NYC native Rick Parker and Israeli guitarist Eyal Maoz create a unique sound combining electronics & trombone alongside Maoz's unusual use of effects, in a trio with drummer Yonadav Halevy, plus saxophonist Tim Berne joining on several compositions.
A combination of noise and free jazz with elements of no wave and hardcore, Aperiodic (Kevin Parrett, Ben Perkins, Matt Schulz) uses gu qin, rudra veena, and surbahar as well as standard Western instruments to create unique, improvised music.
Percussionist Mark Sanders and saxophonist John Butcher in recordings from two concerts: the 2010 Freedom of the City festival in London, and a year later at Southampton University; exceptionally expressive and technically unique playing.
The duo of bassist Sean Conly and Michael Attias on alto and baritone sax recording in Brooklyn's Barbes, a reflective and sophisticated dialog between two peers who use their creative powers and technique to focus on substantive improvisation.
The first duo in 14 years between guitarist Loren Connors and vocalist Suzanne Langille inspired by and using slides of MP Landis' WD series of paintings, which he created live during music performances.
The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.
The duo of London pianist Alexander Hawkins (Decoy, Convergence Quartet) and drummer Louis Moholo-Moholo (Blue Notes, Circulasione Totale, &c.) alternating standards and original compositions with impressive empathy and masterful ability.
German electroacoustic composer Boris Hegenbart used the exclusive recordings of 19 invited musicians and sound artists to rebuild and reconstruct their music in suprising ways; artists include Fred Frith, David Grubbs, Oren Ambarchi, Felix Kubin, &c. &c.
Using extended techniques on viola and piano, Charlotte Hug and Frederic Blondy draw the listener into unusual and encompassing sound worlds that feel electronic, yet are created through acoustic improvisation.
Tenor saxophonist Yoni Kretzmer's quartet uses two double bassists - Reuben Radding and Sean Conly - with Mike Pride on drums to create a deeper rendering of the classic sax trio, with original Kretzmer compositions written specifically for these players.
2011 live recordings from The Loft in Cologne of Swiss saxophonist Urs Leimgruber and London drummer/percussionist Roger Turner, 7 improvisations that shifts from introspective to highly active discourse using extended and unusual techniques.
The NY quartet of pianist Denman Maroney, alto saxophonist Angelika Niescier, bassist James Ilgenfritz and drummer Andrew Drury, exploring rhythmic playing, timbral variation, and harmonic shading in elegant and delightful ways.
A rich and unusual interpretation of Ornette Coleman's "Lonely Woman" recorded in Boswil, Switzerland in 1981 with McPhee, Pierre Favre, Irene Schweizer, Radu Malfatti, Daniel Bourquin, &c., in its first-ever release.
A much-needed reissue of McPhee's 1979 Hat Hut LP documenting his 1977 concert at Salle Ste Croix des Pelletiers, performing 3 original compositions and Monk's "Round Midnight" with incredible skill and inventiveness.
Two New York jazz originals, pianist Connie Crothers and alto saxophonist Jemeel Moondoc, performing 6 improvisations and one original compositions from each artist; melodic and deeply sensitive playing.
An incredible trio of two New York improvisers - Joe Morris on guitar and trumpeter Nate Wooley - with European free improv legend pianist Augusti Fernandez, for 7 remarkable free improvisations of astounding skill.
Winter 2012 issue with 8 track CD; on the cover and featured: Tim Hecker; Featured Pheeroan Aklaff; Featured: Michachu & The Shapes; Profile on Zosha di Castri. Articles on Circuit Bending; Sonic Geography of NYC, Time Square.
Phantom Orchard, the duo of Zeena Parkins and Ikue Mori, is expanded with 5 performers representing some of the most exciting women in modern creative experimental music, releasing a surprising, riveting, and amazing album.
Avant rock duo of guitarist Scott Burton and drummer Scott Clark exploring the concept of merging metal with the timbres of experimental jazz within these complex compositions that defy simple categorization.
John Stevens organized this improvised quartet session in 1978 at Riverside Studios, London with Paul Rutherford, Evan Parker and Barry Guy, originally released on the View and Konnex labels, here with 2 unreleased duo performances.
San Francisco's Tigon play a hard-edged form of rock, avoiding the cliches of hardcore through intelligent use of dissonance and channeled power, with a Fugazi-like vocal approach over super-heavy riffing and sound.
A gorgeous 6 CD box of Wandelweiser works, compositions integtrating silence and sound from composers including John Cage, Angharad Davies, Michael Pisaro, Dominic Lash, Sam Sfirri, Antoine Beuger, Phil Durrant, &c., &c.
After several years together the trio of Veryan Weston (piano), Hannah Marshall (cello), and Ingrid Laubrock (saxophone), illustrate their empathetic and authoritative style in 3 recordings live from Barcelona at the 2011 Festival Internacional de Improvisacion.
John Zorn brings together two of his most admired groups, Bar Kokhba and The Dreamers, for an album of beautiful, melodic, exuberant and dynamic improvisation performed by a masterful set of players including Joey Baron, Trevor Dunn, John Medeski, &c.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The duo of tenor saxophonist Brent Bagwell (Great Architect) and drummer Seth Nanaa in a 10" seafaring picture disc of 6 free improvisations from scorchers to ballads, a well structured and beautiful release.
Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.
New works by Rick Burkhardt, George Lewis, Alex Mincek, Sam Pluta, Kate Soper, and Eric Wubbels take NYC's Wet Ink Ensemble into new worlds of ensemble virtuosity, sonic explorations, and compositional inventiveness.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dŐAlfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
French bassist Joelle Leandre and US vocalist Lauren Newton recorded these duos live at Club Gromka in Ljubljana, Slovenia in 2010; absorbing and unusual interactions between two significant improvisers.