Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.
Electroacoustic improviser Thanos Chrysakis performing on the chamber organ at the University of Gloucestershire, UK in a collaboration with Chris Cundy on contra bass clarinet, for a subtle, mysterious and uncompromising four-part improvisation.
A 4 CD anthology released on Jean-Marc Foussat's 60th birthday, presenting an amazing diversity of material from 40 years of recording, including early experiments, the development of his unique language, improv with Jean-Luc Cappozzo, Matthias Mahler, Joe McPhee, Paul Lovens, &c.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
New York free jazz pianist Burton Greene and free jazz vocalist Silke Rollig recorded these thirteen improvisations at The Loft in Koln, Germany in 2013, a mix of lyrical free playing with scat and freeform vocals, accompanied by flute, and by sax, on one piece each.
Free improvising cellist Hugues Vincent and pianist John Cuny in a studio release of 9 subtle duos using space, time, unusual techniques, and intensive listening to develop succinct, unique and sometimes curious dialogs of spontaneous skill.
Two albums together. "Carrousel": The Paris based Theo Ceccaldi Trio crosses improv with chamber music in a string trio of lyrical, subtle and advanced improvisation. "Can You Smile": Ceccarelli expands his trio with bassist/free vocalist Joelle Leandre for rich, interactive improvisation.
Jad Fair, vocalist and mastermind of Half Japanese, with the band Strobe Talbot (Nick Hobbs, Beng Gallaher, Andy Fisher), in a 33 rpm postcard flexi record of a song titled "Hunger", a limited and numbered edition of 250 copies with artwork from Jad Fair himself.
A legendary and intense album of European Free Improvising masters recorded in 1969 from a band led by saxophonist Peter Brotzmann, with Evan Parker on tenor sax; Derek Bailey on guitar; Fred van Hove on piano; Buschi Niebergall on bass; and Han Bennink on drums.
Free jazz vocal improvisation from Keiki Higuchi in a quartet with drummer Tatsuya Nakatani, bassist Luis Inage, and guitarist Masami Kawaguchi, creating an hallucinatory sound of unusual techniques and hazy vocal implications, revealing layers with each listen.
Wild free jazz grooves, another monster of an album from the trio of reedist Mats Gustafsson, bassist Ingebrigt Haker Flaten and drummer Paal Nilssen-Love with guests Anna Hogberg on alto sax and Goran Kajfes on cornet; intense, passionate, and precise.
Trio X with Joe Mcphee (sax), Jay Rosen (drums), Dominic Duval (double bass) recording at St. George The Martyr Church, Toronto, Ontario in March 2001, plus live at Bug Jar, Rochester, NY in March 2001.
New York drummer Harris Eisenstadt revives his trio with trombonist Jeb Bishop and bassist Jason Roebke, adding tenor saxophonist Tony Malaby, recording in the studio after two concerts at John Zorn's venue The Stone in 2015, heard in here in momentous and heartfelt jazz.
Harpist Gabriele Emde began performing contemporary music by exceptional 20th century artists in the early 80s; in this collection recorded from 1985 to 1987 she presents one of Cage's "Landscape" pieces, a major work by Hans Otte, and several short pieces by Lou Harrison.
Bay Area trumpeter Darren Johnston meets improvising guitar legend Fred Frith for an incredibly well-paced series of duos, remarkable improv that uses space, skill, extended techniques and unexpected approaches to both instruments in vivid and beautiful discourse.
Thomas Bonvalet takes the banjo into unusual territory with Jean-Luc Guionnet performing on the organ at the protestant temple of Bergerac, France, in a beautifully terrifying album recorded during the MONC cultural arts centre's festival of avant-garde culture in 2010.
Saxophonist Junji Hirose met Kazuhisa Uchihashi at Foxhole in Kichijoji in 2014 and 2015, Uchihashi performing only on Hans Reichel's daxophone--wood shapes played in a variety of ways to create unusual sound--as heard on these 10 surprising and wonderfully idiosyncratic recordings.
Freely improvised collective with an electroacoustic inclination and chamber music reserve from the quintet of Dre Hoceva (drums), Bran De Looze (piano), Lester St. Louis (cello), Chris Pitsiokos (sax) and Philip White (electronics & signal processing).
Works from Italian composer Clare Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program titled "A Failed Entertainment" commissioned by Quaturo Diotima; plus 6 works for contemporary ensembles.
This progressive/folk/jazz/improv/experimental/psych quartet from Norway covers a diverse set of approaches to improvisation, from textural, minimalistic and radically abstract, like something AMM would play, using graphic and written notation.
The French trio of Xavier Camarasa on piano, Valentin Ceccaldi on cello, and Sylvain Darrifourcq on percussion, having little to do with Mile Davis, but instead a creative band using timbral changes, intensity, density, volume to create unique improv environments.
Soprano saxophonist Frank Paul Schubert and pianist Uwe Oberg have played together since 2009; for ROPE they are joined by UK drummer Mark Sanders and Amsterdam bassist Wilbert de Joode for a diverse and astounding live set performed at Just Music Fest in Wiesbaden, Germany in 2015.
New York Drummer Tom Rainey met French guitarist Hasse Poulsen to record this album of dynamic duos in the studio, building works that ebb and flow between aggressive sound and reflective harmony, an impressive display of technical, lyrical, and powerful playing.
Hard driving free jazz and hard bop from the German trio of Chris Pitsioko on alto sax, Noah Punkt on electric bass, and Philipp Scholz on drums and percussion, referencing the past with their foot clearly in the present through propulsive and creatively heavy playing.
A live recording at Greenwich House Music School in New York City in 2014, and the 3rd album from the Renku trio of Michael Attias on alto sax, John Hebert on double bass, and Satoshi Takeishi on drums, lyrical and intimate trio work from three masterful players.
Eleven songs by Montreal trombonist Scott Thomson, settings of poems by P.K. Page (1916-2010), one of Canada's distinguished literary figures, in a band with Pierre Tanguay on drums, Yves Charuest on sax, Nicolas Caloia on double bass, and Susanna Hood on vocals.
Montreal's most creative large ensemble, led by Joane Hetu & Daniell Palardy Roger, in their 5th release presenting works composed between 1976-2015 featuring twenty musicians playing in different combinations, showing the creative breadth and skills of this amazing band.
The second album from the duo collaboration of acoustic and electric bassist Anders Berg and guitarist Tellef Ogrim on fretted and unfretted standard and baritone guitars, a Hadron Particle synthesizer, and other instruments, merging rock, jazz and other groove oriented styles.
Composer Simon Martin pays hommage to Quebec painters Ozias Leduc, Paul-Emile Borduas, and Jean-Paul Riopelle in contemplative works for each artist, performed by the ensembles Quatuor Bozzini, Quasar quatuor de saxophons, and Trio de guitares contemporain.
Montreal saxophone quartet Quasar (Jean-Marc Bouchard, Marie-Chantal Leclair, Mathieu Leclair, & Andre Leroux) in their 3rd incredible album of contemporary saxophone compositions, presenting 14 rich and varied compositions, including commissioned and premier works.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.
Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.
Luke Martin began this work with a field recording at Mentryville Park in Southern California, which was transcribed by himself and Amy Golden, Ben Levinson, Davy Sumner, and Ryan Gaston using Martin's system of notating silence, then combined into the final score for this recording.
Composed between 1926 and 1939, "Mikrokosmos" was Bela Bartok's attempt to solve certain technical problems in the art of piano playing, here adapted by the 5-piece Quartetski into a fascinating series of progressive exercises and etudes, oddly enough presented without a piano.
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.
Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.
Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.
From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!
Thick, grungy, ecstatic free improvisation crossing into rock territory from the trio of Mats Gustafsson (The Thing) on sax, Brian Chippendale (Lightening Bolt) on drums, and Massimo Pupillo (Zu) on electric bass, a temporary project that evolved into a touring band.
A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.
A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.
Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.
Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.
The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.
An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.
Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).
An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.
Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".
'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.