UK free jazz guitar icon in unreleased solo material remastered from the original reel-to-reel recordings recorded in London, 1974, Bailey playing mostly electric guitar.

Beaks Plinth (Jared Blum) takes on a stack of organ-based records slowed to a dragging 16 2/3 and 81/3 rpms of all genres; Easy, Church, Jazz, Ice Skating music and more.

2010 master of this 1990 classic, not your average book of standards, pianist Blake takes an unusual and broad take on Gershwin with the help of saxophonists Ricky Ford and Steve Lacy.

Acousmatic work from electronic composer Degrassi: two serial pieces using algorithmic software, an elabration of recorded sounds, and an improvisation using real-time synthesizers.

The duo of Scott Fields on guitar and Stephan Rath on the theorbo (a long necked stringed instrument) crosses new music with early music, performing works written for the 2007 Cologne Music Triennial.

2007 release from the quintet of guitarist John Lindblom, reedist Fredrik Ljungkvist, trumpeter Magnus Broo, bassist Johan Berthling, and drummer Kjell Nordeson, performing live at Sweden's Glenn Miller Cafe.

Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

Trumpeter Natsuki Tamura and Satoko Fujii on accordion with guitarist Kazuhiko Tsumura and bassist Nirkatsu Koreyasu in their 2nd Gato Libre release, sophisticated, upbeat, melodic jazz.

Tuba player Hubsch's trio with Matthias Schubert and Wolter Wierbos, adding drummer Gerry Hemingway, performing remarkably organic and telepathic improvisation with a cosomological intent.

Instant Composers Pool Orchestra in a much-needed remaster of their 1999 Hat Hut CD, one suite from the Orchestra and one from Misha Mengelberg, unpredictable, meticulous and joyful Dutch jazz.

Israeli saxophonist Yoni Kretzmer now living in NY in a trio with NY drummer Mike Pride and Chicago/NY bassist Jason Ajemian, technical, lyrical, conceptual, and emotional jazz.

Radio Bremen, Germany recording from the 2009 MIBNIGHT JazzFestival of the trio of saxophonist Urs Leimgruber, bassis Ulrich Phillip and flautist Nils Gerold.

Portuguese guitarist Luis Lopes joins forces again with Rodrigo Amado on tenor sax and Gonzalez brothers Aaron and Stefan on bass and drums for a muscular set where free jazz meets rock meets blues.

Guitarist Joe Morris returns with Luther Gray on drums and adds the string section of Katt Hernandez on violin and Junko Fujiwara Simons on cello for his follow up to 2009's "Colorfield".

German pianist Hubert Nuss with bassist John Goldsby and drummer John Riley in a trio of lovely, multi-colored and prismatic harmonics of great depth and beauty.

The trio of violist and label leader Ernesto Rodrigues with acoustic guitarist Neil Davidson and sythn/field recording artist Wade Matthews in erosive, sinister and engrossing improv.

Pianist Florian Ross, a member of Vancouver Jazz Orchestra, the BMI Jazz Orchestra, or the Metropole Orkest, in his first solo album, a virtuouso album of variety and charm.

Free improvisation from Ned Rothenberg on clarinet and shakuhachi and Moscow Composer's Orchestra bassist Vladimir Volkov, in a concert honoring Long Arms founder Nicolai Dmitriev.

Seeded Plain is the duo of Bryan Day and Jay Kreimer, who create homemade instruments and use them to create far-ranging improvisations with a unique set of timbres and percussive elements.

An incredible display of control and lyrical development in understated improvisation using circular breathing and extended techniques from Israeli bass clarinetist Yoni Silver.

Renowned British improvisors Keith and Julie Tippett in a performance at the 2008 London Jazz Festival, recorded for the BBC Radio 3, delicate and organic free improvisation.

Remaster and reissue of saxophonist Charles Tyler's Ensemble in their 2nd ESP LP from 1967, challenging and exploratory playing of avant-jazz from a quartet that reaches for something beyond.

A great introduction to the German Pirouet label's recent releases, with tracks from Gary Peacock, Dave Liebman, John Abercrombie, Chris Speed, Marc Copland, Domenic Landolf, &c. &c.

soccer Committee and Machinefabriek's duo album from 2008 is remixed by artists Nate Wooley, Francisco Lopez, Taylor Deupree, Lawrence English, Xela, &c. &c.

Frenetic, intense, pyrotechnic free jazz including a "Zed Leppelin Crash Test" from the trio of saxophonist Heddy Boubaker, electric guitarist David Lataillade, and drummer Frederic Vaudaux.

Zorn's 5th installment in the Moonchild series, nine duos, trios and quartets swirling with melodic and rhythmic invention performed by Zorn, Marc Ribot, Mike Patton, Joey Barron, & Trevor Dunn.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

In their first studio recording, Alan Wilkinson (saxes, voice), Marcio Mattos (double bass, electronics) and Steve Noble (drums) play a diverse set with moments ranging from fervid to serene.

A 1985 recording of guitarist Joe Morris with Lowell Davidson (drums), Malcolm Goldstein (violin) and Butch Moriss (cornet) riffing on the idea of graffiti tags, performed live at the Cambridge Dance Center.

An album of solo drumming from Pascal Nichols, who is part of the duo "Part Wild Horses Mane On Both Sides", here in a diverse set of approaches performed on drums, djembe, goblet bowls, cowbells, blocks, &c. &c... an album that's become an in-store favorite.

Drummer Barry Altschul joins saxophonist Jon Irabagon and bassist Peter Brendler in an incredible trio of free improvisation and hard playing that's not afraid to put a little cheesecake on the cover.

Italian violinist and multi-instrumentalist Stefano Pastor with the amazing cellist and Indian instrument master Kash Killion in a mix of original avant jazz and 2 Monk standards.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Guitarist and electronic arist Pedro Chambel in a solo release, a single extended work of persistent electronic tone with guitar and objects.

British saxophonist Simon Rose uses extended and evocative techniques in this exceptional set of duos with Paul Stapleton, who plays a Bonsai Sound Sculpture, an assemblage of unusual electronic and acoustic components allowing a wide range of expression.

The Tiptons all-women sax quartet with drums, led by Amy Denio and Jessica Lurie, powerful and creative jazz with a twisted blend of influences and an exuberant spirit.

The Tiptons Saxophone Quartet plus drums led by Amy Denio and Jessica Lurie blend jazz, Afro-Cuban, Balkan, Klezmer, a capella vocals, and more into an energetic and ebullient mix.

Guitarist Luis Lopes (Humanization 4tet, Lisbon-Berlin Trio) is known for his mix of jazz, blues, rock; saxophonist Guionnet (The Fish, Hubub) for a mix of free jazz and electroacoustic experimentation; together live they create a riveting and unexpected hybrid of sound.

Bassist Per Zanussi expands his band to 13 players including saxophonists Jonas Kullhammar, Martin Kuchen, Jorgen Mathisen, Jketil Moster, guitarist Stian Westerhus, &c. for an amazing set of compositions on the edge of modern jazz.

Tiptons saxophonist Sue Orfield's Band performs original music that spans many genres from blues rock and funk to jazz and bluegrass with a little ethnic vibe thrown in.

The Tiptons Saxophone Quartet with drums and electronics, led by Amy Denio and Jessica Lurie, in their 2007 album of original compositions, joyful and compelling music that defies categorization.

During Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro, Brazil, he was joined by Arto Lindsay performing on electric guitar and voice, recording these two impressive improvisations released on a 180 Gram 33/45 RPM record.

The fiery, complex and exultant duo of drummer/percussionist Paal Nilssen-Love and Otomo Yoshihide on electric guitar, performing at the Copenhagen Jazzhouse in May 2013, an intense and rewarding set from two authoritative improvisers.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Two basses and a lower-end saxophone from the trio of Damon Smith on double bass, Andrew Durham on electric bass, and Danny Kamins on baritone sax, Durham also adding effects and "Radio Manipulation" to their deep sound, Durham & Kamins the core of CARL with Damon Smith adding extra underpinnings to their slowly developing, sometimes pensive, sometimes cantankerous, profound improvisation.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.