Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.
Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.
Three soundtracks to movies from sound artist Eric La Casa, developed for directors Luke Fowler, Christian Jaccard and Marie-Christine Navarro, organizing sounds from field recordings, with Navarro's soundtrack complemented by organ recordings from Jean-Luc Guionnet.
Originally a side-project of douBt, this new electric jazz/rock trio is led by Tony Bianco (drums and loops), Michel Delville (guitar, bouzouki and live effects), and Belgian saxophonist, clarinetist and flutist Jordi Grognard.
Great post-bop free playing from the Swedish trio Apuh! of Adrian Asling Sellius on saxophone, Hampus Ohman-Frolund on drums & percussion, and Mats Dimming on doublebass, recording in the studio in New York for 6 pieces that balance lyrical jazz with fully free improvisation, always captivating with adept playing and engaging approaches.
The Berlin trio of Rudi Mahall on clarinet and bass clarinet, Olaf Rupp on electric and acoustic guitar and Jan Roder on double bass in an ironically packaged album of free improvisation of the highest standard, taking the listener on a journey of informed free jazz that references the past in thoroughly modern approaches to creative music.