Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".

Percussionist Chris Dadge recorded these two drones using amplified cymbals, violin, and snare drum inside a replica of a Saskatchewan-prairies-style grain silo erected by artist Mark Lowe at the 2011 Calgary Folk Festival.

Saxophonist Matthieu Metzger takes us on the dark side in a "Killing Spree" with electric bassist Sylvain Daniel and drummer Gregoire Galichet, 9 pieces of demanding improvisation that share a Naked City or Court of the Crimson King energy fueled by awesome technical prowess.

A retrospective album from Canadian fusion guitarist and composer Jerry De Villiers Jr, active in the Montreal jazz scene in the 1990s and known for the theme song to the Emmy Award winning show Arthur sung by Ziggy Marley, here with 7 studio and 7 live tracks.

An unusual and thickly strung album bridging dark rock and improvised music from saxophonist Noah Kaplan, bassist and prepared bassis Giacomo Merega, bassist and prepared painist Wes Matthews, and vocalist Rosalie Kaplan.

Intricate interactions in free improv from the Portugese trio of violist Joao Camoes, cellist Miguel Mira (Open Field String Trio, Nuovo Camerata), and pianist Rodrigo Pinheiro (Red Trio), focused on the balance between contrasting counterpoint, polyrhythms and fluid soundscapes.

New York pianist Kali Z. Fasteau in a quintet with L. Mixashawn Rozie on sax, flute, and djembe, Kidd Jordan on tenor sax, J.D. Parran on flute and clarinet, and Ron McBee on percussion, a beautiful journey in jazz that borrows from the past while looking to the future.

Hyrrokkin is an avant rock trio from Yellow Springs, OH consisting of Ed Ricart (guitar, bass), Paul Larkowski (bass), and Brett Nagafuchi (drums), influenced by the methods and spirit of jazz, the tones and textures of new music, and the electric backbone of rock.

A live performance at Ephemere, Studio Loos in The Netherlands from Rutger Zuydervelt, AKA Machinefabriek, in a set that mixes his sources with recordings from the room, creating a dynamic and vibrant recording that ranges from subtle near-silence to thick electronic excitement.

Digital sound processing oscillating through a variety of media saturated sources including electronic billboards, kiosk stations, traffic control devices and other city environments, knotted into sculptural arpeggiation by sound artists Nickolas Mohanna.

A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.

Recordings of two German trumpeters--Birgit Uhler and Leonel Kaplan--both using extended techniques and modern instrumental language, splitting their recordings between the left and right channels for clarity in their fascinating and unconventional dialogs.

A meditative double CD with subtle flavours of flute and gamelan accompanying a reading by Ian Watson, the author of "The Tao of Homeopathy" exploring the philosophies and practices of homeopathy and Taoism."-Susie Hodder-Williams

"Battle Pieces" was conceived as a background for an improviser, using linguistics, tape processes & aleatoric concepts to fashion an ever-shifting composition that supplies the soloist with information within the context of an ever-changing series of densities, velocities and silences.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Live recordings at the 2014 Vancouver International Jazz Festival from drummer Harris Eisenstadt's excellent and lyrical Golden State chamber jazz ensemble, here as a quartet with Michael Moore on clarinet, Sara Schoenbeck on bassoon, and Mark Dresser on bass.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

Experimental electronics & improvisations from NY based composer/keyboardist Shoko Nagai, using multiple textures and an open sense of time to evoke rich aural environments, with the aid of Todd Reynolds (violin), Jonathan Goldberger (guitar), Stomu Takeishi (bass) & Jim Black (drums).

A unique album of self-aware conversation from Hong-Kai Wang and Mattin, who record themselves responding to their own dialog, addressing those responses to the audience and adding their reaction to the final recordings, creating an abstract spoken ambiance.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Debut LP of the young Gothenburg, Sweden trio of saxophonist Adrian Asling Sellius, drummer Hampus Ohman-Frolund, and double bass player Matt Dimming, drawing on elements of pop and rock, klezmer, cinematic soundscapes, experimental noise, and free jazz.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Mattin takes 5 spontaneous 5-minute songs from 5 musicians, and a 25 minute concert structured by 5 instructions based on those song titles, then records vocals for the 5 songs as a singing lecture, then superimposes all 3 to create the five 5-minutes songs on this album.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

Using hard bop as his jumping off point, Swiss saxophonist Omri Ziegele Tomorrow Trio with Christian Weber on bass and Han Bennink on drums--musicians who have toured and performed together over years--went into the studio hot off of a 13 day tour to record these 6 Ziegele original compositions, lyrically balanced with room for exemplary soloing and group interplay.