Composer, improviser, and trumpet player Nate Wooley continues to cement his place as an American iconoclast by releasing the complete recordings of his revolutionary solo [Syllables] compositions as a deluxe 4 CD set consisting of two reissues of out-of-print early works: 8 [Syllables] (2013) and 9 [Syllables] (2014) as well as the premiere recording of his 150 minute epic For Kenneth Gaburo.

Composer, sound engineer and teacher, Jaap Vink recorded these compositions at The Institute of Sonology in Utrecht, Holland, from 1968-1985, using electronic sources, feedback networks with configurations of analog tape recorders (delay lines), filters, and modulators to create these impressive and forward-thinking textural and drone compositions.

Sound artist Luigi Archetti has developed his Null series over several years, here presenting his second Box set of 4 CDs, the word "null" (German for "zero") a metaphor for a state of pausing and anticipatory waiting, as the sound evolves slowly using static tones and drones and the transitions between, generated from e-guitars in unique tunings.

Experimental sound artists Jeph Jerman and Tim Barnes continue the exploration heard in their erstwhile and Confront releases, here in two new tracks recorded in Arizona and Louisville as they prepared for their 2016 performance at the No Idea Festival in Austin, TX.

A split tape from Austin-based More Eaze (aka Marcus Rubio) and San Diego-based duo A.F. Jones and Steve Flato, More Eaze presenting a work of surprising twists, drone, and audio turns; Jones & Flato create an electronic composition of strange detail using a wide auditory palette encompassing the lowest to highest tones.

The trio of Jean-Marc Foussat on synthesizer and voice, abd Dynamo Dreesen & SVN on electronics, crossing artists more associated with electronica than free improvisation, here in their second release recorded live at Ohm in Berlin, Germany and at "Neues Deutchland" in 2016.

Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.

A captivating compilation from electronic composer Michel Banabila recorded between 2005-2016, a combination of studio, live and theatre recordings remixed into two continuous tracks of sound, with collaborations including Oene Van Geel and Rutger Zuydervelt (Machinefabriek).

NYC vocalist, composer and keyboardist Judith Berkson in the debut album for her one-woman band Liederkreis (translating to "song-cycle", a reference to Schumann), taking a sharp turn from previous work through experimental synth, voice and effects in unique and often aberrant ways.

Percussionist Will Guthrie recorded the individual parts of these compositions in a variety of locations, constructing them into a remarkable set of electroacoustic compositions that blend drums, percussion, field recordings, and electronics in unexpected ways.

An unusual and gripping album of electronic improvisation on guitar and synthesizer between keyboardist Jean-Marc Foussat and guitarist Simon Henocq, taking alien and abstract landscapes into intense territory over two monumental tracks.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

An amazing album of electronic experimentation from multi-instrumentalist Jean-Marc Foussat, dedicating the album to the late painter and son Victor Foussat, through two extended and far-ranging works that blends concrete sounds with intense playing and sonic environments.

The title and album cover give no clue to David Grollman's actual intent in creating this layered work of ambient recordings and percussive sounds, using drums, percussion, percussive balloons, and voice recordings to create a uniquely opaque narrative of NYC.

While on a 2-week tour of Japan, Belgium sound artists Teun Verbruggen on drums & electronics and Jozef Dumoulin on Fender Rhodes, joined forces with Keiji Haino on guitar, vocals, flute & gongs, capturing these darkly intense and powerful tracks in the studio and live at SDLX.

While on a 2-week tour of Japan, Belgium sound artists Teun Verbruggen on drums & electronics and Jozef Dumoulin on Fender Rhodes, joined forces with Keiji Haino on guitar, vocals, flute & gongs, capturing these darkly intense and powerful tracks in the studio and live at SDLX.

Recorded in a live performance in Kyoto in 1973, five years before Fushitsusha, Keiji Haino uses primitive electronics, homemade acoustic instruments, piano and voice to create a 48 minute, slowly evolving cosmic (or kosmische) wash of sound culminating in a vocal catharsis.

Rutger Zuydervelt AKA Machinefabriek's first game soundtrack is for System Era's Astroneer game, a sci-fi exploration and adventure game, in discrete tracks presenting the themes and melodies that are played continuously in reaction to the action of the player in the game.

Of interest to lowercase/Wandelweiser fans, the quartet of Billy Gomberg, Anne Guthrie, Richard Kamerman and Takahiro Kawaguchi use synthesizer, french horn, found objects, & field recordings, frequency generators, to create evolving sound environments of unique sound and timbre.

Sound and visual artists Stephen Cornford and Ben Gwilliam recorded their installation at Q-02 in Brussels, where they took apart a Grundik TK5 tape machine and repurposed the components to create these innovative and diverse recordings of stunning textures and interactions.

Brooklyn-based Ben Owen recorded this work in 2010 at the Experimental Television Center in Owego, NY, presenting the original work "Birds And Water" and two edits, which are mastered by Giuseppe Ielasi.

Experimental sound performer Lawrence English on drums, electronics and field recordings joins forces with Akio Suzuki on the amazing analapos instrument (see video) for three tracks of unusual and alien sound, punctuated with strange references and percussive devices.

The Architek Percussion ensemble is a Montreal quartet performing works by Canadian composers, using percussion, drums, sampling, electronics and synth in wonderfully odd ways, here with two guest performers presenting works composed and mixed by Elliot Britton.

Ghedalia Tazartes continues to confound and bewilder, here teamed up with sound artists Pawel Romanczuk and Andrzej Zaleski for an album of bizarre songs and unusual acoustic accompaniment, 10 songs that seem to raise out of the earth spontaneously, in an LP/CD package.

Sound explorer Olivia Block reflects upon human "webs of significance" and the way electronic communication and recording technologies both improve and complicate those webs, in a remarkably detailed set of layered recordings contrasting clear and fragmented sound.

Reissuing Japanese sound artist Minoru Sato's 1995 work, searching a stationary wave (SASW) based on "aspect" works, re-released on cassette with two additional tracks from an exhibition catalogue from ICC, 2000, and one unreleased piece, "days of the sky another mix".

5 artists in a split release of 3 cassette tapes, the artists (Somnoroase Pasarele / Alan Courtis / Directives / Crank Sturgeon ) are based in disparate geographical regions of Earth: Romania, Argentina, Massachussetts USA, San Francisco USA, and Normal IL USA.

An anniversary release for the 10 year collaboration of Ease, the duo of Klaus Filip and Noid, using Filip's ppooll software (formerly lloopp) to tailor both pure electronic sound and modified field recordings into subtle and mysterious sound environments.

D. Petri and Doggy P. Lips create rich sonic environments of processed guitars layered with strong tribal percussion, here in a followup to the 2015 release "Mitzi" is the 23 minute 3" CD EP named after various permuations of the equation 1-3.

An album of hallucinogenic and melodic rhythhm and sound from the Amalgamated collective, who take their influence from 80's industrial / cassette culture, as heard in these 8 tracks, balancing modern electronics with lo-fi/home taper instruments and sensibilities.

The Amalgamated collective in a two cassette package including an extensive booklet of fractal images and a folding card with images; the music presents dark and detailed industrial sound, a mix of drone and collage that engulfs the listener into their alchemical world.

A split cassette and art booklet from US sound artists August Traeger performing as Odd Person, and Spanish sound artist Miguel A. Garcia, presenting works of experimental electronic sound, both diverse and extensive journeys through unusual sonic worlds.

A peer of Luc Ferrari, Bernard Parmegiani, Pierre Henry and Jean-Claude Risset, co-founder of the Groupe de Musique Experimentale de Marseille, electroacoustic composer Michel Redolfi developed these hypnotic works after visiting the Mojave Desert, Death Valley, Palm Canyon in 1987.

Christina Nemec and Peter Rehberg, members of Shampoo Boy, here as a duo under the Pita & Chra moniker in compelling sound work of sinoid rhythms and eerie electronic noise, great textural work in a tapestry of unusual sound mastered by Martin Siewert.

Goh Lee Kwang recorded these tracks from 2012-2015, a diverse set of pieces using sound, noise, field recordings, even guitar and rhythm to create unique audio environments, a succint and interesting reflection on the inquisitive nature of this audio explorers work.

A half-hour work of non-narrative radio theater featuring music and text collage, as well as Terri Kapsalis on violin and John Corbett on analog synthesizer, commissioned and recorded in the Experimental Sound Studio, Chicago in 2000 for the Outer Ear Festival.

Layered and manipulated sound created in the studio and captured through live improvisation to create these rich, resonant compositions from Grant Stewart, a member of Machine Language, Daedal, A Perfect Mirror, The Eschaton Manifest, and The Inference Engine.

Blurring the lines between Sun Ra's avant jazz and Merzbow's approach to noise, these pieces are based on rare and unreleased tracks authorized by the Sun Ra archive, worked into compositions that morph and micro-inspect each track into something unique and outer-worldly.

Blurring the lines between Sun Ra's avant jazz and Merzbow's approach to noise, these pieces are based on rare and unreleased tracks authorized by the Sun Ra archive, worked into compositions that morph and micro-inspect each track into something unique and outer-worldly.

Reissuing the 3rd volume of Sub Rosa's Anthology Of Noise and Electronic Music as a 3-LP vinly set, presenting music by a wide range of artists from historical to contemporary, including avant compositional, improvised, rock, concrete, sound, noise, and electronic music.

Oren Ambarchi's "Hubris" is remixed by electronic music legend Ricardo Villalobos, who transforms Ambarchi's layered web of countless sustained and pulsating palm-muted guitars into a funky, mesmerizing and propulsive long-form piece.

Canada's premiere music magazine, with articles on The Sound Future of Virtual Reality; Roarke Menzies; Heidi Chan; Erin Gee; Eric Normand; Carmen Braden; Nick Dourado; plus a CD with recordings from Eric Normand, Carmen Braden, Erin Gee, Nick Dourado, Heidi Chan, and Plumes Ensemble.

Continuing on from "Sagittarian Domain" & "Quixotism", Oren Ambarchi joins forces with Jim O'Rourke, Chris Cole, Keith Fullerton Whitmanm, Konrad Sprenger, Mark Fell, Will Guthrie, Joe Talia, Ricardo Villalobos and Arto Lindsay for this album of driving rhythm and sound.

Continuing on from "Sagittarian Domain" & "Quixotism", Oren Ambarchi joins forces with Jim O'Rourke, Chris Cole, Keith Fullerton Whitmanm, Konrad Sprenger, Mark Fell, Will Guthrie, Joe Talia, Ricardo Villalobos and Arto Lindsay for this album of driving rhythm and sound.

Capturing 2 performances from '82 &'83, the improvising quintet of Howard Walmsley, Ken Hollings, Eddie Sherwood, Colin Seddon, Graham Massey present "an unpredictable "post-punk avant-funk" mix of spoken word, percussion, random tapes, films and free-form soloing".

Tape experiments from author and audio experimenter William S. Burroughs, recorded in London in 1968 and originally issued in 1998, this version has been edited to the core of the original recording, which uses random drop-ins and cut-ups of Burrough's readings.

Derek Rogers sculpted these six compositions from live performances, organizing them using strings and synthesizers, and employing digital processing and granular synthesis with concert and field recordings, creating richly complex works that evolve with beautiful pacing.

Reflections on the loss of traditional structures in the rural landscape of Bucks County, Pennsylvania, composed of field recordings, tape manipulations, & digital resynthesis; the first in a series of works by Mirande inspired by impressionist painter Daniel Garber.

Using electronics, field recordings and spoken word, Graham Lambkin explores "Community" in abstract and literal ways, reflecting on society and describing aspects of community through spoken word and sound, a thought-provoking and complex work of organized sound.

A first-time collaboration between two American noise/sound artists, Tim Albro and Tyler Keen, using electronics, guitars and other lo- to medium-fi sounds and crackles to create well-paced stories in sound, apparently mysterious travelogues from city to city.

A journey in sound--drone, abrasive noise and subtle ambiance--in a well-paced example of non-idiomatic soundscape from the first meeting of Reed Evan Rosenberg on microphones, pedals, max, and voice, and Ethan Tripp on speakers, microphones, motors, junk.

Jerome Noetinger was commissioned by the Ensemble Phoenix Basel, a challenge for a non-notational conceptualist, which he accepted, creating this work in collaboration with the Ensemble, and based on the book by Pascal Quignard, "La haine de la musique" (The hate of music).

The new release from Italy's excellent electroacoustic experimental band Ossatura led by Elio Martusciello takes the band into new territory, detailed and more luminous, more acoustic, with vibes and clarinet (Michael Thieke) and even a lovely song surprising long-time fans.

Using a diverse set of instruments and percussive devices, from tennis balls to Jupiter 80 keyboards, electronics artist and performer Steve MacLean presents an exotic set of compositions using microtonal, poly-rhythmic and deeply engaging structures in unusual and captivating music.

The 4th collaboration between electronic artists Michel Banabila and Machinefabriek (Rutger Zuydervelt), in captivating music exploring the concepts of macro and micro: how insiginificant we become when zooming out, and how small worlds can be found when zooming in.

The first-ever vinyl issue of Alvin Curran's 1983 cassette release, a composition of organized field recordings, a major work he describes as a series of "still lifes" from 20 years of recordings with an engrossingly diverse set of curious and concrete sounds - amazing!

Originally released in a limited edition of forty copies for a solo/duo show with Jason Lescalleet in 2013, this 10" release remasters the original album; a disorienting and melodic album of tape loops and dark ambient drone.

An album of dark and cavernous sound in the second release from the sound-sculpting duo of R. Lee Dockery and Smoke Emery (aka Daniel Hipolito), two long tracks that evolve with the patience and intensity of a dark sacramental journey in deeply detailed drone.

A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring.

An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.