With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Cosa Brava is an experimental rock and improvisation quartet formed in March 2008 by multi-instrumentalist and composer Fred Frith, with members Carla Kihlstedt, Zeena Parkins, Shahzad Ismaily, William Winant, &c.

Performing live at Cementen in Norway, the trio of drummer Paal Nilssen-Love with reed players Ken Vandermark and Ab Baars, 3 intense yet playful improvisations from 3 masters of the form.

Underground drone, guitar and electronic artist Brian McKenzie in two extended works of beautifully building sound, the first primarily electronic and building, the second melodic and spacious using gorgeous guitar riffs.

A 2006 concert recording at London's legendary Vortex by Evan Parker (sax), Steve Beresford (piano), John Edwards (bass) and Louis Moholo-Moholo (percussion) with guest Kenny Wheeler for a 2nd set.

In 2008 saxophonist Frode Gjerstad and drummer/percussionist Paal Nilssen-Love found themselves touring North America without a bassist, turning the loss into a fantastic duo that played 12 locations including this stop at The Spirit Room in NY.

An intense, meditative journey through the sound of stone, one continuous piece of more than three quarters of an hour during which the normal rules of time and flow are suspended by this master of lithophones.

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

A solo recital from legendary free jazz pianist Narada Burton Greene performing at Kerrytown House, Ann Arbor, Michigan in 2010, sophisticated playing reflecting decades of creative exploration.

An amazingly creative quartet led by composer and reedist Jan Klare with trumpeter Bart Maris, bassist Wilbert de Joode and drummer Michael Vatcher recording in the studio in Bruxelles, Belgium.

New York City players Andrew Lamb (winds), Tom Abbs (bass, tuba and didjeridoo), Michael Wimberly and Guillermo E. Brown (drums and percussion) in an album of organic and unpretentious improv.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

A cassette release joining 910 Noise and Ack Recordings from Ryan Lewis and August Traeger, harsh American noise that "will destroy the speakers" (Feast of Hate and Fear).

Wild British improvisers Volcano The Bear, borrowing from a cross-section of styles including jazz, rock, ethno-folk, organized sound, with an inexplicable and insanely passionate approach to their eccentric and excellent music.

1984 recordings from NYC of the Freestyle Band (Henry P. Warner on clarinet, Earl Freeman on bass guitar & piano, Philip Spigner on hand drums), an underground free jazz classic properly brought to light.

In a trio with bassist Barry Guy and percussionist Balts Nils, pianist Katharina Weber interprets 11 short piano pieces by Gyorgy Kurtag's collection "Jatekok", beautiful gems of trio improvisation.

Elegant, thoughtfully lyrical and original jazz trio compositions from pianist Eri Yamamoto's Trio with bassist David Ambrosio and drummer Ikuo Takeuchi, their 7th release as a group and 3rd on Aum Fidelity.

Modern Klezmer clarinetists David Krakauer, founding member of Klezmatics, performs John Zorn's Masada compositions by taking them back to their roots, interpreting them as traditional (and not-so-traditional) Klezmer tunes.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

Northern Valentine is a Philadelphia based ambient/drone collective anchored by husband & wife, Robert & Amy Brown, Jeffrey Bumiller & Matthew Primak, here in an album collecting their beautiful sonic creations.

LP edition of the first set performed by the trio of Peter Brotzmann, Steve Noble and John Edwards at Cafe OTO in January 2010 during Brotzmann's first residency at the venue, and the first time this trio had played together.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Music teacher, student, and violinist Joey Molinaro offers two progressive recordings on one piece of wax that summarize his comprehensive approach to acoustic folk music, classical execution, and hardcore punk aesthetics.

Four extended electroacoustic works from Berlin's inside pianist and mixing board artist Andrea Neumann and Baltimore's Bonnie Jones on electronics, minimal and edgy pieces of unusual and absorbing character.

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

NY's Talibam! team up with artist graphic artist Sam Kulik to tell the absurd and fantastic story of a young teen named Franklin who gets abducted by a revolutionary jazz fish into the undersea world of Atlantis.

New, Sealed Copy...

New, Sealed Copy...

New, Sealed Copy...

New, Sealed Copy...

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, &c. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Dark and demanding improvisation, each side of this album an extended foray into dark and dangerous explorations from the Los Angeles trio of Peter Kolovos on guitar, Patrick Shiroishi on saxophone, and Noel Meek on electronics and tapes, Shiroishi's sweeping tones matching the electronics and effected guitar in a glorious nightmare of darkly imaginative sound.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.