A vinyl-only limited edition album of Ran Blake's live performance on December 10, 2010 at St. Catherine's Church, performing mostly solo, and in duos with guitarist David "Knife" Fabris.

Eugene Chadbourne and the Dropouts (Fingle Schmincter, Abby von Pinkula, Pink Bob, SGT. Billy Capsize and Brian Reedy) in a studio release of original Doc Chad songs.

The 7 part "Knotted Alembic" is an improvisation between electroacoustic artist and label leader Thanos Chrysakis and Brazilian based Chilean pianist Philip Somervell performing inside and out of the piano.

Saxophonist, clarinetist and flautist Nobuyasu Furuya's quintet with Rodrigo Pinheiro (piano), Eduardo Lala (trombone), Hernani Faustino (bass) and Gabriel Ferrandini (drums) playing Furuya compositions.

Legendary NY free jazz saxophonist Charles Gayle takes to "the streets" with his trio of bassist Larry Roland and drummer Michael TA Thompson in a record illustrating Gayle's passionate voice and expressive dialog.

A great duo recording on clarinets and terrogoto from multi-reedist Frode Gjerstad and legendary free jazz musician Peter Brotzmann, incredible free improvisation from two masters.

Named for the miraculous recovery of drummer and AACM founder Alvin Fielder, who travelled to Dallas in 2010 to record with trumpeter Gonzalez and his sons bassist Aaron and vibraphonist Stefan, with Gaika James on trombone.

The collective trio of Daunik Lazro (baritone & alto saxophones), Jean-Francois Pauvros (guitar) and Roger Turner (drums & percussion) performing live at Instants Chavires (Montreuil) & at festival Jazz En Franche-Comte (Besancon).

The collective trio of Daunik Lazro (baritone & alto saxophones), Jean-Francois Pauvros (guitar) and Roger Turner (drums & percussion) performing live at Instants Chavires (Montreuil) & at festival Jazz En Franche-Comte (Besancon).

A trio of Michigan creative music improvisers with wind player Piotr Michalowski, guitarist Jaime Rodriguez Matos and bassist/trumpter/percussionist Christopher M. Skebo in 3 studio and one live recording.

Studio recordings and one live track from Lithuanian saxophonist Liudas Mockunas' trio with fellow homelanders, pianist Dmitrij Golovanov and drummer Marijus Aleksa, extended free jazz balancing heavy and beautiful approaches to improv.

The first meeting of AMM guitarist Keith Rowe and pianist John Tilbury after Rowe departed in 2004, a delicate and intricate long improvisation, fascinating dialog between two long-acquainted and innovative conversationalists.

The Japanese post-rock trio Sim (Oshima Teruyuki (guitar), Ootani Yoshio(electronics) and Uemura Masahiro(drums)) play a compelling stripped-down odd-rhythmic yet funky instrumental rock with unusual electronic counterpoint.

Bassist Joelle Leandre's drumless quartet with NY trumpeter Roy Campbell, pianist Marilyn Crispell and violist Mat Maneri performing at the Vision Festival in 2010, one of the highlights of that year's festival.

Live recordings from Sun Ra Solar-Myth and Intergalactic Arkestras performing live at the Ann Arbor Blues & Jazz Festival from 1972-74, well-recorded and great performances in this first issue of these great concerts.

A sound project by experimental musician Luis Tabuenca with Wade Matthews and ethnomusicologist Ana Maria Alarcon-Jimenez, inspired by the sonic heritage of Aragon, in pieces that reflect and question issues of memory, space & place.

Using low-fi electronics, mixing desk, delay pedals, contact mic, sand paper, singing bowls, &c. &c., Rhodri Davis and Mark Wastell create an amazing audio environment, captured live at the Melbourne Festival in 2005.

The French WPB3 trio explores areas between abstract minimalist, contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Sim is the 3 piece electronic/rock band of Teruyuki, Yoshio & Masahiro, here with Otomo Yoshihide on turntables and synth, and amazing album of rhythms in a This Heat "Repeat" mode.

Dutch flautist and electronic artist Jos Zwaanenburg in a release that updates and reinvents the technology for works written by British composers for Zwaanenburg over the last 20 years.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Composer John Shiurba with an impressive West Coast octet including vocalists Lara Bruckmann & Morgan Guberman, trumpeter Tom Djll, drummer Gino Robair, and bassist Matthew Sperry, &c. conducting them through five twisted compositions.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, &c. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.