Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

Five years after their debut release, Ceramic Dog, the power trio featuring Marc Ribot (guitar), Shahzad Ismaily (bass/electronics) and Ches Smith (drums), returns with this exceptional album merging rock and improv Downtown NY style.

The Convergence Quartet with Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dominic Lash (bass) and Harris Eisenstadt (drums) performing live at the Vortex Jazz Club in November, 2011 as part of the London Jazz Festival.

The debut recording from the duo of Montreal-based frequent collaborators, trumpeter Ellwood Epps and Joshua Zubot on violin and low octave violin, excellent extended dialog with elegant flair and great insight into each other's playing.

The remarkable Swiss improvising trio Koch-Schutz-Studer collaborates with NY improvising vocalist artist Shelley Hirsch for an amazing album of voice and electronic and acoustic improvisation with few boundaries and incredible insight.

The first in a series of releases from Bug Incision's archive of late saxophonist Dan Meichel, from recordings in Calgary in 2008 showing Meichel's articulately heavy style against Dadge's inventive drumming and percussion.

Joe Panzner (Clearing, Polluted) and Greg Stuart (Pisaro) in a building electroacoustic improvisation work, mutating sound into a symphonic work of darkly blissful noise abstraction.

Excellent free improvisation from the quartet of Els Vandeweyer (vibraphone), Fred Van Hove (piano / accordion), Paul Lovens (percussion), Martin Blume (percussion) recording at Kunstencentrum BELGIE & Cultuurplatform Motives for Jazz.

Percussionist Robair placed an Ebow over a street-sweeper blade or a short length of guitar string, and then placed those on the head of a snare drum or floor tom, recording without effects to allow natural rhythms and harmonic modulation to come forth.

Omri Ziegele, saxophonist, composer and und leader of the small orchestra Billiger Bauer presents a duo with younger Zurich pianist Yves Theiler, presenting melodic compositions from both players performed with beautiful intuitive dialog.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Three recent sound works by Yannis Kyriakides using source material highlighting specific vocal traditions - Turkish pop music, Cypriot epic song, and Baroque opera - making extensive use of other forms of speech and vocal acts.

Pianist Magda Mayas and saxophonist Christin Abdelnour recorded these 2 tracks at a concert organised by Radio France at Meteo Festival, Mulhouse, idiosyncratic and distinctive playing using extended and unusual techniques.

Poet John Sinclair, leader of the anti-racist White Panther Party, reads his poetry with the NYC quintet of Ras Moshe (sax), Elliott Levin (sax), Alex Obert (bass), Ander Nilssen (guitar) and Michael Wimberly (drums).

Using extended saxophone (Guionnet), microphones, prepared recordings & laptop (La Casa) and electronics, field recordings & laptop (Samartzis) this release comprises various live recordings made in 2007 while on tour in France, Germany and Italy.

Saxophonist Quentin Biardeau and cellist Valentin Ceccalid, also on percussion, are Durio Zibethinus, a duo from Orleans, France using traditional and unusual instruments to present unique free improvisations balancing powerful technique and just plain creative fun.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

The first 2009 release for French The Swarming label is the trio of saxophonist Jean-Luc Guionnet, and electronic artists Eric La Casa and Philip Samartzis, using unusual procedures and investigations to create impressive and dynamic sonic journeys.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.

Using hard bop as his jumping off point, Swiss saxophonist Omri Ziegele Tomorrow Trio with Christian Weber on bass and Han Bennink on drums--musicians who have toured and performed together over years--went into the studio hot off of a 13 day tour to record these 6 Ziegele original compositions, lyrically balanced with room for exemplary soloing and group interplay.