A quartet of finesse and great communication led by pianist Copland, with saxophonist Greg Osby, bassist Doug Weiss and drummer Victor Lewis, performing original compositions and two well-placed standards.
The quartet of Paul Dunmall on soprano sax and bass clarinet; Philip Gibbs on guitar; Neil Metcalf on flute; and Paul Rogers on 7-string bass; a unique orchestration with impressive improvisational results.
Saxophonist Paul Dunmall steps out again with long standing compatriot guitarist Philip Gibbs and Miles Levin, the son of Mujician drummer Tony Levin, for two extended and awe-inspiring improvisations.
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation.
Three compositions by Luigi Nono, recorded at the Berlin festival "Inventionen", live electronics moving away from clear spatial and timbral assignations rendering the acoustic instruments barely recognizable.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
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Parker's definitive document of his Curtis Mayfield songbook project with Hamid Drake, Dave Burrell, Sabir Mateen, Darryl Foster & Amiri Baraka, promoting Mayfield's positive messages of hope and fortitude.
This is the 2nd release by Eisenstadt's stable working quintet Canada Day with Nate Wooley, Matt Bauder, Chris Dingman and Eivind Opsvik, named by ex-Torontonian drummer Eisenstadt for playing its first gig on Canada Day 2007.
The Brooklyn quartet of Weston Minissali (synth), Nathaniel Morgan (sax), Owen Stewart-Robertson (guitar) and Booker Stardrum (drums) in a unique mix of conceptual, improvised & experimental playing and studio composition.
An incredibly informed instant-composing ensemble drawing on free jazz and post rock sensibilities with nods to Indian ragas, jazz-inflected minimalism, Zappa-esque bouts of sonic anarchy, and German rock music from the 1970s, captured live at Toronto, Guelph and Hamilton, Canada in 2012.
Live recordings at the 2014 Vancouver International Jazz Festival from drummer Harris Eisenstadt's excellent and lyrical Golden State chamber jazz ensemble, here as a quartet with Michael Moore on clarinet, Sara Schoenbeck on bassoon, and Mark Dresser on bass.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.