Available again after a 10 year break, the trio of of drummer and label-leader Tim Barnes with two NY turntablists and electronic artists - Toshio Kajiwara and Marina Rosenfeld - in unusual and unique sonic dialogs.

Finnish guitarist Raoul Bjorkenheim in his 4th Cuneiform release of intense electric jazz with young Finnish players Pauli Lyytinen (saxophones), Jori Huhtala (contrabass) and Markku Ounaskari (drums), forceful music that transports the listener with power and form.

Both volumes of trumpeter Bobby Bradford and clarinetist John Carter's remarkable concerts from 1979 in Los Angeles and 1982 in Worcester, MA, dramatically improved audio quality from their original issue.

An amazing New York band led by drummer John Hollenback in their 7th album after 15 years, with Drew Gress on bass, Matt Moran on vibraphone, Ted Reichman on accordion, and Chris Speed on reeds plus Philadelphia pianist Matt Mitchell.

These 1979 duo concert performances from violinist Nigel Coomes and pianist Steve Beresford were generally considered at the time to be the most significant advance in violin & piano music for around 200 years.

The Chicago-based duo of Noe Cuellar and Joseph Kramer on bellows and electronics, since 2009 producing original compositions for stage and fixed media, uncovering sonic textures & compositional ideas that are peculiar to their unique instrumentation.

A free duo between trombonist Patrick Crossland and double bassist Alexander Frangenheim, recording 12 short dialogs in the studio in Berlin, demonstrating great communication between these players as they perform in technical, unusual, and lyrical ways.

Four masterful improvisers - Axel Dorner (trumpet), Andreas Willers (acoustic guitar & electronics) and Achim Kaufmann (piano) - performing as the .AAA. trio, and then each presenting a solo work, demonstrating their incredible music skills together and alone.

2004 release of Lisbon double bassist Margarida Garcia on electric double bass, and electronic artist Barry Weisblat in a startling dialog of electronic burst and deep tones.

Lithuanian sound and industrial artist Gintas K (Gintas Kraptavicius) in an album of abstract electronics composed on the computer, 11 tracks of burbling and glitching sound.

Guitarist Mary Halvorson with Michael Formanek (double bass) and Tomas Fujiwara (drums) in a composer's project with all three contributing material, superb modern jazz encompassing an array of textures and strategies.

Swiss accordionist Hans Hassler in his 2nd Intakt release, incorporating Swiss folk music, jazz, film music, free improvisation and classical interpretation in a band with Gebhard Ullmann on bass, Jurgen Kupke on clarinet, and Beat Follmi on percussion.

Composer Martin Iddon in a work of new conceptual modes of music making, with a ritualistic approach building strange sounds and stange actions in dense layers and intense timbres that demand a unique physicality from the player.

The Second in a series of split discs highlighting the experimental music scene in Berlin, presenting a solo work by Annette Krebs, and a powerful duo for voice and electronics by Christian Kesten and Mark Trayle."

Three Swiss improvisers - Hans Koch on bass clarinet, Alexandre Bable on percussion, and Gaudenz Badrutt on electronics - in an inventive and exceptionally well-balanced 7 part suite of tonal work, quick interplay, and extended techniques.

The second volume of Steve Lacy's solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert at Avignon in 1972.

The 8-piece collective improvising group of Patricia Bosshard (violin), Laurent Bruttin (clarinets), Yannick Barman (trumpet), Jean-Jacques Pedretti (trombone), Vinz Vonlanthen (guitar), Dragos Tara (bass), Cyril Bondi (percussion), Christophe Berthet (sax).

Bassist Matthias Bauer and Maria Lucchese on theremin, zither, didgeridoo, launeddas, oceandrum, and gong, perform free improvisation with Bauer providing a solid melodic foundation which Lucchese punctuates and expands in unique and surprising ways.

Using an alto saxophone where the original mechanisms have been replaced with water, gas & compressed air taps, saxophonist Sergio Merce can microtonally move the tuning of any note and create multiphonics, allowing him to play several sonic layers while using circular breathing.

The trio of Tomas Korber on guitar & electronics, Christian Weber on double bass, and Christian Wolfarth on drums and percussion, unique electroacoustic improv recorded in the studio in Zurich, Switzerland.

Miriodor continues to impressive with their intricate and melodic blend of rock and improvisation, here as a trio of Pascal Globensky (keyboards), Remi Leclerc (drums) and Bernard Falaise (guitars), in 11 intriguing and ingenious compositions sure to delight.

Miriodor continues to impressive with their intricate and melodic blend of rock and improvisation, here as a trio of Pascal Globensky (keyboards), Remi Leclerc (drums) and Bernard Falaise (guitars), in 11 intriguing and ingenious compositions sure to delight.

The London power jazz trio of Steve Noble on drums, John Edwards on double bass and Alex Ward on electric guitar, powerful and exhilarating free improvisation from a trio who for more than 10 years have developed a unique sound that blurs the lines of jazz & rock.

Norway's younger generation of improvising musicians, acoustic and electronic, perform in percussionist Paal Nilssen-Love's Large Unit from their first EP, a live recording from Molde Jazzfestival 2013.

The electroacoustic improvising quartet of guitarist Peter Alexius, drummer Joe Herteinstein, Joker Nies on raw electronics, and Sebastian Grammss on spacebass, in 9 tracks that run the gamut from groove-based intensity to open dialog using unusual voices.

Solo improvisations on the Turkish Clarinet from Claudio Parodi, an Italian classically trained pianist who also works with self-built/self-modified electronics, non-western reeds, and selected percussions.

Three strange and wonderful sound pieces from the Chicago-based duo of Noe Cuellar and Joseph Clayton Mills, commissioned to make music from objects found in the basement of a local thrift store, evoking a sense of the lives embedded in those objects.

Born from Univers Zero, guitarist Roger Trigaux originally released this remarkable chamber rock/RIO album in 1983, whose title translates to "The Poison That Makes You Insane", here remastered and including additional live concert recordings.

Cofounding member of Univer Zero, Roger Trigaux left that band in 1979 to develop Present, whose first album is this "Triskaidekaphobie", here remastered and with a 16 page booklet of history and photos, plus 20 minutes of new material.

An excellent dialog using strong dynamics and space from electroacoustic improvisers Ernesto Rodrigues (viola), Anotonio Chaparreiro (electric guitar) and Jose Oliveira (percussion).

"Alba" (Portugese for "white") presents 4 improvisations by Ernesto Rodrigues on viola, Louis Laurain on trumpet, Guilherme Rodrigues on cello and Ricardo Guerreiro on computer, slowly building subliminal works of subtle dialog using extended techniques and white noise.

Five trees interpreted through electroacoustic improv from the quintet of Guilherme Rodrigues (cello, Gianna de Toni, double bass), Raphael Ortis (electric bass, objects) Christophe Berthet (sax), and Ernesto Rodrigues (viola); mysterious and compelling music.

The rich but understated improvising trio of Ernesto Rodrigues on viola, Nuno Torres on alto saxophone, and Mike Bullock on modular synthesizer, named after the Greek term for wandering stars, an apt description of their balance of space, acoustic, and electronic sound.

Elisabeth Harnik on piano and Udo Schindler on bass clarinet, contrabass clarinet, soprano saxophone and cornet in a free interchange of subtle nuance and strong dynamics recorded live at SALON fur Klang + Kungst in 2009.

The free improvising duo of pianist Manon-Liu Winter and saxophonist Udo Schindler performing at the SALON fur KLANG + KUNST in Kralling, Munich in 2012, an amazing dialog that balances subtle and explosive playing in inventive ways.

Pianist Shipp's long-standing trio with bassist Michael Bisio and drummer Whit Dickey, complex and inspired compositions that makes modern creative approaches to jazz beautifully accessible and essential.

Pianist Aki Takase's Planet Quartet ensemble with clarinetist Louis Sclavis, Dominique Pifarely on violin and Vincent Courtois on cello, a beautiful blend of improvisation and composed work that plays with time, space and sound.

The complete set of Robert Wyatt's solo recordings made in the US in late 1968, with Jimi Hendrix playing bass on one track, alongside Mike Ratledge and Hugh Hopper, performing versions of "Chlesea", "Rivmic Melodies", "Slow Walkin' Talk" and "Moon in June".

Zorn's Abraxas quartet (Arm Bajakian-guitar, Eyal Maoz-guitar, Shanir Ezra Blumenkranz-bass, Kenny Grohowski-drums) perform a new suite inspired by the magical writings of Giordano Bruno & Alejandro Jodorowski, from minimialist to intense ritual music.

Zorn's sixth quartet is inspired by the hermetic Angelic actions of John Dee and is replete with the procedures of distillation, calcination, crystallization, sublimation, purification, rotation as well numerology, prayers, canons, contrapuntal complexity, &c.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The duo of Kawaguchi on tuning fork and Yamaguchi on guitar in a subliminal and resonant long composition that carries the listener through this long dream-like work.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

A large work from Brooklyn's jazz-oriented Little Women with saxophonists Travis Laplante & Darius Jones, guitarist Andrew Smiley, and drummer Jason Nazary, a sophisticated building work collectively composed and refined over two years.

Composer, singer, electronic manipulator, violinist and theremin player Maja Solveig Kjelstrup Ratkje released this, her debut album, on CD in 2002, now available again on vinyl LP.

NY pianist Kris Davis' second solo CD after her 2011 Clean Feed release expands on her repetoire by integrating modern compositional styles fused with improvisation, including one work overdubbing herself, plus a unique reading of Monk's "Evidence".

Guitarist Jason Ward takes the listener on a journey in sound through dark looping structures and hypnotic approach.

The Second in a series of split discs highlighting the experimental music scene in Berlin, presenting a solo work by Annette Krebs, and a powerful duo for voice and electronics by Christian Kesten and Mark Trayle."

Having worked together in many projects for many years, this is the 1st trio record from Montreal improvisers Jean Derome, Malcolm Goldstein & Rainer Wiens, six free studio improvisations showing the subtle and sophisticated dialog that such long association yields.

A sturdy 4 LP box set documenting Sun Ra's 1984 European Tour, here performing live in Nickelsdorf, Germany at Jazzgalerie, for an ebullient set of Sun Ra originals and standards with the Arkestra including John Gilmore, Marshall Allen, Danny Ray Thompson, Eloe Taylor, James Jackson, &c &c.

Two sets from Sun Ra's very large Arkestra with both Allen and Gilmore recorded live at the Queen Elizabeth Hall in London on November 9th, 1970 - their debut UK concert.

Australian new music ensemble Decibel performing four works combining acoustic and electronic orchestration by composer Alvin Lucier, three of which are previously unrecorded: "Ever Present" (2002); "Carbon Copies" (1989); "Hands" (1994); "Shelter" (1967).