Cylinder with Aram Shelton on sax, Darren Johnston on trumpet, Kjell Nordeson on drums and Lisa Mezzacappa on bass, sharing Ornette Coleman's chordless instrumentation in inventive harmolodic compositions.
Cellist and Downtown NY mainstay Okkyung Lee in an album of intimate chamber pieces that combine written music with noise improvisation, for an ensemble including Ikue Mori, Peter Evans, Craig Taborn, &c.
Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
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Parker's definitive document of his Curtis Mayfield songbook project with Hamid Drake, Dave Burrell, Sabir Mateen, Darryl Foster & Amiri Baraka, promoting Mayfield's positive messages of hope and fortitude.
A work resulting from Ullmann's reflections about the relationships between music and language: language as sound and language as text, and the numerous relationships between texts of different cultural and religious traditions.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).