One of two releases from Otomo Yoshihide's ONJT with Mizutani Hiroaki, Mizutani Hiroaki, Yoshigaki Yasuhiro + Sachiko M and Jim O'Rourke, paying homage to Albert Ayler's ESP release, "Bells".

One of two releases from Otomo Yoshihide's ONJT with Mizutani Hiroaki, Mizutani Hiroaki, Yoshigaki Yasuhiro + Sachiko M and Jim O'Rourke, paying homage to Ornette Coleman's "Lonely Woman".

The excellent quartet of Gunter Muller on minidiscs, percussion and electronics, Norbert Moslang and Andy Guhl (Voice Crack) on cracked everyday-electronics and Erik M on minidiscs, sampler and fx.

Sim is the 3 piece electronic/rock band of Teruyuki, Yoshio & Masahiro, here with Otomo Yoshihide on turntables and synth, and amazing album of rhythms in a This Heat "Repeat" mode.

The meeting of Martin Tetreault and Otomo Yoshihide, two turntable master manipulators, in a studio recording from Montreal, in a collection of 21 improvisations that explore different themes.

Turntable duo of Martin Tetreault and Otomo Yoshihide in a collection of improvised recordings taken for a Spring tour in 2003 around parts of Europe.

Picking up where 1. Grrr leaves off, this album is the second addition of the turntable duo of Martin Tetreault and Otomo Yoshihide in a collection of live, improvised recordings.

Following 1. Grrr and 2. Tok, this is the third and final part of a series of live recordings from the improvising turntable duo of Martin Tetreault and Otomo Yoshihide.

The Thing (Mats Gustafsson, Ingebright Haker-Flaten, Paal Nilssen-Love) meets Otomo Yoshihide on guitar live at Shinjuku Pit Inn, Tokyo in 2007, for far reaching jazz meets punk meets electroacoustic madness.

UK free improvising drummer Roger Turner meets Japanese guitarist Otomo Yoshihide at the Hara Museum, Tokyo in the winter of 2013 for a performance that balances introspective improvisation with assertive and authoritative playing for a captivating and dynamic album.

Core Anode is Otomo's roaring-sound project, 3 pieces recorded live at concerts in Tokyo (2002), Copenhagen (2006), and London (2006).

Reflecting on his studies with guitarist Masayuki Takayanagi, Otomo Yoshihide plays one of Takayanagi's favorite electric guitars, a 1963 Gibson-175, to record 6 extended and informed free improvisations, including Ornette's "Lonely Woman" and "Song for Che".

Yoshihide's 2nd solo guitar on Doubtmusic uses feedback phasing and interruption from 2 electric guitars and 2 amplifiers intended for VERY LOUD playback!

The trio of drummer Paal Nilssen-Love, guitarist Otomo Yoshihide and noise artist Lasse Marhaug in an album of powerful sound improvisation, two building works recorded at GOK Sound, Tokyo.

The final night of Otomo and Sachiko's first residency at London's Cafe OTO in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher, for an exceptional set of creative improvisation.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

This amazing trio performed at the 25th Victoriaville Festival of Musique Actuelle in 2008 with 2 guitars, 3 turntables, one spy-microphone, and 201 spectators.

Using extended and unsual techniques of cutting up, scratching, scraping, sanding grooves, even ironing his records, turntabilist Martin Tetreault approaches new music in audacious ways.

Two turntablists with very different backgrounds - actuelle improv and radical hip-hop - meet in energetic duos fill with humor and instrumental acrobatics.

UK free improvising percussionist Roger Turner in a duo with Japanese creative improviser Otomo Yoshihide on guitar, performing live at Tokyo's SuperDeluxe in 2015, two sets of dynamic and demanding improvisation, from near silence to driving rhythm and noise.

The complement to his "Guitar Solo "RIGHT", Otomo Yoshihide recorded 123 structured guitar improvisations on Masayuki Takayanagi's 1963 Gibson, then gave them to Akihiko Matsumoto who fed them into software he developed to play them back using a set of intelligent rules.

The fourth of a collection dedicated to the French Musique Action Festival, here in a tribute to Tom Cora recorded in 1998 with Catherine Jauniaux, Phil Minton, Zeena Parkins, Christian Marclay, Otomo Yoshihide, Veryan Weston, &c. &c.

The fiery, complex and exultant duo of drummer/percussionist Paal Nilssen-Love and Otomo Yoshihide on electric guitar, performing at the Copenhagen Jazzhouse in May 2013, an intense and rewarding set from two authoritative improvisers.

Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.

Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.

Guitarists Otomo Yoshihide & Ryoichi Saito, bassist Hiroaki Mizutani & drummer Yasuhiro Yoshigaki performing a form of psychedelic swing on tunes by Charles Mingus, Rahsaan Kirk and Louis Prima.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.

Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.

UK drummer/percussionist Roger Turner in his first meeting with Japanese Noh flutist Yukihiro Isso, an accomplished improviser who has performed with Cecil Taylor, Peter Brotzmann, John Zorn, &c., for a unique and fascinating conversation bridging two traditions.

A 71 minute unedited improvisation between guitarist Zai Kuning, Otomo Yoshihide on guitar and turntable, and Dickson Dee on electronics, Asian improv moving between turbulence and stillness.