Pianist/composer Gordon Beeferman's trio with bassist James Ilgenfritz and drummer/percussionist Michael Evans in an entirely acoustic record that conjures up electronica, noise, free jazz, and new-complexity, in a sublimely creative fashion.
Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.
The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.
Bertrand Denzler composed this pseudo-drone work performed by the ONCEIM Orchestra, allowing the orchestra members to make decisions in order to keep the drone alive while moving within a small, pre-established musical perimeter defined by the composer.
Formed in 2010, Israeli trio EFT of Ido Bukelman (guitar), Daniel Davidovsky (electronics) and Offer Bymel (drums) create a resilient hybridization of genres and musical approaches, incorporating free jazz, improvisation, noise and modern electronic music.
French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.
Toronto drummer and composer Nick Fraser in a superb trio with saxophonist Tony Malaby and pianist Kris Davis, performing Fraser originals that merge free improvisation, jazz and avant compositional approaches with astonishing solos from all three.
A hybrid of theater, music, sound poetry and political manifesto from Sylvaine Helary, focused on the "Arab Spring" in Egypt, using intertwining words and voices around the quartet performances of Hugues Mayot, Sylvain Lemetre, Antonin Rayon and Sylvaine Helary.
Tenor saxophonist Bertrand Denzler's pseudo-drone piece for the ensemble of Pierre-Antoine Badaroux (alto sax), Fidel Fourneyron (trombone) and Luis Laurain (trumpet) where the players keep the sound alive while moving in a small, pre-established musical perimeter.
IST, the trio of Rhodri Davie (harp), Simon H. Fell (double bass) and Mark Wastell (violincello) from their 2003 live performance at London's Freedom of the City Festival, 8 years into the project, showing the remarkable sonic language the trio had developed.
Recorded in Brooklyn and Paris, this quintet crosses the threshold between jazz, rock and electronic sound with a somewhat dark intent, using guitar & sitar, organs, syths, pianos, drums, bass and sounds to evoke thick and extended psychedelic environments.
Vancouver-based Jay Crocker, half of Bent Spoon with Chris Dadge, in an album of electronics using homebuilt instruments and treatments, rhythmically based music with effective melodies and a quirky, sometimes lo-fi, but always engaging approach.
The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.
A Downtown NY duo of OutNow label leader and saxophonist Yoni Kretzmer with drummer Andrew Drury, who both push the envelop with extended and unusual techniques amidst energetic playing and unusual freeform improv yielding unusual audio environments.
The duo of cellist Daniel Levin and drummer Juan Pablo Carletti recording live at Outpost 186 in Cambridge, MA in 2014, for a free session of empathic playing crossing rhythmic and percussive elements in both charge fast action playing and beautiful sonic environments.
Cellist Daniel Levin Quartet leads his quartet with Nate Wooley on trumpet, Matt Moran on vibes, and Torbjorn Zetterberg on bass, in open-minded modern compositions that blend jazz, chamber, and experimental improvisation of reserved and riveting character.
French-Japanese violist Frantz Loriot's large ensemble drawn from 5 nations in an excellent set of compositions that employ a diverse set of approaches, slyly drawing the listener into unique and encompassing sound worlds of remarkable elements and superb improvisation.
The 1st meeting between Simon Nabatov on piano (inside and out) and double bassist Mark Dresser, recorded live at the Loft in Cologne in 2014, for a remarkable dialog of empathetic communication, outrageous technique and dynamic exchange from two authoritative players.
Guitarist Joacim Nyberg, also performing on double bass, bell and recorder, in a live performance in Stockholm, Sweden at Fylkingen in 2014, using "Wood, steel, air. Hands, fingers, heart" in an open-ended and ardent exposition of his interpretation of jazz.
Two trumpeters 20 years apart, Germany's Axel Dorner and Japan's Itaru Oki are both known for their versatile approach to jazz, from traditional to the freest forms using extended techniques, in a unique dialog challenging the limits of the horn with fascinating results.
The extraordinary trio of three masterful players from different generations who have broken with convention while playing within free forms--Evan Parker on sax; Joe Morris on guitar; and Nate Wooley on trumpet--performing live at Firehouse 12 in Connecticut, 2014.
Pianist Tom Prehn's quartet with Frits Krogh on tenor sax, Poul Ehlers on bass, and Finn Slumstrup on bass, superb European free jazz recorded in 1963 in Copenhagen but never formally released, here remastered and issued with an unreleased track from 1966.
P (Yann Pittard on oud and guitar & vocals), Y (Tatsuya Yoshida on drums & vocals) and N (Mitsuru Nasuno on bass & vocals) performing Arabian Progressive Pop Improvisation, an unusual melding and orchestration of arabic progressions and melodic prog rock.
The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.
An Italian quartet playing rootsy jazz and blues compositions from John Carter, Charley Patton, Julius Hemphill, Phil Cohran, Sun Ra, Blind Willie Johnson, Olu Dara, alongside and a few originals; gutsy, informed, spell-binding Hoodoo from the delta blues to outer space.
Upsilon Acrux/Corima/Nakata saxophonist Patrick Shiroishi in an emotional album of solo saxophone recorded as a tribute to his grandfather, alone and overdubbed, pushing the limits of his mind and body through haunting, beautiful, and intense compositions and playing.
The duo of Ferran Fages on electronic devices and Eduard Maquez on percussion in a beautiful long-form drone, a drifting and haunting work that hangs off of slowly building crescendos which release to beautifully suspended sonic environments.
The transatlantic quartet of Harrison Bankhead & Benjamin Duboc on double bass, and Hamid Drake & Ramon Lopez on drums and percussion in recordings from a 2014 tour of France as part of The Bridge, with guests William Parker, Jean-Luc Cappozzo, and Lionel Garcin.
The first recording of Tony Wilson's music inspired by the plight and lives of the homeless and drug addictied in Vancouver's Downtown Eastside, in a band with P Carter on trumpet, Jesse Zubot on violin, Peggy Lee on cello, Russell Sholberg on bass and Skye Brooks on drums.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
New York improvisor and electronic artist Chuck Bettis in an exploration of decay and repetition, performed live using Max/Msp with no overdubs or sequencers, using simple pop melody progressions and superimposing them over the cut-up techniques of musique concrete.
Drummer Harris Eisenstadt continues his excellent NY quintet with Nate Wooley, Matt Bauder, Chris Dingman, and new bassist Pascal Niggenkemper, through 7 original compositions of lyrical modern jazz that leaves room for open-ended and extraordinary soloing.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dŐAlfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
US West Coast multi-instrumentalist Patrick Shiroishi performs an unorthodox set at 2575 Mission in Los Angeles, California, using alto saxophone, bells, electric toothbrush, ipod, pie tin, spoons, tape player, and voice to create a yearning work expressing the frustration of longing and estrangement.
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.
Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.
From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!
Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.
A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.
A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.
Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.
Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.
An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.
Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).
An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.
Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".
'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.
A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.
Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.
Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.
Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.