Available again after a 10 year break, the trio of of drummer and label-leader Tim Barnes with two NY turntablists and electronic artists - Toshio Kajiwara and Marina Rosenfeld - in unusual and unique sonic dialogs.
Both volumes of trumpeter Bobby Bradford and clarinetist John Carter's remarkable concerts from 1979 in Los Angeles and 1982 in Worcester, MA, dramatically improved audio quality from their original issue.
These 1979 duo concert performances from violinist Nigel Coomes and pianist Steve Beresford were generally considered at the time to be the most significant advance in violin & piano music for around 200 years.
Swiss accordionist Hans Hassler in his 2nd Intakt release, incorporating Swiss folk music, jazz, film music, free improvisation and classical interpretation in a band with Gebhard Ullmann on bass, Jurgen Kupke on clarinet, and Beat Follmi on percussion.
Composer Martin Iddon in a work of new conceptual modes of music making, with a ritualistic approach building strange sounds and stange actions in dense layers and intense timbres that demand a unique physicality from the player.
The Second in a series of split discs highlighting the experimental music scene in Berlin, presenting a solo work by Annette Krebs, and a powerful duo for voice and electronics by Christian Kesten and Mark Trayle."
Using an alto saxophone where the original mechanisms have been replaced with water, gas & compressed air taps, saxophonist Sergio Merce can microtonally move the tuning of any note and create multiphonics, allowing him to play several sonic layers while using circular breathing.
The trio of Tomas Korber on guitar & electronics, Christian Weber on double bass, and Christian Wolfarth on drums and percussion, unique electroacoustic improv recorded in the studio in Zurich, Switzerland.
Miriodor continues to impressive with their intricate and melodic blend of rock and improvisation, here as a trio of Pascal Globensky (keyboards), Remi Leclerc (drums) and Bernard Falaise (guitars), in 11 intriguing and ingenious compositions sure to delight.
The London power jazz trio of Steve Noble on drums, John Edwards on double bass and Alex Ward on electric guitar, powerful and exhilarating free improvisation from a trio who for more than 10 years have developed a unique sound that blurs the lines of jazz & rock.
The electroacoustic improvising quartet of guitarist Peter Alexius, drummer Joe Herteinstein, Joker Nies on raw electronics, and Sebastian Grammss on spacebass, in 9 tracks that run the gamut from groove-based intensity to open dialog using unusual voices.
Solo improvisations on the Turkish Clarinet from Claudio Parodi, an Italian classically trained pianist who also works with self-built/self-modified electronics, non-western reeds, and selected percussions.
Three strange and wonderful sound pieces from the Chicago-based duo of Noe Cuellar and Joseph Clayton Mills, commissioned to make music from objects found in the basement of a local thrift store, evoking a sense of the lives embedded in those objects.
"Alba" (Portugese for "white") presents 4 improvisations by Ernesto Rodrigues on viola, Louis Laurain on trumpet, Guilherme Rodrigues on cello and Ricardo Guerreiro on computer, slowly building subliminal works of subtle dialog using extended techniques and white noise.
Five trees interpreted through electroacoustic improv from the quintet of Guilherme Rodrigues (cello, Gianna de Toni, double bass), Raphael Ortis (electric bass, objects) Christophe Berthet (sax), and Ernesto Rodrigues (viola); mysterious and compelling music.
The rich but understated improvising trio of Ernesto Rodrigues on viola, Nuno Torres on alto saxophone, and Mike Bullock on modular synthesizer, named after the Greek term for wandering stars, an apt description of their balance of space, acoustic, and electronic sound.
Elisabeth Harnik on piano and Udo Schindler on bass clarinet, contrabass clarinet, soprano saxophone and cornet in a free interchange of subtle nuance and strong dynamics recorded live at SALON fur Klang + Kungst in 2009.
Pianist Shipp's long-standing trio with bassist Michael Bisio and drummer Whit Dickey, complex and inspired compositions that makes modern creative approaches to jazz beautifully accessible and essential.
Pianist Aki Takase's Planet Quartet ensemble with clarinetist Louis Sclavis, Dominique Pifarely on violin and Vincent Courtois on cello, a beautiful blend of improvisation and composed work that plays with time, space and sound.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
NY pianist Kris Davis' second solo CD after her 2011 Clean Feed release expands on her repetoire by integrating modern compositional styles fused with improvisation, including one work overdubbing herself, plus a unique reading of Monk's "Evidence".
Having worked together in many projects for many years, this is the 1st trio record from Montreal improvisers Jean Derome, Malcolm Goldstein & Rainer Wiens, six free studio improvisations showing the subtle and sophisticated dialog that such long association yields.
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Australian new music ensemble Decibel performing four works combining acoustic and electronic orchestration by composer Alvin Lucier, three of which are previously unrecorded: "Ever Present" (2002); "Carbon Copies" (1989); "Hands" (1994); "Shelter" (1967).
Using cello, amplified textures, prepared effects, harp, trumpet and electronics, the trio of Mark Wastell, Rhodri Davies and Matt Davis explore the nature of space, silence, noise and electronic sound.
A 1981 performance at Los Angeles' Myron's Ballroom with a 15 piece Arkestra performing longer Sun Ra works including "Space is The Place", "The Shadow World", "We Travel the Spaceways", with Gilmore, Marsall, Tyson, Ray, Williams, Harris, &c.
A well-recorded performance at Club Lingerie in Hollywood, 1985 with a 14-piece band including June Tyson on vocals, John Gilmore on sax, Pat Patrick on baritone sax, Danny Ray Thompson on sax & flute, and Marshall Allen on sax & flute, &c.
This 2 CD set contains all the pieces of percussionist Christ Wolfarth's "Acoustic Solo Percussion" series on the first CD and remixes by Rashad Becker, Hans Joachim Irmler (faust), Gunter Mueller and Joke Lanz (sudden infant) on the 2nd.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Unusual instrumentation and interaction from the trio of percussionist Mike Goyvaerts (Canaries on the Pole), saxophonist Jeffey Morgan (releases on Headlight, Konnex) and EMS synthesist Willy Van Buggenhout.
A trio of improvising women that started in Australia in 2008 by clarinetist Laura Altman and accoridionist Monika Brooks, becoming a trio with Magda Maya on piano; here in two beautifully paced works recorded in churches in Sydney, 2013.