Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music.
The 8th eclectic Christmas Singalong from Toronto's Barnyard Drama with performers and guests including Jean Martin, Christine Duncan, John Southworth, Justin Haynes, Paul Dutton, Jim Lewis, Scott Thomson, &c.
UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.
Double tandem brings the dual reeds of Dutch multi-reedist Ab Baars and Chicago multi-reedist Ken Vandermark together with Norwegian drummer/percussionist Paal Nilssen-Love for a powerful live performance at the Novara Jazz Winter Session.
Marc Ducret's Tower series continues, skipping a beat as we jump from Vol 2. to Vol. 4, in this live solo acoustic guitar release from his 2012 Baltic tour, where he reassembles and builds bridges to offer a new vision of the Tower's cycle.
A new collective group of Chad Taylor (drums), Darius Jones (sax), Alex Harding (sax), and Sean Conly (bass) with each track composed by a different group member, creating distinct pieces that are essential to the complete album.
Denmark to NY transplant Dam Eckardt Jensen blends her vocals, saxophone and flute work with Texan/NY bassist Tom Blancarte's furious playing to create unique sound worlds, including 5 hallucinatory and musical dreams.
The dynamic duo of drummer Yoshida Tatsuya (Ruins, Korekyojin, Koenji Hyakkei) and guitarist Uchihashi Kazuhisa (Altered States, Ground Zero) meet in the studio with pianist Mishiba Satoshi for ten multi-tracked rock improvisations of great diversity, power and beauty.
Multi-wind player Sylvain Leroux's Quatuor Creole with Karl Berger blends West Indian music, African music, jazz, and Western conservatory music based on the idea that jazz was born in New Orleans because of the presence of Creole culture there.
Performed as part of the AMPLIFY 2011 festival at The Stone in NYC, the duo of trombonist Radu Malfatti and electronic/visual artist Taku Unami presented this long, minimal and dramatic soundwork in a pitch-black room lit only by Unami's visuals.
Hal Rammel plays a collection of solo works for amplified palette, an instrument he created, that were recorded in realtime using multiple palettes arranged as a tabletop instrument and played with a variety of mallets.
The Ratchet Orchestra is a large ensemble of 30 fringe musicians from Montreal headed by director Nicolas Caloia whose compositions allow for improvised chamber jazz and showcase the talents of the orchestra's most passionate players.
Japanese saxophonist Ono Ryoko plays a variety of instruments and utilizes her exceptional circular breathing and multi-phonic blowing on this album, that has been manipulated and over-dubbed with Yoshida Tatsuya's drumming.
Modern improv and Bebop innvoative legends combine in this solo album from European pianist Alexander von Schlippenbach peforming the music of Thelonious Monk, 20 of the pianist's favorite works including several rarely performed pieces.
Saxophonist Brian Settles' quartet with pianist Neil Podgurski, bassist Corcoran Holt, drummer Jeremy Carlstedt, jazz that freely moves towards and away from the rhythm, with bursts of raw Ayler-like blowing.
San Francisco' Jacob Heule (known for his work with Ettrick & Barn Owl) and Tony Dryer join Euro improvisers Havard Skaset and Guro Skumsnes Moe for seven free improvisations using extended techniques and unusual approaches to their instruments.
Since the late 80s saxophonist and bass clarinetist Mikolaj Trzaska has been a leader in the Polish free improvisation scene, heard here in this hard-blowing studio album with UK drummer Mark Sanders and Dunmall side-kick bassist Olie Brice.
Cuban-born pianist David Virelles in a collaborative effort with legendary drummer Andrew Cyrille, bassist Ben Street, and Cuban folkloric percussionist/poet Roman Diaz, inspired by various aspects of Afro-Cuban religious practices.
The sextet of Jorrit Dijkstra (sax), Pandelis Karayorgis (piano), Jeb Bishop (trombone), Mary Oliver (violin), Nate McBride (bass) and Han Bennink (drums) take on the music of Steve Lacy in unexpected and impressive ways.
A quartet of thoroughly modern and innovative improvisers - violinist Carlos Alves "Zingaro", trumpeter Jean Luc Cappozzo, flutist and bass clarinetist Jerome Bourdellon, and percussionist Nicolas Lelievre - performing at "Live At Total Meeting", 2010.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
An explosive mix of rock, jazz, noise and free improv when the guitarists from The Ex (Terrie Ex, Andy Moor) come together with Ken Vandermark (saxophone, clarinet) and Paal Nilssen-Love (drums) for their 3rd inspired release.
A limited LP from the trio of European improvisers Giovanni Di Domenico on piano and Peter Jacquemyn on double bass with American drummer Chris Corsano, recording in the studio in Belgium, 2013, for 3 free improvisations of dexterous and expressive playing.
Two free improvisers - guitarist John Russell and cellist Fred Lonberg-Holm - meet for a deep exploration of their instrument's ability for tone and timbre in four challenging and rewarding recordings.
Bassist J.C. Jones brings together science & music, enabling an evocative window into the illness MS by making the vibrations of myelin protein audible, over which Jones, Yoni Silver, Harold Rubin, Airel Shibolet, &c. improvise.
A composition for string quartet and trumpet in 9 parts by German composer Bojan Vuletic, a work inspired by and dedicated to Paul Celan, performed with the MIVOS String Quartet & Nate Wooley, and premiered in NYC's Issue Project Room.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
An all-improvised transnational collaboration recorded in the studio and live at Les Instants Chavires in France, between Mike Ladd (vocals/synthi), Carol Robinson (clarinets/voice), Dave Randall (guitar) and Dirk Rothbrust (drum/percussion).
Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.
Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.
Stream of consciousness improvisation in voice, violin harmonics, and unidentifiable percussive sounds, all over a NY neighborhood traffic drone, from the duo of violinist Natalia Steinbach and drummer/percussionist David Grollman, reporting from a strange dream.