Belgian multi-reedist Joachim Badenhorst organized this trio with saxophonist John Butcher & percussionist Paul Lytton as part of a series of concerts in his home town, where they recorded this album, an impressive suite of extended techniques and intense dialog.
Brooklyn trombonist Dan Blacksberg's and the powerful rhythm section of bassist Matt Engle (Shot X Shot) & drummer Mike Szekely (Anthony Braxton Quartet) in their 2nd NoBusiness release, performing compositions pushing the limits of the trombone while adhering to jazz roots.
The trio of pianist Gianni Lenoci, bassist Kent Carter, and drummer Bill Elgart recording in France, 2012 in an album that balances free improvisation with melodic impulse, giving the impression of calm while yielding intricate interactions on close listening.
A large improvised work from the quartet of Angelica Castello (amplified subcontrabass, paetzold recorder and electronic devices, Billy Roisz (electronics), Burkhard Stangl (electric guitar) and Dieb13 (turntables & klopfer) performing live at Alte Schmiede Wien, Austria in 2013.
A 2 CD issue of the 2013 LP with 78 additional minutes, from the two day residency at UK's Cafe Oto of Decoy (bassist John Edwards, Alexander Hawkins on Hammond B3, and drummer Steve Nobles) with special guest Joe McPhee on pocket trumpet and alto sax.
A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.
Three works from Romanian composer Iancu Dumitrescu, and two from Ana-Maria Avram, recorded at the 6th edition of the Spectrum XXI Festival held in London, Paris, Berlin and Bucharest in 2011, presenting works gravitating around the "Spectral Music" nucleus.
Saxophonist Alexandra Grimal recorded this double CD with pianist Giovanni Di Domenico a the Theatre Du Chatelet, in Paris, France, for adventurous dialog in a dynamic set of original Di Domenico compositions plus freely improvised work, both duo and solo.
"Quo Modo Deum" translates to 'This is the way of God', which sound artist Jeph Jerman invokes through a 2 CD release starting with intoning bells, proceeding through six recordings of minimal drones of varying character.
Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.
The trio of Daichi Yoshikawa (feedback), Paul Abbott (drums) and Seymour Wright (sax) in two 20 minute excerpts from two separate performances at Cafe OTO in 2013, bare exuberant and exhilarating free improvisation on the cutting edge.
Rutger Zuydervelt takes the concept of a drum album into his organized sound world, making recordings of a drum kit struck, bowed and stroked, then slicing and dicing those recordings in the studio to create a Machinefabriek version of a solo drum album.
Intense acoustic guitar interactions from frequent collaborators Joe Morris (NY) and Chris Cretella (New Haven, CT) in a remarkable display of free fingerstyle guitar improvisations presented in a limited hand-assembled package.
Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.
Keith Rowe, Anthony Taillard, Emmanuel Leduc and Julien Ottavi perform on electric guitars and electronics, following a score of 9 sections worked out between them for over a year before recording these six improvisations.
Paal Nilssen-Love's Large Unit of some of Norway's brightest young improvisers in a solid 3-CD box set recorded live during their 2014 tour, performing Nilssen-Love's compositions that focus on interaction, free improvisation, sound, dynamics and energy.
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.
Two recordings from spina!studio in St. Petersburg during the Teni Zvuka 2013 Festival, one a duo btween Keith Rowe and Alfredo Costa Monteiro, and the other filling out to a quartet with Ilia Belorukov and Kurt Liedwart; detailed interactions with impressive restraint.
Triac is an electronic music trio from Italy formed in the end of 2011 by Rossano Polidoro, Marco Seracini and Augusto Tatone, using laptop, fisa, electric bass, piano synth to investigate minimal ambient music.
Three unusual voices in electroacoustic improv from Uchihashi Kazuhisa on guitar and daxaophone, Tamara Wilhelm on DIY electronics, and Noid on cell, recorded at two concerts: Kleylehof/Nickelsdorf in 2011; and festival Konfrontationen 2013.
Ilan Volkov directs the Bucharest based chamber group Hyperion Ensemble merging the history of Romanian music with moder avant-garde music, here performing the music of Ana-Maria Avram & Iancu Dumitrescu with guest guitarist Stephan O'Malley.
Percussionist Gerry Hemingway's Who Trio with Michel Wintsch on piano and synth, and Banz Oester on double bass and lamp, in an outstanding 2 CD release contrasting their work in acoustic improvisation with "electric" improv, albeit an unusual take on the latter.
Zorn's Gnostic Trio (Bill Frisell-guitar; Carol Emanuel-harp; Kenny Wollesen-vibes) in an album drawing inspiration from the Biblical Song of Solomon, intended as a companion to Zorn's vocal masterpiece Shir Hashirim, creating a beautiful blend of classical, jazz and folk music.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The collaboration between Machinefabriek (Rutger Zuydervelt and Celer) continues with their 2nd 7" of textured electronic collage and sound, packaged with a postcard, a download code, and two download videos.
Montreal/Actuelle players Sylvie Chenard on guitar and voice, Alexander Dubuc on bass, Cathy Heyden on sax, and Miriodor's Remi Leclerc on drums, with all providing electronics, in an encompassing ea-improv journey that balances acoustics with sonic environments and wonderfully controlled chaos.
September 2014 issue of the UK's finest music magazine. On the cover: Dean Blunt; Plus David Rosenboom; The Primer: Pharoah Sanders; Cross Platform: Sarah Angliss; Invisible Jukebox: Justin Broadrick (Godflesh); Drew Mulholland; Catherine Lamb; Slackk; &c. &c.
The fiery, complex and exultant duo of drummer/percussionist Paal Nilssen-Love and Otomo Yoshihide on electric guitar, performing at the Copenhagen Jazzhouse in May 2013, an intense and rewarding set from two authoritative improvisers.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
Sound explorer Jeph Jerman's "Analog" in two extended works merging field recordings and inexplicable sound, a hazy balance of muffled and indeterminate sound with great motion and punctuated moments, like hallucinatory memories heard from the wheel well of a car.
San Francisco' Jacob Heule (known for his work with Ettrick & Barn Owl) and Tony Dryer join Euro improvisers Havard Skaset and Guro Skumsnes Moe for seven free improvisations using extended techniques and unusual approaches to their instruments.
Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.
Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.
Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.
From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!
Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, &c. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.
Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.
A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.
Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.
The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.
Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).
An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.
Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".
'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.
Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.