or 'tight-looseness' that totally sucked me right in. And this is to say nothing of the four powerhouse solo voices. I immediately thought of how I might incorporate my image of all of those elements into a trombone driven project of my own. Those ideas rattled around in my head for more than 20

years. Then a little more than two years ago, while on a gig with Ryan Keberle, I told him of my intention to finally follow through and put it all together. As it turned out he was curating a series for

the New York Slide Workers Union and offered me a gig. The series was taking place at Josh Roseman's performance space, Northsix Media Labs in Brooklyn, so he was naturally recruited, being one of my favorite trombonists. This gig was just the little nudge that I needed to bring the project to life, and here it is!"

On Big Sackbut one could listen to and enjoy this music immensely without considering the instrumentation, so complete is this music. However, that would be missing most of the soul enriching listening and gratifying fun that is packed into every measure. To hear and contemplate the vast amounts of timbre, tone, rhythm, harmony, melody, charming wittiness and emotion these musicians extract from three trombones and a tuba is an extraordinary experience.

Joe Fiedler's career is always moving full steam ahead, and in addition to leading his own bands, the aforementioned Big Sackbut, and The Joe Fiedler Trio, he is currently working with Miguel Zenon's Large Ensemble, Eddie Palmieri, Fast 'n' Bulbous, Viento De Agua (whose first album, De Puerto Rico alMundo, was selected among the Top 10 Latin albums of the year by The New York Times), the EdPalermo Big Band, Endangered Species-The Music of Wayne Shorter, and many others. Fiedler is alsoin the planning stages for a solo trombone project, and is a regular contributor to The Mingus BigBand. Fiedler's "day job" is Music Director: Arrangements (serving as arranger, orchestrator andtrombonist) for Sesame Street. Over four seasons he has written more than 150 arrangements andcrafted more than 5000 underscoring cues."

-Joe Fiedler Website (http://www.joefiedler.com/)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996).

Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art.

Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers."

-Satoko Fujii Website (http://www.satokofujii.com/bio.html)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

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