Guitarist Oren Ambarchi and percussionist Eli Keszler meet for two side-long pieces releaesed on 300 gram vinyl, mixing improv, noise, rock, and drone, journeys in assertive sound that keep the listener on the edge of their seat.
Belgian multi-reedist Joachim Badenhorst organized this trio with saxophonist John Butcher & percussionist Paul Lytton as part of a series of concerts in his home town, where they recorded this album, an impressive suite of extended techniques and intense dialog.
Brooklyn trombonist Dan Blacksberg's and the powerful rhythm section of bassist Matt Engle (Shot X Shot) & drummer Mike Szekely (Anthony Braxton Quartet) in their 2nd NoBusiness release, performing compositions pushing the limits of the trombone while adhering to jazz roots.
"Adam Bohman, known for his work with the free improvising band Morphogenesis and his participation with the London Improvisers Orchestra, here teams with his brother Jonathan in a series of pieces ranging from spare and spiky to richly...
The trio of pianist Gianni Lenoci, bassist Kent Carter, and drummer Bill Elgart recording in France, 2012 in an album that balances free improvisation with melodic impulse, giving the impression of calm while yielding intricate interactions on close listening.
A large improvised work from the quartet of Angelica Castello (amplified subcontrabass, paetzold recorder and electronic devices, Billy Roisz (electronics), Burkhard Stangl (electric guitar) and Dieb13 (turntables & klopfer) performing live at Alte Schmiede Wien, Austria in 2013.
Previously unreleased material from the quartet of trumpeter Earl Cross, saxophonist Idris Ackamoor, bassist Rashied Al Akbar, and drummer Muhammad Ali, performing live in The Netherlands in 1980, for five smoking examples of free jazz.
The trio of Evan Parker on tenor & soprano sax, Jeremiah Cymerman on clarinet & electronics, and Nate Wooley on trumpet, performing live at The Stone, NYC in 2013 in a remarkable concert intensified by Cymerman's studio processing to emphasize aspects of the performance.
A 2 CD issue of the 2013 LP with 78 additional minutes, from the two day residency at UK's Cafe Oto of Decoy (bassist John Edwards, Alexander Hawkins on Hammond B3, and drummer Steve Nobles) with special guest Joe McPhee on pocket trumpet and alto sax.
A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.
Three works from Romanian composer Iancu Dumitrescu, and two from Ana-Maria Avram, recorded at the 6th edition of the Spectrum XXI Festival held in London, Paris, Berlin and Bucharest in 2011, presenting works gravitating around the "Spectral Music" nucleus.
Saxophonist Alexandra Grimal recorded this double CD with pianist Giovanni Di Domenico a the Theatre Du Chatelet, in Paris, France, for adventurous dialog in a dynamic set of original Di Domenico compositions plus freely improvised work, both duo and solo.
Sound explorer Jeph Jerman's "Analog" in two extended works merging field recordings and inexplicable sound, a hazy balance of muffled and indeterminate sound with great motion and punctuated moments, like hallucinatory memories heard from the wheel well of a car.
"Quo Modo Deum" translates to 'This is the way of God', which sound artist Jeph Jerman invokes through a 2 CD release starting with intoning bells, proceeding through six recordings of minimal drones of varying character.
Exploring Kyoto through a series of 37 compositions organized from field recordings of everyday sound in the city made during Jason Kahn's 3 month stay in 2012, creating unique audio memories evoking and commenting on the structure of Kyoto's social spaces.
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The trio of Daichi Yoshikawa (feedback), Paul Abbott (drums) and Seymour Wright (sax) in two 20 minute excerpts from two separate performances at Cafe OTO in 2013, bare exuberant and exhilarating free improvisation on the cutting edge.
Rutger Zuydervelt takes the concept of a drum album into his organized sound world, making recordings of a drum kit struck, bowed and stroked, then slicing and dicing those recordings in the studio to create a Machinefabriek version of a solo drum album.
Intense acoustic guitar interactions from frequent collaborators Joe Morris (NY) and Chris Cretella (New Haven, CT) in a remarkable display of free fingerstyle guitar improvisations presented in a limited hand-assembled package.
Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.
Keith Rowe, Anthony Taillard, Emmanuel Leduc and Julien Ottavi perform on electric guitars and electronics, following a score of 9 sections worked out between them for over a year before recording these six improvisations.
Paal Nilssen-Love's Large Unit of some of Norway's brightest young improvisers in a solid 3-CD box set recorded live during their 2014 tour, performing Nilssen-Love's compositions that focus on interaction, free improvisation, sound, dynamics and energy.
"Guitarist James O'Sullivan is a longstanding member of Eddie Prevost's Workshop, one of the main driving forces of improvised music in London. The Workshop has been running every Friday evening since November 1999, with O'Sullivan atte...
A powerful duo recorded in the studio after their 2013 performance at The Stone in NYC from NY pianist Sylvie Courvoisier and UK saxophonist Evan Parker, with extraordinary playing over eight pieces presenting an inspired range of technical and impressionistic styles.
"Utilizing a diverse range of instrumentation, both electronic and acoustic, Prosa is as still as it is dynamic. Its formation (a transcontinental process, through the post) was an exercise of patience and concerted application alike. T...
Two recordings from spina!studio in St. Petersburg during the Teni Zvuka 2013 Festival, one a duo btween Keith Rowe and Alfredo Costa Monteiro, and the other filling out to a quartet with Ilia Belorukov and Kurt Liedwart; detailed interactions with impressive restraint.
Triac is an electronic music trio from Italy formed in the end of 2011 by Rossano Polidoro, Marco Seracini and Augusto Tatone, using laptop, fisa, electric bass, piano synth to investigate minimal ambient music.
Three unusual voices in electroacoustic improv from Uchihashi Kazuhisa on guitar and daxaophone, Tamara Wilhelm on DIY electronics, and Noid on cell, recorded at two concerts: Kleylehof/Nickelsdorf in 2011; and festival Konfrontationen 2013.
Ilan Volkov directs the Bucharest based chamber group Hyperion Ensemble merging the history of Romanian music with moder avant-garde music, here performing the music of Ana-Maria Avram & Iancu Dumitrescu with guest guitarist Stephan O'Malley.
Percussionist Gerry Hemingway's Who Trio with Michel Wintsch on piano and synth, and Banz Oester on double bass and lamp, in an outstanding 2 CD release contrasting their work in acoustic improvisation with "electric" improv, albeit an unusual take on the latter.
Zorn's Gnostic Trio (Bill Frisell-guitar; Carol Emanuel-harp; Kenny Wollesen-vibes) in an album drawing inspiration from the Biblical Song of Solomon, intended as a companion to Zorn's vocal masterpiece Shir Hashirim, creating a beautiful blend of classical, jazz and folk music.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The collaboration between Machinefabriek (Rutger Zuydervelt and Celer) continues with their 2nd 7" of textured electronic collage and sound, packaged with a postcard, a download code, and two download videos.
Montreal/Actuelle players Sylvie Chenard on guitar and voice, Alexander Dubuc on bass, Cathy Heyden on sax, and Miriodor's Remi Leclerc on drums, with all providing electronics, in an encompassing ea-improv journey that balances acoustics with sonic environments and wonderfully controlled chaos.
Piiptsjilling is the improvising quartet of Jan Kleefstra (poetry, vocals), Romke Kleefstra (guitars), Mariska Baars (guitar and vocals) and Rutger Zuydervelt (Machinefabriek, electronics), creating melancholic dreamscapes from abstract minimalism to dense drones.
A meeting beween two major musicans from the Montreal scene--Sam Shalabi (Shalabi Effect) and Nicolas Caloia (Ratchet Orchestra) and American saxophonist Matana Roberts (Coin Coin)--for a drumless trio uniquely balancing free and melodic styles in masterful ways.
September 2014 issue of the UK's finest music magazine. On the cover: Dean Blunt; Plus David Rosenboom; The Primer: Pharoah Sanders; Cross Platform: Sarah Angliss; Invisible Jukebox: Justin Broadrick (Godflesh); Drew Mulholland; Catherine Lamb; Slackk; &c. &c.
"The second release by the same group from Oregon, USA, continuing their exploration of unchartered territories between jazz and free improvisation. Richard Carr - violin, viola, Mike Nord - guitars and electronics, Georg Hofmann - drum...
The fiery, complex and exultant duo of drummer/percussionist Paal Nilssen-Love and Otomo Yoshihide on electric guitar, performing at the Copenhagen Jazzhouse in May 2013, an intense and rewarding set from two authoritative improvisers.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
July 2014 issue of the UK's finest new music magazine, with Yoshimio; EMS; Alan Courtis; DJ Taye; Karen Gwyer; International Nothing; Sofia Jernberg; Torturing Nurse; Mattin and Xabier Erkizia; Invisible Jukebox with Butterz: Grime label founders Elijah and Skilliam.
"What a noisy heaven. Usui and Sharp could not find a better title for this documentation of their volcanic meeting that was recorded in New York in July 2003. Sharp, on the right channel, and Usui, on the left channel, create so many s...
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Secret Tempo juxtaposes NY saxophonist Jonathan Moritz' feel of jazz with elements of modern compositional and improvised music, from Bird to Webster, Webern to lowercase, as performed with his trio of bassist Shayna Dulberger and drummer Mike Pride.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from the acoustic realm.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.