AIMTorotono Orchestra under the direction of Kyle Brenders was formed in 2007 to perform the music of Anthony Braxton, here in their first studio album of original compositions for their own sophisticated repertoire.
The complete performance at the 2010 Freedom of the City festival by the 38-member LIO with guest Wadada Leo Smith and conductions by Alison Blunt, Steve Beresford, Philipp Wachsmann, Caroline Kraabel, and Dave Tucker.
A book of interviews by William Parker & a CD excerpting those interviews plus bass solos; artists include Fred Anderson, Billy Bang, Charles Gayle, Cooper-Moore, Louis Moholo, Sunny Murray, Sainkho, &c. &c.
Commissioned by BBC Radio 3 with an ensemble including Tim Berne, Joe Morris, Rhodri Davies, Jim Denley, Alex Ward & Steve Beresford, this amazing work is organized in traditional movements using a very modern and free language.
The debut of Tippett's new Octet, which features old & new collaborators including Mujician's Paul Dunmall, and former Tommy Chase Band saxophonist Ben Waghorn, performing a large continuous jazz suite.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
TILT Brass is a Brooklyn-based experimental music organization led by Chris McIntyre dedicated to expanding contemporary brass performance via two ensembles, TILT Creative Brass Band (CBB) and TILT SIXtet.
During Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro, Brazil, he was joined by Arto Lindsay performing on electric guitar and voice, recording these two impressive improvisations released on a 180 Gram 33/45 RPM record.
Vocalist Savoldelli in an exquisitely-crafted album of overdubbed vocal work, with help from trumpeter Paolo Fresu and bassist Jimmy Haslip; elaborite harmonies, interlocking rhythms, exultant influences.
Live recordings at the 2014 Vancouver International Jazz Festival from drummer Harris Eisenstadt's excellent and lyrical Golden State chamber jazz ensemble, here as a quartet with Michael Moore on clarinet, Sara Schoenbeck on bassoon, and Mark Dresser on bass.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.