Three bass instrumentalists - Gebhard Ullman on bass clarinet and bass flute, Chris Dahlgren on double bass, and Clayton Thomas on double bass, improvising on the lower end of the tonal range of chamber music.
The 1st part of Doc Chad's new "Concerto" series features a homemade Smoke Detector in a variety of instrumental settings involving organ, piano, a vintage Martin acoustic, the Bo Diddley Gretsch electric & Doc Chad's large scale percussion ensemble.
Their 6th duo album, cornetist/electronic artist Rob Mazurek & drummer/percussionist/electronic artist Chad Taylor's release is concerned with the balance between controlled and uncontrolled experiences.
Frode Gjerstad's genre-bending Circulasione Totale Orchestra with Sabir Mateen, Anders Hana, Louis Moholo, Paal Nilssen-Love, Lasse Marhaug, &c. in a 2 disc set, one each live in 2010 from Oslo, and Philadelphia.
A 4-CD box set of 9 "Spontaneous Sweets", elaborate, magnificent and melodic piano improvisations, recorded by Connie Crothers & David Arner performing in the Richard B. Fisher Center for the Performing Arts, NY.
The great, late UK drummer Tony Levin is paid tribute in an album of lovely, unique and oft eccentric compositions performed by a (drumless) trio of peers: saxophonist Paul Dunmall, guitarist Phil Gibbs, and bassist Paul Rogers.
Trumpeter Amir ElSaffar and his quintet expand the sonic possibilities of jazz by building on the modal music of the Iraqi maqam, adding a microtonal harmonic and melodic language influenced by the pitch-flexibility of Middle Eastern music.
Using the language of Russian Futurist poet Khlebnikov's Zaoum, saxophonist Michel Doneda and electronicist ErikM take us on a ride with sliding, breaking of rhythmical lines, sudden transformations, textures, and inexplicable sound.
Tektite is European improvising bassist Inegbrigt Haker Flaten's new label to release solo and ensemble work; "Birds" presents 5 solo recordings from Grand Sport Studio in Oslo and one live from The Hideout in Chicago.
The Ex were in Ethopia in 2010 for their "Free the Jazz" saxophone project, here presenting Mats Gustafsson on baritone saxophone, Paal Nilssen-Love on drums, and Mesele Asmamaw on krar, a stringed bowl-shaped lyre.
Free improvising vocalist and story spieler Shelley Hirsch teams with Simon Ho and a great set of musicians including Tony Buck, David Hofstra, Tomas Ulrich, for an engaging and fascinating set of songs and stories.
Dan Warburton created a composition by timestretching Al Margolis's If Bwana work, to which Margolis added a timestretched Warburton piano recording, plus traffic and kitchen noises he recorded in Phill Niblock's kitchen.
Nine tracks from two albums that Konitz recorded with German pianist Frank Wunsch in the early 90s - "Into It - Solos and Duos" and "Frank-Lee Speaking" - beautiful soulful jazz dialog between two lyrical masters.
Following the traditions of the saxophone trio, tenor & baritone player Jonas Kullhammar releases this studio album of irrepressible compositions performed with bassist Tobjorn Zetterberg and drummer Espen Aalberg.
Yusef Lateef provides solo saxophone accompaniment to authors Nicolas Humbert and Marc Parisotto's short stories and poems, using the music Lateef had played during the shooting of the film "Brother Yusef".
With his new trio with bassist Matt Brewer and drummer Damion Reid, saxophonist Lehman combines his own original compositions with a full program of works by jazz legends like John Coltrane and Jackie McLean.
Hubsch, Lehn, Zoubek & Hautzinger's approach to improvised music is driven by a mixture of mechanically and electronically generated sounds forming a vividly structured architecture of layers and sonic landscapes.
Two Liebman originals, Albert Ayler's "Ghosts", and a suite that Ellery Eskelin wrote specifically for this quartet with bassist Tony Marino and drummer Jim Black, allowing the band's energy to be altered by the compositional progressions.
A project about the rich jazz history of Brooklyn, NY, recorded in that burrough by NY saxophonist Joe McPhee & bassist Ingebrigt Haker Flaten, referencing Putnam Central, The Blue Coronet, Sonny Rollins, and Brooklyn itself.
A double CD of saxophonist Mike Osborne's group with bassist Harry Miller and drummer Tony Levin performing live 1976 at the Warwick Suite, Grand Hotel in Birmingham, driven and innovative UK free jazz from a trio of legends.
NY trumpeter Nate Wooley and Portugal's Red Trio (Rodrigo Pinheiro, Hernani Faustino & Gabriel Ferrandini), recorded after their live performance at the 2010 Clean Feed Festival in NYC; powerful and thought-provoking modern improvisation.
The third album by Sao Paulo Underground mixing jazz and electronics by the group of Mauricio Takara (percussion), Rob Mazurek (cornet & electronics), Guilherme Grando (keys), and Richard Ribeiro (drums).
NY saxophonist/guitarist, composer and conceptualist Elliot Sharps Trio with bassist Brad Jones and drummer Ches Smith using written scores to guide rhythmic and melodic jazz into unlikely and fascinating structures.
10 compositions from drummer Tyshawn Sorey's creative quartet/quintet repertoire "41 Compositions", created as a series of platforms for improvisation, here performed with Loren Stillman, Todd Neufeld, John Escreet & Chris Tordini.
An improvisation for two laptop computers performed by Tim Blechmann and Klaus Filip, recorded live in Vienna at "neue musik in st ruprecht", 2010, contrasting minimal tones with massive bass rumble and frothing frequencies.
Nasuno Mitsuru (Altered States, Seijaku, Korkyojin, &c) in a new band with two synthesizers, bass, and drums, rock in a Heldon/Tangerine Dream mode using modern electroacoustic principles for richly hypnotic electronic music.
6th release from RIO-rockers Thinking Plague, adding vocalist Elaine Di Falco and keyboardist Kimara Sajn to long-term members Mark Harris (reeds), Dave Wiley (bass) and Mike Johnson (guitar); superb and sophisticated art-rock.
Rafael Toral's Space Program, post-free jazz electronic music, is made manifest in this duo between the electronicist and drummer Davu Seru, performing live in Minneapolis during Toral's 2011 tour of the US.
Alex Ward developed this band to confront the issue of combining composition with improvisation, using free jazz as a touchstone for pieces allowing stylistically unbounded playing, here with an incredible set of players.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Constructed by Han-earl Park, the machine musician io 0.0.1 beta++ constructed from ad-hoc components including plumbing, kitchenware, speakers and missile switches, performs with its maker, and saxophonists Bruce Coates and Franziska Schroeder.
Reverie Duo is the acoustic duo of Valerio Daniele on acoustic guitar and Redi Hasa on cello, whose art is largely drawn from natural influences, here recorded in the atmospheric environment of a fifteenth century chapel.
The eight freely improvised pieces on this record demonstrate a dynamic group with a powerful, confident sound, as performed by guitarist Ricart, trumpeter Herb Robertson, bassist Jason Ajemian, and drummer Andrew Barker.
A recently discovered live recording of Rutherford and Haslam with the Samuli Mikkonen Trio at Raahe Festival, July 1999, a concert of non-stop improvisation and a fitting tribute to the trombonist's memory.
The duo of Liz Allbee on trumpet and Anthea Caddy on cello in beautifully paced, mysterious improvisations using a minimal approach of extended and often disconcerting techniques augmented with subtle electroacoustic touches.
An album of solo drumming from Pascal Nichols, who is part of the duo "Part Wild Horses Mane On Both Sides", here in a diverse set of approaches performed on drums, djembe, goblet bowls, cowbells, blocks, &c. &c... an album that's become an in-store favorite.
"Oprachina" is made up of the words opra (opera) & china (bowed), meaning alienating, back-breaking work, coined in the early 20th century to represent an equilibrium between written passages and free improvisation.