Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music.
The 8th eclectic Christmas Singalong from Toronto's Barnyard Drama with performers and guests including Jean Martin, Christine Duncan, John Southworth, Justin Haynes, Paul Dutton, Jim Lewis, Scott Thomson, &c.
UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.
Sam Hillmer, aka the Diamond Terrifier, in his debut full length release, an album of spiritual free-RnB sax riffing embedded in world dub fragments and harmonizer pedals, embracing noise and jazz elements in irreverent ways.
Double tandem brings the dual reeds of Dutch multi-reedist Ab Baars and Chicago multi-reedist Ken Vandermark together with Norwegian drummer/percussionist Paal Nilssen-Love for a powerful live performance at the Novara Jazz Winter Session.
Marc Ducret's Tower series continues, skipping a beat as we jump from Vol 2. to Vol. 4, in this live solo acoustic guitar release from his 2012 Baltic tour, where he reassembles and builds bridges to offer a new vision of the Tower's cycle.
Peeesseye guitarist Chris Forsyth in a solo release crossing the vernaculars of country and blues with open-ended and experimental approaches, five rewarding and listenable tracks recorded in the studio.
Denmark to NY transplant Dam Eckardt Jensen blends her vocals, saxophone and flute work with Texan/NY bassist Tom Blancarte's furious playing to create unique sound worlds, including 5 hallucinatory and musical dreams.
The dynamic duo of drummer Yoshida Tatsuya (Ruins, Korekyojin, Koenji Hyakkei) and guitarist Uchihashi Kazuhisa (Altered States, Ground Zero) meet in the studio with pianist Mishiba Satoshi for ten multi-tracked rock improvisations of great diversity, power and beauty.
Multi-wind player Sylvain Leroux's Quatuor Creole with Karl Berger blends West Indian music, African music, jazz, and Western conservatory music based on the idea that jazz was born in New Orleans because of the presence of Creole culture there.
Performed as part of the AMPLIFY 2011 festival at The Stone in NYC, the duo of trombonist Radu Malfatti and electronic/visual artist Taku Unami presented this long, minimal and dramatic soundwork in a pitch-black room lit only by Unami's visuals.
Captured during a Japan tour by the duo of Tim Olive (one-string electric guitar) and Alfredo Costa Monteiro (electro-acoustic devices), this live studio recording showcases the duo's attunement and dramatic sense of structure.
Hal Rammel plays a collection of solo works for amplified palette, an instrument he created, that were recorded in realtime using multiple palettes arranged as a tabletop instrument and played with a variety of mallets.
The Ratchet Orchestra is a large ensemble of 30 fringe musicians from Montreal headed by director Nicolas Caloia whose compositions allow for improvised chamber jazz and showcase the talents of the orchestra's most passionate players.
Pianist Marc Riordan's Quartet with fellow Chicago players Daniel Thatcher (bass), Tim Daisy (drums) and Brooklyn's Peter Hanson on alto sax, energetic modern jazz balancing dissonance and cacophony with swinging, tuneful melody
Japanese saxophonist Ono Ryoko plays a variety of instruments and utilizes her exceptional circular breathing and multi-phonic blowing on this album, that has been manipulated and over-dubbed with Yoshida Tatsuya's drumming.
Modern improv and Bebop innvoative legends combine in this solo album from European pianist Alexander von Schlippenbach peforming the music of Thelonious Monk, 20 of the pianist's favorite works including several rarely performed pieces.
Saxophonist Brian Settles' quartet with pianist Neil Podgurski, bassist Corcoran Holt, drummer Jeremy Carlstedt, jazz that freely moves towards and away from the rhythm, with bursts of raw Ayler-like blowing.
An all-improvised transnational collaboration recorded in the studio and live at Les Instants Chavires in France, between Mike Ladd (vocals/synthi), Carol Robinson (clarinets/voice), Dave Randall (guitar) and Dirk Rothbrust (drum/percussion).
San Francisco' Jacob Heule (known for his work with Ettrick & Barn Owl) and Tony Dryer join Euro improvisers Havard Skaset and Guro Skumsnes Moe for seven free improvisations using extended techniques and unusual approaches to their instruments.
Tin Hat (Carla Kihlstedt, Ben Goldberg, Rob Reich, Mark Orton) plays 17 songs based from the poetry of E.E Cummings, introspective and melodic pieces that range from joyful to sinister, moving through a variety of musical styles.
Since the late 80s saxophonist and bass clarinetist Mikolaj Trzaska has been a leader in the Polish free improvisation scene, heard here in this hard-blowing studio album with UK drummer Mark Sanders and Dunmall side-kick bassist Olie Brice.
Cuban-born pianist David Virelles in a collaborative effort with legendary drummer Andrew Cyrille, bassist Ben Street, and Cuban folkloric percussionist/poet Roman Diaz, inspired by various aspects of Afro-Cuban religious practices.
The sextet of Jorrit Dijkstra (sax), Pandelis Karayorgis (piano), Jeb Bishop (trombone), Mary Oliver (violin), Nate McBride (bass) and Han Bennink (drums) take on the music of Steve Lacy in unexpected and impressive ways.
A quartet of thoroughly modern and innovative improvisers - violinist Carlos Alves "Zingaro", trumpeter Jean Luc Cappozzo, flutist and bass clarinetist Jerome Bourdellon, and percussionist Nicolas Lelievre - performing at "Live At Total Meeting", 2010.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
The dynamic trio of Mary Halvorson (guitar), Peter Evans (trumpet) and Weasel Walter (drums) follow their free improvised debut album by creating themes and structures to improvise on and around, making a challenging and extremely rewarding set of tunes.
An explosive mix of rock, jazz, noise and free improv when the guitarists from The Ex (Terrie Ex, Andy Moor) come together with Ken Vandermark (saxophone, clarinet) and Paal Nilssen-Love (drums) for their 3rd inspired release.
Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.
A limited LP from the trio of European improvisers Giovanni Di Domenico on piano and Peter Jacquemyn on double bass with American drummer Chris Corsano, recording in the studio in Belgium, 2013, for 3 free improvisations of dexterous and expressive playing.
San Francisco's Tigon play a hard-edged form of rock, avoiding the cliches of hardcore through intelligent use of dissonance and channeled power, with a Fugazi-like vocal approach over super-heavy riffing and sound.
Two free improvisers - guitarist John Russell and cellist Fred Lonberg-Holm - meet for a deep exploration of their instrument's ability for tone and timbre in four challenging and rewarding recordings.
Bassist J.C. Jones brings together science & music, enabling an evocative window into the illness MS by making the vibrations of myelin protein audible, over which Jones, Yoni Silver, Harold Rubin, Airel Shibolet, &c. improvise.
The NY debut of the improvising trio of David Miller (drums), Daniel Rovin (sax) and Austin White (bass) playing a mix of traditional Russian Folk tunes with enthusiasm for Albert Ayler, originals compositions in the vein of Bad Plus, plus a David Cassidy cover.
A composition for string quartet and trumpet in 9 parts by German composer Bojan Vuletic, a work inspired by and dedicated to Paul Celan, performed with the MIVOS String Quartet & Nate Wooley, and premiered in NYC's Issue Project Room.
A live recording at the Outpost from a tour in 2013, the first time the Desert Sweets trio of Biggi Vinkelo on sax & flute, Mark Weaver on tuba and didgeridoo, and Damon Smith on double bass, reuniting after their 2001 recording for a beautiful album of intimate improvisation.