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Catalog ID: TZA-CD-7602
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The Ululating Mummies
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1. Cuimhne An Phiobair
2. The Gospel Of Gone
4. Talking To The Tree
5. Saint Dog
7. Two-Day 'Til Tomorrow
8. In Memory of
10. Just A Dream
12. Marseille Shout
13. Love, Love, Love
14. Casey R.
16. Der Glater Bulgar
17. The President Of The United States
18. Light Sentence
19. The Week Tom Died
20. There will be a Happy Meeting
1. The Flute's tale
2. Burning Hoop
3. Pitter Patter Panther
5. Tom Wood
6. Mr. TC
7. Jelly Roll Stomp
11. 11.Tromba Marina a Cora
12. Hoppas att det Gar
13. Yellow Smile
14. Two Days 'til Tomorrow
15. Jesus Speak To Me
17. One More Time
18. Tom's Lament
19. Zach's Flag
Related Categories of Interest:
Song Based Music
NY Downtown & Jazz/Improv
Various Artists & Compilations
descriptions, reviews, &c.
Tom Cora's premature death in 1997 was a tragic blow to contemporary music. One of the founding members of the downtown improvising scene, Tom was a vital member of some of the most important cutting-edge groups of the past twenty years, including Skeleton Crew, The Ex, Curlew, John Zorn's game pieces and Eugene Chadbourne's pre-Shockabily projects.
This special 2-CD set memorial features poignant tributes by many of Tom's most distinguished collaborators, new recordings of Tom's most memorable compositions, and some of Tom's most important recordings, creating an exciting and vivid portrait of one of the most original musicians in new music.
All profits from this set will go directly to Tom Cora's surviving family. -Tzadik
• Show Bio for Tom Cora
"Thomas Henry Corra (September 14, 1953 Ð April 9, 1998), better known as Tom Cora, was an American cellist and composer, best known for his improvisational performances in the field of experimental jazz and rock. He recorded with John Zorn, Butch Morris, and The Ex, and was a member of Curlew, Third Person and Skeleton Crew.
Tom Cora was born in Yancey Mills, Virginia, United States. He made his musical debut as drummer on a local television program and in the mid-1970s he played guitar for a Washington, D.C. jazz club house band. He took up the cello while an undergraduate at the University of Virginia and studied with cellist Pablo Casals' student Luis Garcia-Renart and later with vibraphonist Karl Berger. During this time he formed his own group, The Moose Skowron Tuned Metal Ensemble and began constructing instruments for it.
In 1979 Cora moved to New York City where he worked with Shockabilly guitarist Eugene Chadbourne, introducing the cello to the honky tonk circuits of North America. He performed at improvising clubs and venues in New York with John Zorn, Fred Frith, Andrea Centazzo, Butch Morris, Wayne Horvitz, David Moss, Toshinori Kondo and others. Cora also collaborated with George Cartwright and Bill Laswell which led to the formation of the art rock band Curlew in 1979 . Cora remained with Curlew for over ten years and appeared on five of their albums.
In 1982 Tom Cora and Fred Frith formed Skeleton Crew, an improvising rock and jazz band best known for their live performances where they played various instruments simultaneously. Cora and Frith were each one-man bands on stage and for their act, Cora constructed musical contraptions he could play with his feet. The band existed for five years during which time they toured Europe, North America and Japan extensively. They made two studio albums, Learn to Talk (1984) and The Country of Blinds (1986), the latter with Zeena Parkins who had joined the band in 1984. In October 1983 Skeleton Crew joined Duck and Cover, a commission from the Berlin Jazz Festival, for a performance in West Berlin, followed by another in February 1984 in East Berlin.
Cora was also a member of the improvising trio Third Person, formed in 1990 as a live collaboration with percussionist Samm Bennett and a "third person" who changed from concert to concert. Two CDs of some of their performances were released, The Bends in 1991 (with "third persons" Don Byron, George Cartwright, Chris Cochrane, Nic Collins, Catherine Jauniaux, Myra Melford, Zeena Parkins, and Marc Ribot) and Luck Water in 1995 (with "third person" Kazutoki Umezu).
Cora performed with a number of other bands, including Nimal with Momo Rossel and post-rock quartet Roof. In 1990, he played two concerts with Dutch anarcho-punk band, The Ex, and the success of this collaboration resulted in Cora performing hundreds of concerts with The Ex and appearing on two of their CDs. In 1995 in The Netherlands, Cora and Frith collaborated, as Skeleton Crew, on Etymology, a CD-ROM sound sample library of sonic sounds and wire manipulations.
Tom Cora died of malignant melanoma at the age of 44 in a hospital in the south of France, where he lived with his wife, singer Catherine Jauniaux, and their son, Elia Corra."-Wikipedia (https://en.wikipedia.org/wiki/Tom_Cora)
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• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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• Show Bio for Gerry Hemingway
"Gerry Hemingway has led a number of quartet and quintets since the mid 1980's. In addition he has been a member of a wide array of long standing collaborative groups including Brew with Reggie Workman and Miya Masaoka, the GRH trio with Georg Graewe and Ernst Reijseger, the WHO trio with Michel Wintsch and Bänz Oester, as well as numerous duo projects with Thomas Lehn, John Butcher, Ellery Eskelin, Marilyn Crispell, and others. Mr. Hemingway is a Guggenheim fellow and has received numerous commissions for chamber and orchestral works as well as being noted for his innovative and multifaceted work as a solo performer which began in 1974. He was a member of the Anthony Braxton Quartet between 1983 and 1994 and is also well known for his collaborations with some of the world's most outstanding improvisers and composers including Evan Parker, Cecil Taylor, Mark Dresser, Anthony Davis, Derek Bailey, Leo Smith and many others. He currently lives in Switzerland having joined the faculty of the Hochschule Luzern in 2009."-Gerry Hemingway Website (http://www.gerryhemingway.com)
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• Show Bio for John Zorn
"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".
Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.
Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.
Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
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