Legendary saxophonist Albert Ayler recorded this album in 1965 with the phenomenal band of brother Donald Ayler on trumpet, Charles Tyler on alto sax, Sunny Murray on drums, Call Cobbs on harpsichord, and Gary Peacock and Henry Grime on bass, reissued with its original cover.
The third album by Banabila and Machinefabriek, removing the lightness of the previous two in favor of abstract and dystopian soundscapes, presented in three long monolithic tracks based on electronics and heavy sampling of acoustic instruments.
Swiss trombonist Samuel Blaser pays tribute to clarinetist and composer Jimmy Giuffre, in a quartet with Russ Lossing on piano & keys, Drew Gress on double bass, and Gerald Cleaver on drums, merging Giuffre's lyrical forms to create new and innovative compositions.
The trio of Hiroshi Hasegawa and Miyano on electronics, and Ironfist Tatsushima on drums in a 32 minute blast of sound and noise recorded live at Earthdom, Tokyo in 2013 and mixed by Tatsuya Yoshida who reveals the inner layers of their profoundly intense sonic attacks.
A much-needed reissue of the 2002 release from the quartet of Peter Brotzmann (reeds), Joe McPhee (sax, pocket cornet, trumpet), Kent Kessler (double bass) and Michael Zerang (drums & percussion) recording in the studio for incredible free improvisation from four titans.
A reissue of this 1973 LP of succinct free improvsation by Peter Brotzmann, Fred van Hove, and Han Bennink, with Brotzmann on clarinet, alto, tenor, baritone, bass saxophones, van Hove plays celesta & piano, and Bennink on drums and a crazy assortment of percussive devices.
The South-African inspired Italian improvising group Canto General (named as a reference to poet Pablo Neruda) led by trumpeter Pino Manafra and saxophonist Roberto Ottaviano invite drummer Louis Moholo-Moholo for an album of compositions from Harry Miller, Keith Tippett, Mongezi Feza, &c.
Four generations of Chicago saxophonists--Dave Rempis, Ken Vandermark, Mars Williams, and Nick Mazzarella--come together in an interactive saxophone quartet with each player providing 2 compositions of well-developed, powerful, engaging free and lyrical jazz.
An electroacoustic composition from Herbert Distel, a "Travelogue" of field recordings organized into two long works that present hallucinatory sound with an illusive rhythmic component, structured into a long journey with a departure, journey and arrival.
Composer Jason Eckardt presents "Subject", a work that confronts "enhanced interrogation" techniques using sound and light, plus other works including a 6 part piece about glossolalia ("Tongues"), performed by JACK, ICE, and the Oberlin Contemporary Music Ensemble.
Ellery Eskelin performing solo on tenor saxophone at 61 Local in Brooklyn, NY, four original compositions, personal and distinctive improvisation like listening to tales from a well seasoned and adept traveler.
Seven electric guitar duos from Kaiser & Ewen, recorded during a 6 hour marathon session in Houston, TX, impressive for the intense technical interactions as well as the assertive use of sound and distortion to augment their wonderfully strange, monstrous ideas.
Two masters who rarely play together--guitarist Fred Frith and saxophonist Evan Parker--performing together as a duo at the 30th Musique Actuelle Festival in Victoriaville, Canada for an amazing exchange of ideas and intensely subtle dialog.
If Thousands present a beautiful blanket of sound recorded as a soundtrack for falling asleep. Quite beautiful and soothing. Fans of Godspeed You Black Emperor and Stars of the lid should love this one.
A reissue of Emanem 4301, a classic concert and studio performances from '70-'72 by the innovative trio of Paul Rutherford (trombone, piano) Derek Bailey (guitar) and Barry Guy (double bass), which was a much expanded reissue of the early Incus releaes 3/4 of the same name.
Music for the 1971 film by Michael Grigsby and performed by the trio of Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass), a fascinating and distinctive set, more restrained and gentle than their live performances from that time.
A reissue of the uniquely configured trio of soprano saxophonist Steve Lacy, Masa Kwate on traditional Japanese percussion, and Irene Aebi on voice and violin, from their 1977 LP release on the French Musica label, restored and remastered.
The Montreal duo of trumpeter Ellwood Epps and Josh Zubot on violin and low octave violin for 9 upbeat, technically superb and intricate instant improvisations, what they refer to as "foot-tapping for ghosts, seeing the northern lights from underwater".
Live recordings from guitarist Joe Morris, performing solo at Bimhuis in Amsterdam in two Octobers from 2013 to 2014, showing remarkable technical and creative skills while captivating his audience with accessible progressions and story-telling; masterful!
On the cover, Allison Camerson. Inside: Dave Burrell's Unsung Songbook; Peter Ablinger's Art of Time; Sabrina Schroeder's Stircrazer; plus reviews of recordings and events, label profiles, essays, &c. &c.
The 25th Book of Angels, performing Zorn's lyrical Masada compositions, is the 2nd B.O.A. release from the a cappella vocal quartet Mycale, using a variety of texts in Portuguese, Berber, Hebrew, French and Spanish to fashion lush harmonies and strong rhythmic drive.
After 10 years together, the Rempis Percussion Quartet led by saxophonist Dave Rempist, Frank Rosaly, Tim Daisy on drums and percussion, and Ingebrigt Haker-Flaten on bass, recorded this concert at Chicago's Hungry Brain for a superlative album of rhythmically simmering free improv.
Odd beats, strange solos, a reggae feel here, an avant-garde jazz angularity there, from Rollerball, a goth-tinged pop band with vocalist Mae Starr leading the quintet through catchy melodies with unexpected twists and turns.
British free improvising guitar master John Russell's 60th birthday gig at London's Cafe Oto is celebrated in a duo with Phil Minton, a trio with Henry Lowther & Satoko Fakuda, in a trio with Evan Parker and John Edwards, and in a duo with Thurston Moore.
Label leader Brian John Mitchell in his first Small Life Form release, seven instrumental drone pieces ranging from contemplative to noisy and disturbed, designed so they may all be listened to simultaneously while looped.
With members from Fire!, Red Trio, Amado Motion Trio, &c., the trio of Pedro Sousa (sax), Johan Berthling (bass) and GabrielFerrandini (drums) push the envelope in free improvisation that is energetic, argumentative, restless, and ultimately extremely intelligent.
A trio of collective-improvisers recording in NYC's East Village in 2015 for exceptionally sympathetic dialog, instigated by electric keyboard improvisor Thollem McDonas, with Nels Cline on guitar and Charles Gayle cohort Michael Wimberly on drums; Fred Frith liner notes!
Henry Threadgill's new epic work in four movements written specifically to feature each of the musicians in Zooid: "Ceroepic" for Elliott Kavee (drums), "Dosepic" for Christopher Hoffman (cello), "Tresepic" for Jose Davila (trombone & tuba), and "Unoepic" for Liberty Ellman (guitar).
Reflecting on his studies with guitarist Masayuki Takayanagi, Otomo Yoshihide plays one of Takayanagi's favorite electric guitars, a 1963 Gibson-175, to record 6 extended and informed free improvisations, including Ornette's "Lonely Woman" and "Song for Che".
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
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Luigi Archetti's "Null" project, referring to a state of pausing and anticipatory waiting, is issued in a beautiful box set, presenting 7 CDs of rich slowly moving drones and layered sound derived from e-guitars, slowly transformed and mutated in entrancing ways.
The first solo album from Downtown NY drummer/multi-instrumentalist Mike Pride, 18 diverse and succinct pieces for percussion instruments, studio creations, glockenspiel etudes & drum set improvisations with rhythmically superb music and some strange bits of NYC humor.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.