Genre-bending free improvisation from the trio of Tom Carter, percussionist Lisa Cameron, and bassist Ingebrigt Håker-Flaten (The Thing), dividing their time between acoustic and electric improvisation as the trio build up from track to track, evolving openly spacious free environments to driving and burning power, finally leaving the listener on "Traveling Spaceways".

After the 2014 Rock In Opposition Festival in Japan, Richard Pinhas and Yoshida Tatsuya did a two week tour of Japan; one of the results was this CD compiled from several shows during that tour, an excellent album of improvised electronics and drums from Heldon and Ruins masters.

Composers and performers Jani Hirvonen and Johannes Schebler create a complex universe in sound & melody, a veritable forest of sound referencing global and spiritual environments, using warm instrumental sources, field recordings, world percussion and extended use of the studio in a satisfying series of journeys with a mysteriously transcendental and devotional feeling.

A Slovokian experimental group with rock roots and a somewhat DaDa approach to unusual song forms using perplexing repetitions and interventions, led by guitarist and vocalist Roman Radkovič with Josef Novák on keyboard, Jiří Šíla on accordion, Zdeněk Řihošek on harmonica & double bass Zdeněk Caha on drums & voice, and Miloš Šandera on percussion.

Originally released in 1981 as a 3-track 7", this collaborative project recorded at Mills College by David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon and Anne Klingensmith is presented for the first time in its entirety, a quirky performance art work based on texts by Friedman and Hanlon in which female narrators comically embody a series of iconic roles.

Reissuing on LP their 2016 limited cassette on the Land and Sea label of a performance by guitarists Michael Morley (Dead C) and Bill Orcutt (Harry Pussy, solo) at the L/S gallery in Oakland, Orcutt on a Fender Telecaster without effects and Morley on a modified 2006 Squire Telecaster made in Indonesia, in a conversation merging clear and crenulated playing.