A double CD of pianist Muhal Richard Abrams, the first in duo with saxophonist Fred Anderson, and the second with trombonist George Lewis, also on laptop, celebrating Abram's 80th birthday!

Bridging mainstream jazz with avant approaches, trumpeter Alessi leads his "This Against That" group with saxophonist Ravi Coltrane, bassist Drew Gress, pianist Andy Milne, drummer Mark Ferber, and Tim Berne co-producing.

Live recording from Oxford Improv Club in 2010 opposite Red Square with Paul Dunmall on saxophones, Phil Gibbs on electric guitar and electronics, Nik Stevens on double bass and Trevor Taylor electronic percussion.

The remarkable trio of basist Mark Helias, drummer Gerry Hemingway and trombonist Ray Anderson in a release that brings modern language to traditional jazz, blues, and Louisiana rhythms.

American saxophonist Tim Berne and French double-bassist Bruno Chevillon in the studio after 3 live gigs in Portugal, improvising freely while exploring sound and spinning tales in the moment.

Long time associates since their Mujician days, saxophonist Paul Dunmall, bassist Paul Rogers and drummer Tony Levin are recorded live in Austria for two extended and deeply joyful improvisations.

California trombonist Michael Dessen's trio with drummer Dan Weiss & bassist Chris Tordini in a cycle of 7 pieces integrating grooves, colors and textures in intricate compositions yielding adventurous improvisations.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

Turntable musician DJ Sniff (Takuro Mizuta Lippit) in a strange take on Evan Parker as an homage and investigation into his work over the decades, as explained in Sniff's insightful essay in the booklet.

Marc Ducret's Tower Project, music composed as a rendering of Vladimir Nabokov's novel "Ada", the first of 4 albums, here in a quintet with Kasper Tranberg, Matthias Mahler, Fred Gastard & Peter Bruun.

Sonic explorer Jason Kahn & Asher Thal-Nir in a 2008 concert at Boston's Axiom Gallery for a performance that creates inspired sound worlds by layering Kahn's planes of sound with Asher's environmental processing.

Live recordings from Roundhouse Community Center in Vancouver of the intense and enchanting dialog of bassist Leandres, flautist Nicole Mitchell, and percussionist Dylan van der Schyff.

Relative Pitch Records debuts with the excellent duo of bassist Joelle Leandre and Bay Area woodwind improviser Phil Greenlief in 11 variations for contrabass and woodwinds.

The "Inner Landscape" of cellist Daniel Levin's playing in a 6-part solo release of pure improvisation as Levin finds his music in real time through spontaneous play and surprise.

A large group under the direction of violinist Ernesto Rodrigues (also on harp, metronome & objects) in 4 extended improvisations of great suspense and tension through sound and silence.

A 5 minute video of a horse-headed suit lost in a sonic world eerily devised by 910 Noise artists Somnaphon, Mr. Stonecipher, and Food World; a brief but disturbing visual and auditory reflection.

Acoustic guitars, voices, digeridoo, bagpipes, cello and an array of machines swirl together, in and out of unison and/or cacophony to produce an elaborate and breathtaking journey for the listener.

2-CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, plus Sylvano Bussotti, Morton Feldman, Christian Wolff.

Ullman's composition of subtle gradations in sound performed very softly forcing the ear to notice the smallest variations, as realized by the string trio Ensemble Oriol Berline.

Volume 2 documenting the Berlin festival "Inventionen", a retrospective sampler with recordings of works by: Westerkamp, Sciarrino, Cage, Namtchylak, Jones, Scelsi, Fujita, Driscoll.

New Pricing April 2019: Recordings from the Berlin Inventionen Festivals for New Music 2005 and 2006 featuring compositions by Edgar Barroso ("ODD"); Mario Verandi ("Comme un jeu des images"); Paul Wilson ("Trhough the Rain"); Ricardo Climent ("Wallwoodpeckers"); Vladimir Djambazov ("The Secret Life of a Snare Drum"); and Ludger Brummer ("Glasharle").

An excellent compilation of modern Musique Concrete featuring compositions by Chin, Kosk, Cee, Donato, Minard, Mitterer, Dhomont, Karlsson, and Wishart.

A dark kiss of acid from Lasse Marhaug performing on electronics, computer and the compositional structures, with Mark Wastell submitting rich recordings of a 32" Paiste tam-tam.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

Luis Lopes put together this international group including Sei Miguel, Joe Giardullo & Benjamin Duboc for gigs in Portugal, which worked so well that they went to the studio for this impressive release.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

A series of miniatures from the trio of pianist Bourne, drummer Davis and bassist Kane, intensely focused works ranging from lovely to slightly disturbed while never failing to impress.

Pi-hsien Chen performs Arnold Schonbgergs, a small part of his oeuvre, yet significant in that they reflect the evolution and development of this great composer's compositional powers.

Inspired by Albert Ayler's work for strings, Jason Kahn wrote this graphical score for amplified percussion, Vincent Millioud on violin, Bo Wiget on cello, and Christian Weber on contrabass.

An incredible double CD from trumpeter Leo Smith's Organic with Michael Gregory, Pheeroan AkLaff, Angelica Sanchez, Skuli Sverrisson, Brandon Ross, &c &c... incredible electric and acoustic jazz from the legendary improviser and innovator!

London Improvisers Orchestra saxophonist Simon Rose in a solo album of improvisations recorded in the hall of a Berlin psychiatric hospital noted for its extraordinary acoustic properties.

A non-convention opera by Morton Feldman using words by Samuel Beckett to create musical equivalents to what Beckett's words suggest; performed by Radio-Sinfonie-Orchester Frankfurt.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

Pi-hsien Chen performs Arnold Schonbgergs, a small part of his oeuvre, yet significant in that they reflect the evolution and development of this great composer's compositional powers.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

An extended and rich confluence of strings from R Keenan Lawler and John Krausbauer, using resonator guitar and banjo, sustained tones that intertwine in a beautiful and optimistic drone, minimalistic yet drenched in a profusion of harmonic detail; a beautiful and elusive dream mixing between an Indian raga and an alien electronic environment.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

Pi-hsien Chen performs Arnold Schonbgergs, a small part of his oeuvre, yet significant in that they reflect the evolution and development of this great composer's compositional powers.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.

Taking his title from a poem by Octavio Paz with titles from translations by Lysander Kemp of other Octavio Paz poems, this solo album from double bassist Damon Smith is his definitive statement on the instrument: 23 tracks from 46 seconds to 5 minutes 50, developed over 15 years and displaying Smith's incredible technique and creative intent; incomparable.