Threadgill's 2nd Volume with Jose Davila, Liberty Ellman, Elliot Humberto Kavee, and Stomu Takeishi, intelligent and cutting-edge music exploring the boundaries of composition & improvisation.
Threadgill, Henry Zooid
This Brings Us To, Volume II
Label: Pi Recordings
Released in: USA
"Henry Threadgill is one of the most highly respected composers and conceptualists in music today having been the recipient of a Guggenheim Fellowship in 2003 and a United States Artist Fellowship in 2008. He was an early member of the influential Association for the Advancement of Creative Musicians (AACM) and has been a popular bandleader for almost 40 years. At the age of 66, when most musicians have long settled into a comfort zone playing music that caters to expectations, Threadgill, without any consistent institutional support, continues to challenge himself to create new cutting-edge music that expand the possibilities of interaction between composition and improvisation.
The two volumes of This Brings Us To are the culmination of eight years of working with Threadgill's band Zooid to perfect a new system of group improvisation. When naming the albums, Threadgill insisted that they be named Volume I and II because he saw them as two parts that make up the whole of where Zooid was at the time of the recording. The recording session captures the band in peak form right after they returned to New York from a long European tour that gave them an extended opportunity to negotiate and really live with this intricate and cutting-edge music. The two volumes also represent the two sets that the band performed live while on tour.
Threadgill's groundbreaking compositions for Zooid are organized along a series of interval blocks, each of which is assigned to a musician who is free to move around within these intervals, improvising melodies and creating counterpoint to one another. The system provides the framework for open dialogue within the group while encouraging the musicians to seek new ways to improvise, away from a reliance on chord changes, scales or any of the clichés of certain "free" jazz. To pull it all off, Threadgill demands that his musicians dedicate themselves fully to mastering this new language. The members of Zooid: Threadgill on flute and alto saxophone, Liberty Ellman on acoustic guitar, Jose Davila on trombone and tuba, Stomu Takeishi on acoustic bass guitar, and Elliot Humberto Kavee on drums, have been together for ten years, the longest of any of Threadgill's many bands. Their commitment results in music that finds its place in that perfect tipping point between thinking and feeling, intellect and intuition. This Brings Us To invites the listener to dissect and understand while reveling in its riches."-Pi Recording
• Show Bio for Henry Threadgill
"Henry Threadgill (born February 15, 1944) is a Pulitzer Prize-winning American composer, saxophonist and flautist, who came to prominence in the 1970s leading ensembles with unusual instrumentation and often incorporating a range of non-jazz genres.
Threadgill studied at the American Conservatory of Music in Chicago, majoring in piano, flute, and composition. He studied piano with Gail Quillman and composition with Stella Roberts. He has been a bandleader and composer for over forty years. He was awarded the 2016 Pulitzer Prize in Music for his composition In for a Penny, In for a Pound, which premiered at Roulette Intermedium on December 4, 2014
Threadgill has performed and recorded with several ensembles: Air, Aggregation Orb, Make a Move, the seven-piece Henry Threadgill Sextett, the twenty-piece Society Situation Dance Band, Very Very Circus, X-75, and Zooid."-Wikipedia (https://en.wikipedia.org/wiki/Henry_Threadgill)
^ Hide Bio for Henry Threadgill
• Show Bio for Liberty Ellman
"Based in Brooklyn New York, guitarist / composer Liberty Ellman has performed and or recorded with a host of stand out creative artists including: Joe Lovano, Myra Melford, Wadada Leo Smith, Butch Morris, Vijay Iyer, Steve Lehman, Greg Osby, Rudresh Mahanthappa, Nels Cline, Somi, Matana Roberts, Ledisi, Michele Rosewoman, Adam Rudolph, Josh Roseman, Barney McAll, Okkyung Lee, Steven Bernstein, Ben Goldberg and John Zorn. In 2014 Ellman worked with Jason Moran on Luanda Kinshasa, a video installation by visionary filmmaker Stan Douglas.
Mr. Ellman is perhaps best known for his long tenure in Henry Threadgill's groundbreaking ensemble, Zooid. The group has recorded several critically lauded albums. Their most recent recording "In For A Penny, In For A Pound" earned a Pulitzer prize for Mr. Threadgill. In addition to playing guitar, Mr. Ellman is credited as producer and mixing engineer on that recording. He has mixed and mastered many other recordings as well, including Gregory Porter's "Be Good," which was nominated for a Grammy.
Ellman has released 4 of his own critically acclaimed albums: Orthodoxy, Tactiles, Ophiuchus Butterfly, and 2015's Radiate on Pi Recordings. His compositional style has been described as "At once highly controlled and recklessly inventive," and the Wall Street Journal said: "Ellman, along with his peers, is helping to define post millennial jazz." Voted #1 Rising Star Guitarist in the 2016 Downbeat Critics Poll, he was also honored in the 2015 Jazz Times expanded critics poll, as one of the four guitarists of the year alongside Bill Frisell, John Scofield and Julian Lage.
Liberty Ellman has also worked beyond the jazz world: hip hop artists Midnight Voices, and The Coup, dance producer DJ Joe Claussell, and worked on remixes of N'Dea Davenport, Chico Freeman, Ann Dyer, Ayo and others. He also made an appearance on the Grammy nominated Groove Collective record, People People Music Music."-Liberty Ellman Website (http://www.libertyellman.com/bio/)
^ Hide Bio for Liberty Ellman
• Show Bio for Jose Davila
"Tuba player and trombonist Jose Davila is a versatile New York-based musician whose work spans across a broad spectrum of musical genres; everything from traditional to cutting-edge jazz, to salsa and classical music. He is currently a member of Henry Threadgill's Zooid and bands led by guitarist Liberty Ellman and alto saxophonist Steve Lehman. His work with both Threadgill and Ellman extends the tuba from its traditional role as part of the rhythm section to a front-line solo voice. His playing can also be heard on the Grammy-nominated salsa recording "Un Gran Dia en el Barrio from the Spanish Harlem Orchestra and "Remembranzas and "Siguendo la Tradicion from Soneros del Barrio.
Davila has also worked in the bands of Ray Charles, Andrew Hill, Tito Puente, Celia Cruz, Marc Anthony, Eddie Palmieri, Ray Anderson, Butch Morris, Ted Nash, along with the Lincoln Center Afro Latin Jazz Orchestra and the American Symphony and New York City Opera Orchestras.
A native of Puerto Rico who was raised on the East Coast, Jose received his formal musical training from the University of Connecticut and Mannes College of Music."-Pi Recordings (https://pirecordings.com/artist/Jose_Davila)
^ Hide Bio for Jose Davila
• Show Bio for Elliot Humberto Kavee
"Elliot Humberto Kavee has performed/recorded ground-breaking new music with Omar Sosa, Joseph Jarman, Henry Threadgill, Steve Coleman, Don Cherry, Cecil Taylor, Francis Wong, Ben Goldberg, John Tchicai, Glenn Horiuchi, Elliot Sharp, Tim Berne, Jon Jang, Rudresh Mahanthappa, Vijay Iyer, and his own projects. Before moving to New York, he was the drummer of choice among the San Francisco Bay Area's most gifted creative musicians, playing on over 40 critically acclaimed recordings. In addition, Kavee was a musician, composer, musical director, actor and writer with the Tony award-winning San Francisco Mime Troupe for seven years - the only musical director in the group's 40 year history to win a dramalogue award. He was a percussionist, cellist and composer with the Club Foot Orchestra, who performed their score for G.W. Pabst's Pandora's Box at Lincoln Center. His collaboration with Asian-American Jazz pioneer Francis Wong has yielded 20 recordings and countless performances. As a founding member of the trail-blazing Omar Sosa Sextet, Kavee recorded four CD's and has toured the world. For his debut recording as a solo performer (on Eliasound records), "not only did Kavee make his skin and metallic percussion instruments sing by effecting a polytimbral/polyrhythmic approach, he further mixed up the program by doubling on cello. (Yes: drums and strings, one player, at the same time.")"- SF Weekly-SF Weekly (https://pirecordings.com/artist/Elliot+Humberto_Kavee)
^ Hide Bio for Elliot Humberto Kavee
See all items in the Pi Records category
Related Categories of Interest:
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Search for other titles on the Pi Recordings label.
Other Recommended Releases:
Customers Who Bought This Item Also Bought:
Shipping Weight: 2.00 units
Quantity in Basket: None
Label: Pi Recordings
Catalog ID: PI 36
Squidco Product Code: 13574
Recorded by Andy Taub in November 2008 at Brooklyn recording, Brooklyn, NY
Henry Threadgill-flute and alto saxophone
Jose Davila-trombone and tuba
Elliot Humberto Kavee-drums
Highlight an artist name or instrument above
and click here to Search
1. Lying Eyes 10:04
2. This Brings Us To 6:33
3. Extremely Sweet William 8:10
4. Polymorph 11:32
5. It Never Moved 7:15