"Four hands on one piano" from the duo of pianist Chris Abrahams (The Necks) and Magda Mayas, both improvising in Berlin at the Vivaldi Saal performance space using their piano, harpsichord, and harmonium.
A live recording at the famous Meteo Festival from the trio of Sophie Agnel (piano), John Edwards (double bass) and Steve Noble (drums), three of Europe's most active improvisers in an intense extended performance.
The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet.
Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.
An improvised concert at Les Instantes Chavires near Paris in 2011, the last outing of the duo of saxophonist Lol Coxhill and trumpter Michel Doneda, two fine improvisers at the top of their respective abilities.
Saxophonist Gerd Dudek's 2012 concert in London at the Vortex in a quartet with Hans Koller (piano), Oli Hayhurst (bass) and Gene Calderazzo (drums), with Dudek and Koller picking some of their favorite jazz tunes including works by Nichols, Shorter, Coleman, Wheeler, &c.
French artists Michel Edelin (flute), Jacques Di Donato (reeds), Jean-Jacques Avenel (bass) and Simon Goubert (drums) in a melodic and creative jazz album that surprises in beautiful and unusual compositional structures.
The second album of the trio founded by drummer and composer Harris Eisenstadt with Ellery Eskelin (tenor saxophone) and Angelica Sanchez (piano) performing a set of Eisenstadt compositions referencing Joseph Conrad, Schoenberg, &c.
A mercurial and beautiful record from the trio led by tenor saxophonist Ellery Eskelin, with pedal steel guitarist Susan Alcorn and bassist Michael Formaneck with a unique, introspective and lovely group sound.
A member of alto saxophonist Steve Coleman's band Five Elements, this is the debut album from a trumpeter widely admired for his ability to tackle cutting-edge musical concepts with confidence and great skill.
Paul Giallorenzo's touring band with Jeb Bishop (trombone), Mars Williams (sax), Anton Hatwich (bass) and Marc Riordan (drums), exceptional bop-based modern music from an excellent Chicago composer and pianist.
Massacre with Fred Frith, Bill Laswell and Charles Hayward in an album collecting live recordings from Frith's private archives, documenting their 1999 European tour and 2008 performances, spectacular improvised rock.
A free-wheeling debut from 8-piece mid-Atlantic supergroup formed by guitarist Edward Ricart and drummer Sam Lohman (Matta Gawa) plus Roy Cambell (trumpet), Steve Swell (trombone), Jason Ajemian (bass), Andrew Barker (drums), &c.
Six "Rex", 2 "Wrecks" and 1 "XXX" from the duo of British reedist Evan Parker and NY pianist Matthew Shipp in a double CD release, one in the studio and one live at Vortex in London, exceptional interplay from two masters.
Exceptional free improvisation by Evan Parker performing solo at St. Michael and All Angels Church in England in 2001, urgent and powerful playing using extended techniques while playing to the natural reflections in the cathedral.
A 2-CD set of live concert recordings from this brilliant improvising quartet headed by Dave Rempis (sax) with prominent members Ingebrigt Haker Flaten (bass), Tim Daisy (drums), and Frank Rosaly (drums).
The trio of Eric Revis on bass, Kris Davis on piano and Andrew Cyrille on drums recording in the studio in NYC, vital, introspective and sophisticated free trio work spanning generations in spontaneous compositions and one each from Monk, Jarrett, and Revis.
A 3 CD box set with a booklet and bow hair marking violinist/conceptualist Jon Rose's 60th birthday, all previously unreleased works ranging from radio documentary and radio fiction to virtuoso performances using acoustic violin and his hyperstring interactive bow system.
Recorded during three nights of incredible live performances in Coimbra at Jazz Ao Centro at Salao Brazil, from the trans-Atlantic quartet of Joe McPhee (sax/pocket trumpet), Martin Kuchen (sax), Per Zanussi (bass) and Raymond Strid (drums).
Wire (Colin Newman, Graham Lewis, Robert Grey and Matthew Simms) returns to unfinished material from their creatively turbulent late 70s period, reworking and expanding on ideas using modern strategies.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Composer/saxophonist Braxton performed "Composition NO 347 + 62'37" " at the 2011 Victo Festival with the "super-group" of Braxton alumni - Mary Halvorson, Taylor Ho Bynum, Jessica Pavone, Jay Rozen, Aaron Siegel, Carl Testa", on their respective instruments + iPods.
Chicago pianist Paul Giallorenzo's hard swinging band with Davis Rempis (sax), Josh Berman (cornet), Anton Hatwich (bass) and Frank Rosaly (drums) recalls 60's bop alongside modern free approaches and incredible enthusiasm for the leader's compositions.
Electroacoustic composer and performer Anthony Pateras in a beautiful 5-CD box set documenting a broad variety of works from ensembles to solo work, an excellent overview of one of Australia's most vital composers and performers.
The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.
The fourth of a collection dedicated to the French Musique Action Festival, here in a tribute to Tom Cora recorded in 1998 with Catherine Jauniaux, Phil Minton, Zeena Parkins, Christian Marclay, Otomo Yoshihide, Veryan Weston, &c. &c.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
A collection of 8 synth-driven ambient cosmic voyages from Romannis Motte using Roland JX8P, Roland RS-5, Alexis QS7, Alexis Micron, Korg PE1000, Crumar DS-2, iPad running NanoStudio, Korg iMS20, 0-iPolySix, Access Virus A.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.