A live multitrack recording from 2009 of the collaboration of Acid Mothers Temple SWR - Kawabata Makoto, Tsuyama Atushi, and Yoshida Tatsuya - with saxophonist Umezu Kazutoki.

Never before released material from 1977 of Billy Bang's seminal NY loft band, Survival Ensemble: 2 CDs and a 40 page booklet of essays, images and flyers - essential!

Cylinder with Aram Shelton on sax, Darren Johnston on trumpet, Kjell Nordeson on drums and Lisa Mezzacappa on bass, sharing Ornette Coleman's chordless instrumentation in inventive harmolodic compositions.

Marc Ducret's Tower Project, music composed as a rendering of Vladimir Nabokov's novel "Ada", the first of 4 albums, here in a quintet with Kasper Tranberg, Matthias Mahler, Fred Gastard & Peter Bruun.

The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.

Mats Gustafsson, Johan Berthling and Andreas Werlin are joined by Jim O'Rourke to add a driving guitar & electronic layer to the "hypnotic jazz psychedelia and sonic mayhem" of Fire!

Live recordings from NYC's Stone of the trio of saxophonist Louie Belogenis, bassist Joe Morris, and drummer Charles Downs, excellent free-flowing jazz from three masterful players.

Frith's 75 minute intense improvisatory journey work is a graphic structural model by which the most diverse types of musical events are linked together along a time line.

After studying jazz and classical music, pianist Satoko Fujii became interested in Min-Yoh, which means folk music in Japanese; this is her 2nd lovely and powerful release with her Min-Yoh Ensemble.

Satoko Fujii Orchestra New York in a work based on the Chinese zodiac, referred to as "Eto", in a celebration of husband and trumpeter Natsuki Tamura's 60th birthday, and of the 12 animals of the zodiac.

The late great saxophonist Julian Hemphill and bassist Peter Kowald, essential free jazz players from NY and Germany, performing solo and as a duo live at Kassiopeia, Wuppertal in 1987.

The Korekyojinn power rock trio of drummer Yoshida Tatsuya, guitarist Kido Natsuki and bassist Nasuno Mitsuru in their 4th album of intense, complex, and exultant rock.

Daniel Levin's quartet with trumpeter Nate Wooley, vibraphonist Matt Moran and bassist Peter Bitenc, modern and organic improvisation with incredible technique and aesthetic.

A previously unreleased recording documenting a one-off collaboration between members of The Blue Notes and tenor sax giant The Reverend Frank Wright, recorded in Holland, 1979.

From Between Trio partners percussionist Tatsuya Nakatani and saxophonist Michel Doneda in a duo release of unusual improvisation, the first release on Tatsuya's new Kobo label.

The Necks 16th release layers polyrhythmic material to form seething blocks of sound, in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics.

The Necks 16th release layers polyrhythmic material to form seething blocks of sound, in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics.

British saxophonist Evan Parker came to Toronto in 2009 as a guest of the AIMToronto (Association of Improvising Musicians Toronto) Interface Series, recording his trio with Wes Neal (double bass) and Joe Sorbara (drums).

Recorded mostly in the early'60s in a sextet with Marshall Allen, John Gilmore, &c., this album explores stripped back forms and colour combinations that take jazz into unusual territories.

The debut of Tippett's new Octet, which features old & new collaborators including Mujician's Paul Dunmall, and former Tommy Chase Band saxophonist Ben Waghorn, performing a large continuous jazz suite.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The acoustic quartet of NY improvisers drummer Jim Black, bassist Trevor Dunn, and saxophonists Oscar Noriega and Chris Speed, pushing the jazz genre while powered by tradition.

The late trumpeter Bill Dixon's final performance at the 2011 Victo Festival, performing with and directing an incredible group including Taylor Ho Bynum, Rob Mazurek, Stephen Haynes, Graham Haynes, &c. &c.

Other Dimension with Roy Campbell, Daniel Carter, William Parker, & Charles Downs, plus vocalist Fay Victor for an album influenced by Kaiso, a music of African and Spanish colonial influences.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Two of NY's farthest reaching players - Peter Evans & Nate Wooley - both on amplified trumpet for an album crossing electroacoustic and improvisatory worlds in raw and exhiliarating abstraction.

Peter Evans, Jon Irabagon, Moppa Elliott, and Kevin Shea in a double disc set performing live during the 2010 Jazz ao Centro Festival; killer and twisted beyond bop modern jazz!

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, &c. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.

Braxton's 1972 Town Hall, NY concert with the great lineup of Dave Holland, Philip Wilson, John Stubblefield, Jeanne Lee, and Barry Altschul, an early example of his numbered compositions

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.