The first album from the trio of Portuguese musicians Sergio Carolino on tuba, Mario Delgado on guitar, and Alexandre Frazao on drums, turns jazz on its ear in an unusual format where the tuba functions less as a bass but instead like a lead instrument, on par with the guitar and drums, as the perform works by the likes of Monk, Carlos Barretto, Led Zeppelin, Bud Powell, &c.

Recalling the French Revolution, Portuguese guitarist Luis Lopes joins forces with French cellist Valentin Ceccaldi and Norwegian drummer Andreas Wildhagen as they slice through complex electric improvisation in a triptych for Marie Antoinette, ending in a Robespierre-like reign of terror "Orgasmic Dance"; muscular, convoluted, unsettling and exultant.

A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.

Matthias' Spillmann's Trio with the leader on trumpet and flugelhorn, Swiss drummer Mortiz Baumgartner and Danish Bassist Andreas Lang are caught live at Bird's Eye Jazz Club, in Basel Switzerland in 2017 for a lyrical and informed album of hard bop, seminal free jazz and jazz standards, including pieces by Ornette Coleman, Billy Strayhorn, Joe Lavano, and William C. Handy.

Picking up from flutist Sylvaine Helary's 2015 Ayler release "Spring Roll/Printemps", this evolved album of chamber jazz performed with Hugues Mayot on saxophone & clarinet, Antonin Rayon on piano & Moog, Sylvain Lemetre on vibes & percussions, and Kris Davis on piano, presents sophisticated compositions from Helary, Davis, Rayon Dan Blake, and Matt Mitchell.

The 2nd album from the Portuguese trio of cellist Ricardo Jacinto, double bassist Goncalo Almeida, and drummer Nuno Morao, blending free jazz and freely improvised music using effect pedals and electronic devices to expand their collective improvisations, textured playing influenced by folk melodies and an experimental post-rock bent; mesmerizing and passionate.

Portugese double bassist Carlos Bica joins forces with German saxophonist Daniel Erdmann and turntablist DJ Illvibe, the son of pianist Alexander von Schlippenbach, for a unique album of improvisation blending experimental and jazz approaches with substantive layers of genre-blending from Illvibe's record arsenal, all handled with accessible control and lyrical sophistication.

Starting from silence, the improvisations on this collective and fully spontaneous album from trumpeter Luis Vicente and percussionist Vasco Trilla never reaches cathartic crescendo, but as only skilled innovators such as they can do, they captivate the listener in other-worldly environments of advanced technique and profound intention; engrossing and ineffable.

Using an electric guitar, preparations, and objects as a tool of reflection, Nicola L. Hein presents an album of philosophical bent, about the question of skepticism in music, or a skeptical form of improvisation, through tumultuous playing of impressive technique caught live at Spectrum in NYC, as each track title presents observations or questions that Hein seeks to resolve.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

With sections of dark grooves, wild free improv, seething electronics, and even moments of "Set the Controls..." surrealism, the trio of Alexandre Vaz on keys, guitar & saxophone, Joao Silva on synths & drum machine, and Vasco Marques on bass & synth, take their listeners on an unexpected and wide-ranging journey of uneasy and informed, rich exploration.

Birmingham drummer Ed Gauden's Crux trio with bassist Colin Somervell and saxophonist Mark Hanslip add keyboardist Steve Tromans in their 3rd album for FMR after their self-titled and "Believe" releases, originally developed from the sax and drum duo of Gauden & Hanslip; here in an extended studio improvisation of considerate exploration and lyrical intention.

A quintet of audio explorers that includes Otomo Yoshihide, recording in NY for 11 abstract non-idiomatic improvisations using electronics, drums, turntables, 4 electric guitars, double bass, analog synth, and effects to create identifiable and aberrant sound sources, elements used for reverie or building into unlikely yet cogent grooves; fascinating.

The first proper tour for these two Norwegian musicians performing live at Stavenger's cultural center Tou Scene, Frode Gjerstad performing on alto & tenor sax, alto flute and clarinet, Dag Magnus Navesen (DAMANA octet, Von Schlippenbach) on drum set and percussion, as they approach free jazz with subtle but spirited control in an impressive set of five improvisations.

London violinist Pei Ann Yeoh started TriYeoh while doing her postgraduate work at Royal Birmingham Conservatoire, bringing together UK drummer Jim Bashford and bassist Ash Trigg as they perform her lyrical and exciting compositions, seeking to elevate the role of the violin in an avant-garde jazz setting; compelling, upbeat, energetic and enthusiastic improvisation!

A duo of Brussels audio explorers, Jean-Jacques Duerinckx on sopranino saxophone and Anatole Damien on tabletop guitar and electronics, contrasting acoustic "dry" and highly effected "wet" sounds, the two develop sonic environments that build and release using unusual reed techniques and mutated string scrabbling in a strangely compelling set of dialogs.

A live album from Birmingham of informed free improvisation, recorded at the Lamp Tavern in 2018 by the quintet of Mike Fletcher on alto saxophone, Tymek Jozwiak on drums, Paul Dunmall on tenor saxophone, Richard Foote on trombone, and Percy Pursglove on trumpet, slowly evolving each of two extended improvisations while allowing focused interplay between group members.

Using the natural resonance of the chapelle St Sylvestre des Brousses, French improvisers Michel Doneda on saxophone & radio and Mathieu Bec on snare drum and objects explore the space in four mostly acoustic improvisations, using masterful technique as their interactions intensify and recede, allowing space for each other and the unspoken third voice of the chapel itself.

A live performance at IKLECTIK in London in 2018 from trombonist Alan Tomlinson's inventive trio with Phillip Marks on drums & percussion and Dave Tucker on electric guitar, with special guest John Edwards joining on bass violin for the title track, in a superb display of free jazz led by an essential member of the London free jazz scene since the 70s.

The Serbian trio led by violist Szilard Mezei with Istvan Csik on drums and Ervin Malina on double bass are joined by Hungarian flutist Gergely Ittzes performing on piccolo, alto and bass flutes, as Mezei's as Mezei's chamber-oriented free jazz trio reflects on the words of poet Szegedi-Szabo Bela.

NY Drummer Jim Bashford brought together the quartet of John O'Gallagher on alto saxophone, Drew Gress on bass, and Liam Noble on piano, writing these lyrical free jazz compositions that they brought on a tour of the UK, recording this album in the studio in Birmingham while touring, the band on fire as they work through Bashford's martial art's-influenced pieces.

2019 Record Store Day release, a 7" from trumpeter Dave Douglas in two different configurations: the lead track from his album "Engage" featuring guitarist Jeff Parker and cellist Tomeka Reid along with Anna Webber, Nick Dunston & Kate Gentile; and a B-Side from 2018's "Uplift" featuring Joe Lovano and Bill Laswell alongside Mary Halvorson, Julian Lage, and Ian Chang.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

Performing at Japan's Playhouse in the Kitakyushu Performing Arts Center in 2015, legendary Japanese underground vocalist Phew joins Oren Ambarchi on guitar and Jim O'Rourke on piano & synth for the two part "Patience Soup", Phew's extreme vocal technique and electronics a powerful foil to the rich sonic environments of frequent collaborators Ambarchi & O'Rourke.

In 2008 the Danish group Causa Sui of guitarist Jonas Munk and drummer Jakob Skott ventured to Chicago, meeting and setting up the studio session for this excellent electric jazz session in a 70's Miles mode, with cornetist Rob Mazurek and Tortoise members Jeff Parker and Dan Bitney.

Two large hypnotic works and 2 shorter pieces from Chicago's Natural Information Society led by Joshua Abrams on gimbri in an eight-piece acoustic band with Lisa Alvarado on harmonium & gongs, Mikel Avery on tam-tam & gongs, Ben Boye on autoharp & piano, Hamid Drake on tabla & tar, Ben Lamar Gay on cornet, Nick Mazzarella on saxophone, and Jason Stein on bass clarinet.

A reissue of Robert Ashley's 1978 release "Private Parts", presenting an unvarnished exposition of the inner workings of a man's mind through narrative, read by Ashley over the piano & synth of "Blue" Gene Tyranny and tabla player Kris, as Ashley describes two lives in an abstract narrative of keen observation and inside jokes; baffling and spellbinding.

In 1977 David Behrman programmed a Kim 1 microcomputer developed at Mills College to analyze the music performed by the duo of bassoonist Arthur Stidfole, flutist Maggi Payne; and then the solo work of cellist David Gibson; for each work, the Kim 1 following Behrman's instructions, becoming a virtual musician responding to and interacting with the playing of each setting.

Slovenian percussionist Zlatko Kaucic reinforces the title of his "Diversity" box set over 5 CDs in a variety of solo, duo, trio and quartet setting, including some of the UK & Europe's finest improvisers--Evan Parker, Agusti Fernandez, Lotte Anker, Artur Majewski, Rafal Mazur, Phil Minton, and Johannes Bauer--an excellent example of his wide-ranging work as an improviser.

Barry Guy's Blue Shroud Band is the bassist's ensemble performing in a variety of configurations, capable of executing his sophisticated compositions that pay hommage or reflect larger subjects, here in 5 CDs of performances at Alchemia Club and on Radio Krakow in Poland, approaching the work of late pianist Cecil Taylor through multi-part Odes, Meditations, and even some "Strange Loops".

Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location.

An impressive concert of free jazz from the UK duo of Simon Rose on baritone sax and Steve Noble on drums, their collaborations over many years, particularly their working relationship in their trio with Simon H. Fell, bringing obvious confidence in their conversation as each pushes their playing into both energetic and reflective moments of masterful skill.

Official issue of the drumming duo of Jay Rosen (Trio X, Cosmosomatics) and Brian Wilson (Pauline Oliveros, Ivo Perelman), performing at Whitman Hall in Brooklyn College in 2008, presenting 5 concertos for two drums written by both performers, through pristine recordings demonstrating melodicism through rhythm as they explore a wide range of timbre and color.

Acousmatic compositions--works of sound having no relationship to concrete elements--from French composer Regis Renouard Lariviere, using bold sounds structures in three major works from 2002, 2010 & 2013, each exploring sonic environments affected by tone, timbre, time and pitch in fascinating and gripping ways; profoundly interesting and otherworldy.

Two works from French composer Luc Ferrari: "Music Promenade" (1964-69) an electroacoustic work for four stand-alone tape recorders presenting a series of colliding realistic sounds and sonic images; and "Unheimlich Schon" (1971), a quiet work of Musique concrete with spoken word--"How does a young woman breathe when thinking about something else?"

From Mnemonist Orchestra to Biota, with 18 albums in total, the Colorado collective Biota presents its 11th album on ReR, taking 4 years to complete this genre-defying album of gorgeous abstraction through free improvisation and composition, absorbing styles and reflecting them in a filtered ray of melody & song using unusual instrumentation and arrangment; absolutely recommended

Starting with a pipe organ, adding metal tubes, PVC tubes, a wind machine, guitar strings, a bass string, a resin thread, metal and glass percussion, and a bow, Maja SK Ratjke developed this unusual instrument for a live performance in Jo Stromgren's ballet "Sult" ("Hunger"), taking the instrument to the studio for this extraordinarily interesting album of keys and song.

An anthology of contemporary Greek experimental composers focused primarily on works since the 1980s, attempting to map the breadth of approaches while delineating different understandings of what "Greek" or "experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former.

An anthology of contemporary Greek experimental composers focused primarily on works since the 1980s, attempting to map the breadth of approaches while delineating different understandings of what "Greek" or "experimental" may stand for, by means of zeroing in on the numerous, often overlapping, realities and micro-scenes that are associated with the former.

The first vinyl solo release from Chicago/NY/Mexico City avant trumpeter Jacob Wick, whose work includes exploring the physical form of the trumpet itself as he uses extended techniques and circular breathing while he deconstructs the instrument during performance, creating unusual textures and timbres, here in two side-long profoudnly contemplative improvisations.

A collaboration between Austrian composer/organist Klaus Lang and the Golden Fur ensemble of Samuel Dunscombe on clarinet, Judith Hamann on cello & James Rushford on viola & harmonium, reworking a hymn from 18th century composer Johann Conrad Beissel, using an algorithmic system to reinterpret the piece through orchestration, dynamic movement, harmonic density & harmonicity.

Three free improvising women--Angharad Davies, Rie Nakajima, and Alice Purton--met in the church in the tiny hamlet of Dethick, near Matlock, Derbyshire, over the course of two days developing the ten pieces of this album using an impressive set of stringed and percussive instruments, objects, and mysterious sources to create these fascinating sonic evocations.

A live recording of Julius Eastman's 1974 work "Femenine" performed by Apartment House led by cellist Anton Lukoszevieze, with Simon Limbrick on vibraphone, Kerry Yong on piano, Mark Knoop on keyboard, Mira Benjamin on violin, and Gavin Morrison and Emma Williams on flute, an ecstatic and intricate work using a repeating figure contrasted with both asynchronous and complementing backgrounds.

Composer Magnus Granberg took influences from Schubert's song cycle "Die Winterreise", extracting tonal material, which he merged with rhythmic influences from medieval English folk music and a song by Dowland, merging them into a temporal framework for this large and subtle composition, executed by a setpet including Angharad Davies, Erik Carlsson, Henrik Olsson, d'incise, &c.

Also known as "Improvisations for Kulintang", this live album of energetic and informed free jazz occurred between legendary Japanese percussionist Sabu Toyozumi and Philippine-based saxophonist Rick Countryman in Dec 2018, with featured guest Tusa Montes performing on prepared Kulintang percussion, a set of horizontally laid gongs that add tympanic melody.

Guitarist Taku Sugimoto and vocalist Minami Saeki developed the concept of this album--extremely short, simple songs performed slowly and quietly, with few sounds, using vocals and guitar only, alongside a few subtle guest, revealing a mysterious organization guiding their work--first released as a single CD in 2016, and now expanded in a 2-CD edition.

Distributing the group--John Butcher, Angharad Davies, Lina Lapelyte, Lee Patterson, Pat Thomas, and Rhodri Davies--inside the Pitt Rivers Museum in Oxford, Butcher chose 4 shamanic objects from the museum's ethnographic collection, evoking water, air, earth, spirit, ritual and utility, used as a score orchestrating varying combinations of players; intense and profound improvisation.

While touring Europe in the autumn of 2017, Minami Saeki (voice), Wakana Ikeda (flute), Yoko Ikeda (viola), and Taku Sugimoto (guitar) visited Switzerland and met up with Swiss musicians Stefan Thut (cello) and Manfred Werder (glockenspiel & typewriter), recording these five minimal improvisations in a recording session at the concert venue Theater Delly.

The second recorded collaboration of Japanese no-input mixing board player Toshimaru Nakamura with London-based electronic artist Ken Ikeda and Japanese sound artist Tomoyoshi Date, a large, rich and detailed work of slowly evolving sonic environments, showing masterful control in developing sumptuous sound and then subtly deflecting it with unusual excursions.

A live recording of a concert at Ftarri in 2018, performed by Yasumune Morishige (cello), Yoko Ikeda (viola), and Takashi Masubuchi (guitar), three improvisers active mainly in Tokyo, in an entrancing confluence of strings building from delicate weaving of languorous tones with pizzicato interventions to an assertive second section, that then furtively dissolves; spellbinding.

Roscoe Mitchell 25 Piece Orchestra returns with an outstanding follow-up to his 2017 release "Discussions", recorded in concert at the Littlefield Auditorium in Mills College, reworking earlier pieces that take advantages of Mitchell's systems designed to articulate and capitalize on the tensions between composition and improvisation; an impressive achievement.

A stellar line-up commemorateing the 50th anniversary of John Coltrane's passing, showcasing Paul Dunmall's blistering Coltrane-influenced quartet together with special guest, lifelong Coltrane devotee saxophonist Alan Skidmore, and also marking the premiere performance of the newly formed international trio of Julie Kjaer (DK), Mark Wastell (GB) and Stale Liavik Solberg (NOR).

Istanbul composer Turgut Ercetin (Daad artists-in-Berlin 2016 award winner) completed his doctorate studies at Stanford University, developing works engaged with issues of sound as sonic entities dealing with time and space, here in a string quartet performed by Arditti Quartet, and a work for voice and live electronics performed by Neue Vocalsolisten Stuttgar.

The second volume in composer and audio explorer Anthony Pateras' "Collected Works" series, a sturdy 5 CD box set assembling 26 collaborations and solo works that bridge experimental and contemporary compositional work investigating electro-acoustic orchestration, temporal hallucination and sound phenomena, a remarkably diverse and fascinating collection.

Jakob Ullman's 5th solo work for piano is atypical for a piano performance, using electronic playback and requiring three assistants sustaining a soundscape to realize a concept of "gravity" that Ullman applies as laws in a conceptual soundscape modified by a series of abstract images, resulting in unexpected sonic environments, tones, timbres and momentum.

The 3rd album from the quartet of saxophonist Daniel Erdmann, drummer Samuel Rohrer, guitarist Frank Mobus and cellist Vincent Courtois, 10 "songs" that uses lyrical settings as a basis for avant soloing in compositions that find adept union points that yield to turbulence, billowing clouds that yield thunderous moments then clear to sophisticated tranquility.

The 3rd album from the quartet of saxophonist Daniel Erdmann, drummer Samuel Rohrer, guitarist Frank Mobus and cellist Vincent Courtois, 10 "songs" that uses lyrical settings as a basis for avant soloing in compositions that find adept union points that yield to turbulence, billowing clouds that yield thunderous moments then clear to sophisticated tranquility.

A lyrical piano trio album from Swiss drummer Samuel Rohrer and two Portuguese musicians, pianist Joao Paulo Esteves da Silva and bassist Mario Franco, recording in France for 13 sophisticated pieces of melodic compositions used as a jumping off point for nuanced improvisation and exploration, all three revealing beauty in embraceable motifs and luminous song.

The second album from German saxophonist and clarinetist Klaus Gesing, Swedish bassist Bjorn Meyer, and Swiss drummer Samuel Rohrer, co-composing the rich atmospheres of timbre, textured percussion and propulsive beats, landscapes over which their playing intertwines in lyrical progressions, very much in an ECM vein of rich subtlety and imaginative playing.