One of two sets recorded on one intense night at Tokyo's Shinjuku Pit Inn from the trio of Japanese improvised rock legend Haino Keiji, European Free Jazz saxophone master Peter Brotzmann, and versatile American composer and musician Jim O'Rourke.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

Third collaboration between Keiji Haino, one of the most prolific artists of the Japanese experimental / noise scene, and the critically acclaimed ensemble Zeitkratzer, who enthuse with these stunning interpretations of Stockhausen compositions.

The trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with this double LP of the band performing live at SuperDeluxe in Tokyo in 2014, for a journey in improvised rock and electronics with the shamanistic vocals of Haino guiding their unique and powerful playing.

Viennese experimental guitarist and laptop artist Christian Fennesz and Jim O'Rourke on synthesizer in a beautiful album of sonic environments, with "gurgling harmonies swimming among the shimmering frequencies and strummed melodies"; recommended.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

While on a 2-week tour of Japan, Belgium sound artists Teun Verbruggen on drums & electronics and Jozef Dumoulin on Fender Rhodes, joined forces with Keiji Haino on guitar, vocals, flute & gongs, capturing these darkly intense and powerful tracks in the studio and live at SDLX.

While on a 2-week tour of Japan, Belgium sound artists Teun Verbruggen on drums & electronics and Jozef Dumoulin on Fender Rhodes, joined forces with Keiji Haino on guitar, vocals, flute & gongs, capturing these darkly intense and powerful tracks in the studio and live at SDLX.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Enigmatic Japanese legend Keiji Haino's 1981 debut album receives a fitting reissue in this metallic gold and silver jacket pressing, presenting the stark vocals, whispered and screamed, punctuating dark silences over intricate and sharp guitar figures that interweave, repeat, and stretch, trance-like, emerging from dark recesses; an essential piece of the Haino puzzle.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

The ninth album from the enduring trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi, recorded in 2015 at Tokyo's SuperDeluxe, with both Ambarchi and O'Rourke performing on drums and percussion, O'Rourke also using a Hammond Organ and Ambarchi on flute, while Haino asserts himself on guitar, electronics and voice, in 2 groove-based pieces and 2 side-long epics.

The ninth album from the enduring trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi, recorded in 2015 at Tokyo's SuperDeluxe, with both Ambarchi and O'Rourke performing on drums and percussion, O'Rourke also using a Hammond Organ and Ambarchi on flute, while Haino asserts himself on guitar, electronics and voice, in 2 groove-based pieces and 2 side-long epics.

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook and Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music.

Recorded in a live performance in Kyoto in 1973, five years before Fushitsusha, Keiji Haino uses primitive electronics, homemade acoustic instruments, piano and voice to create a 48 minute, slowly evolving cosmic (or kosmische) wash of sound culminating in a vocal catharsis.

The second collaboration between the American avant-metal rock trio Sumac of guitarist Aaron Turner, drummer Nick Yacyshyn and bassist Brian Cook with Japanese legendary guitarist and vocalist Keiji Haino finds the quartet settling down from their first blast of an album, here slowly building their heavy feedback-drenched, ponderous and epic music.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The next chapter for the trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi, extending the power-trio strategies of their previous LP with intense music that transcends rock and electronic music.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".