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With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Cosa Brava is an experimental rock and improvisation quartet formed in March 2008 by multi-instrumentalist and composer Fred Frith, with members Carla Kihlstedt, Zeena Parkins, Shahzad Ismaily, William Winant, &c.

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Performing live at Cementen in Norway, the trio of drummer Paal Nilssen-Love with reed players Ken Vandermark and Ab Baars, 3 intense yet playful improvisations from 3 masters of the form.

Underground drone, guitar and electronic artist Brian McKenzie in two extended works of beautifully building sound, the first primarily electronic and building, the second melodic and spacious using gorgeous guitar riffs.

A 2006 concert recording at London's legendary Vortex by Evan Parker (sax), Steve Beresford (piano), John Edwards (bass) and Louis Moholo-Moholo (percussion) with guest Kenny Wheeler for a 2nd set.

In 2008 saxophonist Frode Gjerstad and drummer/percussionist Paal Nilssen-Love found themselves touring North America without a bassist, turning the loss into a fantastic duo that played 12 locations including this stop at The Spirit Room in NY.

An intense, meditative journey through the sound of stone, one continuous piece of more than three quarters of an hour during which the normal rules of time and flow are suspended by this master of lithophones.

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

An amazingly creative quartet led by composer and reedist Jan Klare with trumpeter Bart Maris, bassist Wilbert de Joode and drummer Michael Vatcher recording in the studio in Bruxelles, Belgium.

New York City players Andrew Lamb (winds), Tom Abbs (bass, tuba and didjeridoo), Michael Wimberly and Guillermo E. Brown (drums and percussion) in an album of organic and unpretentious improv.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

A cassette release joining 910 Noise and Ack Recordings from Ryan Lewis and August Traeger, harsh American noise that "will destroy the speakers" (Feast of Hate and Fear).

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Pianist Howard Riley recorded the 74 pieces of this 6 CD box from 1998-2010, referencing jazz and compositional forms in music based on more than 4 decades playing with the likes of Evan Parker, Tony Oxley, Keith Tippett, &c. &c.

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Wild British improvisers Volcano The Bear, borrowing from a cross-section of styles including jazz, rock, ethno-folk, organized sound, with an inexplicable and insanely passionate approach to their eccentric and excellent music.

1984 recordings from NYC of the Freestyle Band (Henry P. Warner on clarinet, Earl Freeman on bass guitar & piano, Philip Spigner on hand drums), an underground free jazz classic properly brought to light.

In a trio with bassist Barry Guy and percussionist Balts Nils, pianist Katharina Weber interprets 11 short piano pieces by Gyorgy Kurtag's collection "Jatekok", beautiful gems of trio improvisation.

Elegant, thoughtfully lyrical and original jazz trio compositions from pianist Eri Yamamoto's Trio with bassist David Ambrosio and drummer Ikuo Takeuchi, their 7th release as a group and 3rd on Aum Fidelity.

Modern Klezmer clarinetists David Krakauer, founding member of Klezmatics, performs John Zorn's Masada compositions by taking them back to their roots, interpreting them as traditional (and not-so-traditional) Klezmer tunes.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

Norway's The Core quintet, great modern jazz in an updated look at 60's styles in the mode of Herbie Hancock, Dextor Gordon or Miles, the evolution of "the cool" in five superb compositions.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

Northern Valentine is a Philadelphia based ambient/drone collective anchored by husband & wife, Robert & Amy Brown, Jeffrey Bumiller & Matthew Primak, here in an album collecting their beautiful sonic creations.

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

The first biannual issue of Signal to Noise, with Loren Connors on the cover, articles about Tim Berne, Tim Brady, Houston Improv, the Nonesuch Explorer Series, plus live and CD/DVD/LP reviews, &c.

NY's Talibam! team up with artist graphic artist Sam Kulik to tell the absurd and fantastic story of a young teen named Franklin who gets abducted by a revolutionary jazz fish into the undersea world of Atlantis.

LP edition of the first set performed by the trio of Peter Brotzmann, Steve Noble and John Edwards at Cafe OTO in January 2010 during Brotzmann's first residency at the venue, and the first time this trio had played together.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

The first meeting of saxophonist Frode Gjerstad, bassist Jon Rune Strom and drummer Paal Nilssen-Love, performing live at Cafe Mir in Oslo, an amazingly energetic session of great dialog and drive.

Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.

Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.

Music teacher, student, and violinist Joey Molinaro offers two progressive recordings on one piece of wax that summarize his comprehensive approach to acoustic folk music, classical execution, and hardcore punk aesthetics.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Emilie Girard-Charest is a Montreal cellist, composer and improviser, here presenting 5 works, one of her own and 4 from Fredrik Gran, Sergio Castrillon, Maxime Corbeil-Perron and Joane Hetu, using extreme techniques and electroacoustic accompaniment in both joyful and terrifying ways.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

Secret Tempo juxtaposes NY saxophonist Jonathan Moritz' feel of jazz with elements of modern compositional and improvised music, from Bird to Webster, Webern to lowercase, as performed with his trio of bassist Shayna Dulberger and drummer Mike Pride.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from the acoustic realm.

A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.

The Swiss string trio led by violinist Harald Kimmig, with Daniel Studer on bass and Alfred Zimmerlin on cello, is joined by UK saxophonist John Butcher for a set of improvisations that build with a unique percussive vitality and burning intensity.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Music teacher, student, and violinist Joey Molinaro offers two progressive recordings on one piece of wax that summarize his comprehensive approach to acoustic folk music, classical execution, and hardcore punk aesthetics.

Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character.