Braxton Quartet alumni pianist Marilyn Crispell and drummer Gerry Hemingway in an album bringing the duo back together to express the evolution of their respective music, and the affinity of their work.
Abstract sound design from 910 Noise collective artist Carl Kruger, 5 tracks on a lovely 3" CD created through the processing of acoustic sound and electronics, a dynamic set of excellent compositions.
A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstuck for solo bass.
Saxophonist Ingrid Laubrock's Sleepthief trio with Tom Rainey on drums and Liam Noble inside and out of the piano, recording in the studio in NYC, a dynamic and remarkably paced journey in free improvisation.
Percussionist Marsh's quartet with Neil Metcalfe (flute), Alison Blunt (violin) and Hannah Marshall (cello) performing at the incredible acoustic space of Peter's Whistable, an intricate album of color and dynamic.
A documentary about Music Unlimited Festival 2009 in Austria, featuring Lotte Anker, Martin Blume, Arnold de Boer, Tony Buck, Sylvie Courvoisier, Chris Cutler, Peter Evans, Phil Minton, Andy Moor, &c. &c.
British saxophonist Evan Parker came to Toronto in 2009 as a guest of the AIMToronto (Association of Improvising Musicians Toronto) Interface Series, recording his trio with Wes Neal (double bass) and Joe Sorbara (drums).
6 works from a series of minimal compositions loosely based on the art & writings of Sol LeWitt, performed by the Edges Ensemble: Philip Thomas, James Saunders, Tim Parkinson, Angharad Davies, Stephen Chase & Rhodri Davies.
Avant folk artist Gosia Winter and guitarist Barry Chabala in a transcontinental collaboration suggested by Winter to bring both artists' sense of improvisation into new carefully crafted compositions.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Solo recordings of percussionist Mathias Pontevia embracing a breathtaking variety of approaches and sonic environments, in a beautiful art release with the CD attached to a laminated disc with embedded objects.
An art object, acrylic painting on wood with a CD inside, a beautiful package to house solo recordings of double bassist Guillaume Viltard's, who has worked with Heddy Boubaker, Catherine Jauniaux, &c.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
A unique realisation of John Cage's 'Four6', plus two improvisations by Stephen Cornford (amplified piano), Patrick Farmer (turntable & electronics), Sarah Hughes (chorded zither), and Kostis Kilymis (electronics).