The 1st of two 3" CDs recorded by the Amalgamated quarter before a live audience at short-lived La Salle, Illinois music venue The Spark in November, 2007, reworked into detailed, lush, and strange electronic/industrial/noise/ambient constructions.

The 2nd of two 3" CDs formed out of material recorded by the Amalgamated quarter before a live audience at short-lived La Salle, Illinois music venue The Spark in November, 2007, edgier and more complex than the 1st release.

The third album by Banabila and Machinefabriek, removing the lightness of the previous two in favor of abstract and dystopian soundscapes, presented in three long monolithic tracks based on electronics and heavy sampling of acoustic instruments.

A compilation of tracks from the melodic side of string and electronic artist Michel Banabila, with two exclusive tracks, and collecting previous work with artists like Anton Goudsmit, Eric Vloeimans, Michel van Schie, Salar Asid, Anne Bakker, Mete Erker, Mehmet Polat, Yasar Saka, &c.

A 2 CD Compilation of Banabila tracks released between 1999 and 2008, taken from his work on the Dutch label Steamin' Soundworks, and from his soundtrack and television work, with conspirators including Frank Van Der Kooij, Eric Vloeimans, Yasar Saka, Anton Goudsmit, Zenial, &c.

Bete Tete's first album, "Ji Mo De" was recorded in Jiangxi, Ganzhou, China during the winter of 2006, designed as a play on verbal structure developed in mandarin.

D. Petri & Doggy P. Lips, aka Dog Hallucination, in a 3" CD with hand-cut packaging of experimental-psychedelia using specifically designed tonalities, texture sculpturing, rhythms, and unique compositional structures.

Cory Bengtsen's (aka Gushing Cloud) first full length is an album of melodic electronics and guitar, collaborating on tracks with Cheer-Accident's Thymme Jones, Dog Hallucination's D. Petri, and Lovely Little Girls' Alex Perkolup.

Phil Klampe , aka Homogenized Terrestrials, uses acoustic instruments, sparse, often ethnic percussion, human voice and analog synth sounds to create a tapestry of emotional electronic work, eerie and dreamlike music with a warm accessibility.

If Thousands present a beautiful blanket of sound recorded as a soundtrack for falling asleep. Quite beautiful and soothing. Fans of Godspeed You Black Emperor and Stars of the lid should love this one.

Jack's son is an avant hip-hop/breaks project created at the end of 2003 by Diego Martinez, Mexican young producer who also works under the name Lumenlab.

Vancouver-based Jay Crocker, half of Bent Spoon with Chris Dadge, in an album of electronics using homebuilt instruments and treatments, rhythmically based music with effective melodies and a quirky, sometimes lo-fi, but always engaging approach.

Abstract sound design from 910 Noise collective artist Carl Kruger, 5 tracks on a lovely 3" CD created through the processing of acoustic sound and electronics, a dynamic set of excellent compositions.

Dark electronic soundscapes with dark beats and vocal improvisations.

Intelligent Dark Electronica with a touch of Krautrock and experimental ambient.

An ambient electronic adventure driven by experimental touches of noise and glitch in a journey through moods of mystery, melancholy, eminent peril, and even elation inspired by the magickal strength of Aleister Crowley.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

After recording Stroomtoon in December 2011, electronic sound artist Rutger Zuydervelt wanted to capture more of the roughness and spontaneity of his live performances, so he recorded more material for this second installation.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

Miimo are a Japanese dub & electronica group consisting of Yoshio Machida, Norihide Saji and Tatsu, whose tracks have appeared in documentaries and TV spots throughout Japan.

Mego founder and electronic artist Peter Rehberg met with Schmickler (Kontakta) in 2007 for two days of explosive, dense recording with a remarkable clarity.

A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.

Rich electronic space explorations in the tradition of Ash Ra Tempel, Klaus Schulze, Tangerine Dream, &c.

Philosopher and reed player David Rothenberg joins Scanner (Robin Rimbaud) on laptop and electronics for a release of improvised studio and live recordings.

Borrowing from a variety of genres, Alexander Guevara's lyrical content jumps from love to hate, life to death, random screaming to random silence, religion to anti-religion, and digitally manipulated sound.

Electronic ambience, minimal techno and acid house with groovy basslines, soundscapes and vocals mixed by Signal Deluxe, DJs from the Mexican electronic scene.

Sontag Shogun is the trio of pianist Ian Temple and sound artists Jesse Perlstein and Jeremy Young, setting the piano against intricately designed sonic textures and cut-ups of choral voice and acoustic guitar, as well as processed field recordings, here in a 10" 4 track EP.

Brooklyn's Sontag Shogun (Ian Temple-piano; Jesse Perlstein-electronics; Jeremy Young-tapes & electronics) in their debut album, compiling three years of composing and directed textural improvisations, presented in 9 rich musical works.

Limited cassette release of Sizlard's beautiful "colourpalette" loop series, featuring two side-length pieces composed for rotating loop-cycles, which adhere to strict compositional limitations.

A series of vignettes inspired by and dedicated to the Saami people living at the top of Fenno-Scandinavian peninsula from Chandra Shukla (Xambuka), in absorbing beats and effects, synthetic sound sculptures and exotic sound.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

Remixes of the entire "In Sea" album by Ramses III, Landing, ThisQuietArmy, Mason Jones, Keith Canisus (Rumskib), Yellow6, Declining Winter (Richard of Hood), Suckers, &c. &c.

The collaboration between Machinefabriek (Rutger Zuydervelt and Celer) continues with their 2nd 7" of textured electronic collage and sound, packaged with a postcard, a download code, and two download videos.

Chris Conway's Continuum, fusing electronic music, jazz, ambient, minimal and more in unique ways, on the first release for their Zorpin Music label.

Electric Bird Noise (Brian Lea McKenzie) goes back to his guitar roots for a challenging record built from dissonant chords, which McKenzie refers to as "elevator music for art galleries"; hypnotically jarring music creating a unique sonic tapestry.

The French Astrid quartet in their 4th album, where the titles of pieces are based on lighthouses' names, the band creating impressively ambient soundscapes filled with rich detail and lush, languid orchestration of guitar, violin, reeds, synths, harmoniums, &c.

Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.

Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.

The improvising steelpan ensemble of Yoshio Machida (steel drums, percussion, electronics, PanKAT), Tatsu (bass, electronics) and Norihide Saji (drums, laptop, electronics) in their 3rd release, an alternative dub album, or music created by poly-rhythm and sound effects.

Using bass, drums, steelpan, electronics and programming, the trio of Tatsu, Norihide Saji and Amorfon label leader Yoshio Machida create a "pulse dub" album of polyrhythms and phase, producing warm, complex and embraceable music that includes a cover of Bjork's "Hyperballad".

The alternative dub steelpan trio of Yoshio Machida (steeldrums, voice, percussion, electronics), Tatus (bass, voice & electronics) and Norihide Saji (drums, laptop & electronics) for 10 tracks of embraceable tunes including a cover of Miles Davis "All Blues".

Electronic-inspired ensemble High Risk with Dave Douglas on trumpet, Jonathan Maron on bass, Mark Guiliana on drums and Shigeto on electronics, exploring the intersection of creative improvisation and modern electronic music production in persuasively rhythmic music.

Daniel Vujanic's Baja creates 'free electronics' fusing folk, free jazz, twisted pop, electroacoustic sound, eerie chamber music & unusual textures.

Five hypnotic transmissions from the aether, as manifested by Chad Davis (Hour of 13/Night Magic, The Ritualist, US Christmas, Anu, Demoncy, etc.) Science Fiction soundscapes for the cosmic students of early electronic music.

The 5th album for Sao Paulo Underground with Rob Mazurek, bringing Brazilian drummer/percussionist Mauricio Takata and keyboardist Guilherem Granado together with the Chicago cornetist, also on keys, and here with Swiss/Brazilian transplant Thomas Rohrer on winds.

An album of hallucinogenic and melodic rhythhm and sound from the Amalgamated collective, who take their influence from 80's industrial / cassette culture, as heard in these 8 tracks, balancing modern electronics with lo-fi/home taper instruments and sensibilities.

Rutger Zuydervelt AKA Machinefabriek's first game soundtrack is for System Era's Astroneer game, a sci-fi exploration and adventure game, in discrete tracks presenting the themes and melodies that are played continuously in reaction to the action of the player in the game.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

A captivating compilation from electronic composer Michel Banabila recorded between 2005-2016, a combination of studio, live and theatre recordings remixed into two continuous tracks of sound, with collaborations including Oene Van Geel and Rutger Zuydervelt (Machinefabriek).

The trio of Jean-Marc Foussat on synthesizer and voice, abd Dynamo Dreesen & SVN on electronics, crossing artists more associated with electronica than free improvisation, here in their second release recorded live at Ohm in Berlin, Germany and at "Neues Deutchland" in 2016.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

The fourth dance piece by Dutch/Spanish choreographer Ivan Perez to feature an original soundtrack by Rutger Zuydervelt (Machinefabriek), performed live on stage in Korzo in The Hague, and at Vondelpark in Amsterdam, the composer and coreographer developing a movement and sound 'vocabulary' to create a performance that mixes structured and improvised music.

The second volume of Rutger Zuydervelt AKA Machinefabriek's soundtrack for System Era's Astroneer game, a sci-fi exploration and adventure game, in discrete tracks presenting the themes and melodies that are played continuously in reaction to the action of the player in the game.

Rich sonic atmospheres from subterrene, aka Grant Stewart, a member of the 910 Noise collective, using slowly evolving and dovetailing drones that resonate and reveal shimmering beauty, deeply controlled and maintaining aural interest without any sense of impatience, maintaining a steady hand that reveals hidden harmonics amongst beautiful clouds of sound.

Anthony Pateras & Valerio Tricoli worked 7 years transforming pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld that celebrates the "End of Times" in three parts; a meticulous and fascinating work.

Centered around Wagner's 200th birthday Peter Schwalm and Brian Eno explore how Wagner might reinterpret some of his works with the use of technology.

Two contrasting works composed for the tape label Dauw by Rutger Zuydervelt, exercises in creating an auditory space or sphere rather than sculpting a structured composition; "Dwaal" presents orchestral washes amidst a barrage of radio static and erratic noise; "Wold" is a dream-like work of pianos, subtle hiss and field recordings; plus remixes of each.

Rutger Zuydervelt, AKA Machinefabriek, expanded the existing score for Marta Alstadsaeter & Kim-Jomi Fischer's dance piece "Engel", which is a contemporary piece combining dance and circus acrobatics, the new soundtrack a large work combining rich mirages of electronica, ambient sound, assertive noise, and even a section of Paal Nilessen-Love's drumwork.

Rapid beats, quirky percussion, drifting bass and unusual tones, Eli Keszler's 9th solo album was inspired by his move from Brooklyn into Manhattan, as the creative drummer fuses environments of avant-jazz and electronica into 12 understated pieces, developing embraceable and warm soundscapes over which he reveals an astonishing stream of restless, rhythmic dexterity.

Rapid beats, quirky percussion, drifting bass and unusual tones, Eli Keszler's 9th solo album was inspired by his move from Brooklyn into Manhattan, as the creative drummer fuses environments of avant-jazz and electronica into 12 understated pieces, developing embraceable and warm soundscapes over which he reveals an astonishing stream of restless, rhythmic dexterity.

Rutger Zuydervelt, aka Machinefabriek, presents 33 pieces made for the score of the VPRO-produced documentary series Sahara, in which Bram Vermeulen explores political turmoil, social issues and cultural heritage in the Sahara region, here in a beautifully heterogenous album presenting upbeat rhythmic, melodic, and lyrical music balanced by moody dark sonic environments.