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John Zorn brings together Downtown New Yorkers, Marc Ribot on guitar, Trevor Dunn on bass and Tyshawn Sorey on drums, for 12 instrumental miniatures combining atonal lyricism with rock intensity; scronky, demanding and exciting hybrids of improv and rock.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
A trio of frequent collaborators--Paul Dunmall on flute, soprano sax & bass clarinet, Philip Gibbs on guitar and Paul Rogers on bass--performing live at the Victoria Rooms in Briston, 2013 for four extended melodic, interactive and far-ranging free improvisations.
A large work from Brooklyn's jazz-oriented Little Women with saxophonists Travis Laplante & Darius Jones, guitarist Andrew Smiley, and drummer Jason Nazary, a sophisticated building work collectively composed and refined over two years.
Focusing on the flute, Geoff Warren's quarter with Raffaele Pallozzi (piano), Marco Di Marzio (bass) and Walter Caratelli (drums) present an impressive melodic and informed album of contemporary jazz quoting Roland Kirk, Soft Machine, folk music and much more.
An international trio bringing together Polish saxophonist Mikolaj Trzaska with Brits Olie Brice on bass and Mark Sanders on drums, passionate free improvisation in an Ayler/Brotzmann vein, in 8 absorbing and concise pieces recorded in the studio.
Massive, disturbing sound sculptures and forbidding landscapes, just what you'd expect from an album named "Stench" by tuba & amp player Dan Peck's The Gate, with Nate Wooley on trumpet & amp, Tim Dahl & Tom Blancarte on electric bass, and Brian Osborne on percussion.
Brooklyn saxophonist Matt Nelson in a solo album of extended saxophone techniques along with a litany of guitar effects pedals, all run through a large 70's era Peavy combo amp with real-time feedback manipulation, a unique album of muscular playing and unusual soundscape.
2nd pressing: The Icepick trio features Nate Wooley on trumpet, Ingebrigt Haker-Flaten on bass & Chris Corsano on drums, freely improvising live in Brooklyn at Shapeshifter Lab in 2013 for two extended improvisations of superbly detailed technique, concept, and sonic approach.
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).