Rodolphe Alexis composed these works from a diverse set of recordings of trains, factories and other potent sounds, pairing them with recordings from saxophonist Stephane Rives using extended and unusual techniques, yielding these inventive and irrepressible sound works.
With members from Angles, Universal Indians, Frode Gjerstad Trio, Friends and Neighbors, &c. the quintet of Martin Kuchen (sax), Thomas Johansson (trumpet), Mats Aleklin (trombone), Jon Rune Strom (bass) and Tollef Ostvang (drums) play modern, energetic jazz that kicks Satan's ass; highly recommended!
A document of a musical performance recorded in the open air near a castle in France by Pascal Bathus and Emmanuel Petit on electric guitars, and Lionel Marchetti credited with "electricity", recorded while Yoko Higashi performed a butoh dance during their music performance.
Pascal Battus in a series of compositions realized with recordings of cymbals, using specific techniques that enable him to sustain the sound and allow pure frequencies to emerge as he develops each piece as extended audio journeys based on improv and organized sound.
A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.
After performing at a night dedicated to Ed Blackwell and Don Cherry, vibraphone legend Karl Berger invited trumpeter Knuffke to Woodstock to teach and perform with him, from which this lovely album of duets was born, 2 CDs of original compositions of free and lyrical playing.
The Bobby Bradford & John Carter Quintet captured in performance in 1975, the earliest known recording of this configuration live from their 70s period in Los Angeles, playing amazing free jazz with Stanley Carter and Roberto Mirando on bass, and William Jeffrey on drums.
Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.
After their "Live in Russia" volumes, eloquent French Canadian saxophonist and creative drummer Michel Lambert present 9 new improvisations recorded at Resonance studios in their home town of Montreal, a tremendous dialog between these two free yet lyrical players.
Bassist and composer Hugo Carvalhais in an album hinting at chamber jazz with Dominique Pifarely's extraordinary violin work, but taking the music into unusual territory with his own keyboards, electronics, and by Jeremiah Cymerman's electronic manipulations.
"You better strap in for this one: it's a relentlessly post-modern excursion into the possibilities of noise, of static, of crossed expectations. Tenor saxophonist Bertrand Denzler is on hand, and he is a fine musician with a raw intens...
Composer and alto saxophonist Steve Coleman in a superb modern jazz album, written by applying characteristics of human synovial joints to compositional process, and using "camouflage orchestration" to orchestrate players into the fore-, middle- and background.
The 4th release from the international quartet of NY cornetist Taylor Ho Bynum, Canadian drummer Harris Eisenstadt, and UK bassist Dominic Lash and pianist Alexander Hawkins, with compositions from all 4 players, including an adaptation of traditional Ghanaian & Gambian pieces.
On the surface an album of organized field recordings, which Eric Cordier recorded in both France and Japan, from outdoor sounds (frogs/birds) to indoor environments, over which Murayama added percussion and vocal utterances, synthesizing unusual and engaging environments.
From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.
A superb octet including pianist and leader Kris Davis providing innovative compositions, with the powerful support of Ben Goldberg, Oscar Noriega, Joachim Badenhorst & Andrew Bishop on reeds, Nate Radley on guitar, Gary Versace on organ, and Jim Black on drums.
The duo of tenor saxophonist Bertrand Denzler and percussionist Antonin Gerbal, 2/3 of the Zoor trio, in an album of free improvisation contrasting simple and complex sounds, organic and mechanical rhythms while evoking asymmetric, geometric or enigmatic shapes.
Recorded and performed without loops, overlays or other technological aid, Norwegian drummer and composer Ola Djupvik explores his limits in a mix of European free improvisation, minimalism and contemporary composers like John Cage and Morton Feldman.
French free improvisers Benjamin Duboc (double bass) and Jean-Luc Petit (contrabass & clarinet) in a moody album of bass tones, deep harmonics and rich timbral interaction with beautiful pacing that rises in confrontation and then descends back to artful darkness.
The collaboration of UK saxophonist Paul Dunmall and American ex-pat drummer Tony Bianco has at least a 15 year history, heard in these telepathic duos of free improvisation recorded at Delbury Hall, Shropshire in 2014 for 3 extended works of breathtaking playing.
Lowercase free improvisation from the duo of Sabine Ercklentz and Andrea Neumann performing on trumpet and a specially designed amplified piano frame, recording 5 detailed and mysteriously constructed works using space and structure in intriguing sound work.
NY baritone saxophonist Charles Evans wrote this through-composed 9 part work for soprano saxophone great David Liebman, who joins Evans in a quartet with pianist Ron Stabinsky and bassist Tony Marino, performing a chamber jazz work of strong melody and subtle allure.
The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.
Reinhold Friedl performs on one of the last remaining of 150 Neo-Bechstein amplified Grand Pianos, using unusual recording techniques to find unexpected sonic aspects to the instrument, producing a dark ambient and industrial work of great intensity.
The duo of electric guitarist Olaf Rupp and soprano saxophonist Christoph Gallio in a set of 13 studio improvisations, restrained and thoughtful dialog of great technical skill and unusual tonal approaches to both instruments.
One of the great modern groups in free improvisations, saxophonist & clarinetist Frode Gjerstad leads teh trio of Jon Rune Strom on bass and Paal Nilssen-Love on drums in a liver performance at Miyazaki, Japan for 2 extended and 1 short improv of vital, informed and exuberant improvisations.
Taking Rock In Opposition into difficult territory, Peter Blegvad and John Greave's song cycle is a perplexing and rewarding album blending literature with rock and jazz forms, performed in an ensemble including Carla Bley and Michael Mantler; an intricate masterwork.
Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.
Multi-reedist Mats Gustafsson explores unique environments in improvised music with two duos performed live at Cafe OTO, one duo per side, the first with free vocalist Phil Minton for understated gargling and instrumental aberrations; the second with guitarist John Russell.
Drummer Joe Herteinstein's followup to his 1st Clean Feed HNH album from his New York trio with Pascal Niggenkemper on bass and Thomas Heberer on cornet, adding a New York attitude to European modern jazz, with oustanding playing using a mix of traditional and inventive approaches.
A multinational jazz trio using compositional and improvisational approaches, led by drummer Dre Hocevar, with Bram De Looze on piano, and Lester St. Louis on cello, plus NY electronics artist Sam Pluta providing signal processing on the title track.
Performing live at B-Flat, in Berlin, Germany in 2014, this album aptly names the intricate interactions and dialog from this sophisticated and seasoned quartet, performing extended collective compositions that showcases each player while emphasizing their group dynamic.
Clarinetist Tom Jackson with two string playesr--violist Benedict Taylor and guitarist Daniel Thompson--in empathic improvisation where their individual voices permit a wide range of approaches in interactive improvisation, from fragile contemplation to active interaction.
Jason Kahn uses feedback and electronic noise to create a large work created from static, hiss, and unusual electronic sound, dynamic and ever-shifting aspects of both lovely and aberrant electronics, captivating in ever-shifting sounds that inform but do not overwhelm.
Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.
Noise and sound artist Zbigniew Karkowski and Canadian born Japanese based noiser Kelly Churko in four recordings from Super Deluxe and Soup in Tokyo, bookmarking the release with harsh distortion offset by spacious and dynamic glitch and subtly aberrant sound.
Five freely improvised tracks recorded live in 2013 at London's Vortex Jazz Club from the trio of Stefan Keune on soprano & tenor sax, Dominic Lash on double bass, and Steve Noble on drums & percussion, playing demanding active work and more introspective inner dialog; exceptional!
Aberrant experiments with a stereo DJ mixer from Herbal International label leader Goh Lee Kwang, 5 tracks of unexpected sounds, micro-drills, crackles, purrs, hums, buzzes, quirks and bleeps from the mixer itself, performed live with no overdubs or pre-programming.
A work for heavy electronic drone and glitch, Herbal International Label founder Goh Lee Kwang presents this live performance from Malaysia's Finders Art Space in Kuala Lumpur, for 36 minutes of mysterious intensity that settles and fills the listening space like a pall.
A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.
A sound track to the Malaysian stage play "Butterfly Lovers", which explores the themes of human relationships and emotions through a Zen perspective, from sound artist Goh Lee Kwang in a sextet that merges traditional Malaysian instrumentation and electronics.
A fun and unusual electronic album from Malaysian sound artist Goh Lee Kwang's, whose instrument of choice is an old Roland Jupiter analogue synth, with toy keyboards, saxophones, bass and drums also thrown into the pot and merrily melted down by Max/MSP.
Two extended works from Herbal International label leader Goh Lee Kwang: the two part "Vurnmmkied" the first of static sonic environments that slowly morph, while the second varies with a mix of subtle and harsh sound; "3753" contrasts with gentler, slower territory.
A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.
ReR's 3rd collection featuring the ondes Martenot, an early electronic musical instrument invented in 1928 by cellist Maurice Martenot; this volume, performed by the 4 piece L'Ensemble Volta + Antoine Alerinie is dedicated to Spectralist composer Tristan Murail.
Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.
A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.
A live recording of two extended improvisations at Audio Rebel's Quintavant in Rio de Janeiro, Brazil from the quartet of Arthur Lacerda on guitar and electronics, electric bassist Felipe Zenicola, guitarist Eduardo Manso, and drummer/percussionist Paal Nilssen-Love.
Crossing tonal material with post-bop playing, trumpeter Susana Santos Silva leads her LAMA trio in electroacoustic and traditional playing, with guest reedist Joachim Badenhorst adding a masterful edge, as they interpret the novel by the Nobel Prize winner Jose Saramago.
A much-needed reissue of this 1988 Last Exit album, with Bill Laswell (bass), Peter Brotzmann (sax), Sonny Sharrock (guitar) and Ronald Shannon Jackson (drums), muscular "darkwave" improvisation of virtuosic playing with superb energy, suspense and tension.
The first solo electronics and percussion album by radical and legendary British improvisor Paul Lytton since 1979, recorded in the studio in Germany, and using a wealth of homemade instruments, laptop, percussive devices, objects, and electro-mechanical devices.
Sound artist Roel Meelkop compiles various limited vinyl 7", 10" and lathe cut releases from Korm Plastics and related labels, along with one work made for this release, showing the variety of approaches and concepts Meelkop applies to his fascinating sound work.
A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.
Patrick McGinley (Murmer) in a series of bold experiments with untreated field recordings, exploring notions of musicality within the structures of found sound, written partially as a reaction against the idea of documentary or objective presentation of found sound.
Formed in Australia the late 1980s by Chris Abrahams, Tony Buck and Lloyd Swanton, the Necks play post-jazz, post-rock, post-everything, slowly morphing improvised music, here in a limited numbered box set presenting 8 of their CDs from the UK Recommended Records label.
Norwegian drummer Gard Nilssen (Zanussi 5, Bushman's Revenge, Puma, &c.) leads his new Acoustic Unity trio of Petter Eldh on double bass and Andre Roligheten (Albatrosh) on sax through 8 tightly conceived original jazz compositions with contributions from all 3 players.
"This European outfit started as a trio in 2003, and extended its reach by integrating avant-vocalist Agnes Heginger into its rather pliant mode of operations amid some asymmetrical shenanigans, devious interactions and shifty dialogues...
The enduring sax and drum duo format is invigorated with US drummer Chris Corsano and Danish saxophonist Mette Rasmussen, who push each other in free improvisation that uses insanely great technique while delivering a passionate and ecstatic dialog.
Chicago clarinetist James Falzone leads a sextet of reeds with Ken Vandermark, Ben Goldberg, Keefe Jackson, Ned Rothenberg, & Jason Stein in a set of 14 intelligent compositions joining minimalism, classical inferences and jazz with asymmetrical parts using both structure and freedom.
Compositions by Lasse-Marc Riek of the Gruenrekorder label, created from field recordings of sounds in harbors, recorded between 1999 & 2007 in Finland's Bjorkoby and Ostero harbors, and in Germany in Wismar and Hamburg harbors, rich evocations of the sea.