Double CD remaster of Braxton's incredible 1978 concert in Koln with a massive orchestra including Ned Rothenberg, Leo Smith, Marilyn Crispell, Bob Ostertag, Marty Ehrlich, JD Parran, &c. &c. &c.!

The first in a series of recordings from the shifting Circuit ea-improv ensemble, here with Trevor Taylor, Paul Dunmall, Jonathan Implett and Nick Stephens.

The 3rd CD in a series by the ea-improv group Circuit (Pat Thomas, Trevor Taylor, &c). music influenced by the japanese artist and illusionist Akiyoshi Kitaoka.

Jay Crockers follows the allure of salvage from six years of recordings, taking sketches and mini-improvs and organizing them into a large and unusual sonic journey.

PAL format DVD that documents the history of one of free improvisation's greatest saxophonists, Paul Dunmall, with music clips, interviews, &c.

Portugal bassist Ze Eduardo's trio in a set of compositions that includes jazz versions of animated televisions series, including a great cover of The Simpson's theme.

The new Swedish grouping of Mats Gustafsson on reeds and electronics, bassist/guitarist Johan Berthling and drummer Andreas Werlin, hypnotic and psychedelic sounding "jazz".

350g vinyl edition of the new Swedish grouping of Mats Gustafsson on reeds and electronics, bassist/guitarist Johan Berthling and drummer Andreas Werlin, hypnotic and psychedelic sounding jazz.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

Sax, bass clarinet and flutist Nobuyasu Furuya is a free player migrated from Japan to Lisbon, Portugal, here in a trio with bassist Hernani Faustino and drummer Gabriel Ferrandini.

Finnish free jazz master Frode Gjerstad in a trio with drummer Mark Sanders and bassist John Edwards performing live at the 2008 NattJazz Festival in Norway.

Birder started as a piece for solo tenor banjo to study of the music of Charlie Parker (Bird), an exhaustive work with Christine Duncan's trombone and theremin at the end.

Birder started as a piece for solo tenor banjo to study of the music of Charlie Parker (Bird), an exhaustive work with Christine Duncan's trombone and theremin at the end.

Collaged recordings of old vinyl records being played with cactus needles and dried agave leaves, an unexpectedly fascinating tactile approach to vinyl and dry nature.

This Berlin based quartet play a collective jazz of uncommon strategy and amazing prowess on 17 tracks of economical and brilliant playing - recommended!

Simon H. Fell, Steve Noble, Pat Thomas and Han Bennink performing the works of Mancini scored for a jazz piano trio, plus 'sound manipulation artist' and prerecorded tapes.

A much-needed and expanded reissue of this 1970s Offbeat label LP of cellist Midorikawa in duos with Masahiko Togashi, Masayuki Takayanagi and Masahiko Sato.

Joe Morris returns to guitar in a trio with pianist Steve Lantner & drummer Luther Gray, parallelling the Colorfield painters, evoking emotions with color through harmony, phrase, tempo & rhythm.

"Surreal slabs of processed sound float by each other in brilliant high fidelity, from the man behind much of the documentation of Bug Incision's live activites..."

An amazing jazz quartet with saxophonist Alberto Pinton and Jonas Kullhammar (Moserobie Music), music inspired by the 50s & 60s Blue Note style with a 21st century edge.

This pioneering British group recorded these track in the 1970s, pushing free improvisation and experimental music, in their day performing alongside Henry Cow, Red Brass and Lol Coxhill.

UK's Remote Viewers latest blends electronics, rock, composition and improv in unusual and seductive ways, with guests John Edwards, Steve Noble, Caroline Kraabel, &c.

Guitarist and composer Myk Freedman's little big band, a salon orchestra that's both entertaining and remarkably sophisticated, a playground of styles and ideas.

Poland's Sing Sing Penelope, with releases on Tone Industria and Monotype, in a set of original compositions performed with European trumpeter Andrzej Przybielski.

The unusual Scatter group formed in the early 90s to perform live improvisation with a rich dynamic range, expressive depth, quicksilver reactions and a sly sense of humour.

The trio of guitarist Barry Edwards, who has performed with Paul Dunmall; bassist Collin Somervell; and drummer Mark Sanders (Evan Parker, Paul Dunmall, &c. &c.)

Music inspired and fascinated by Italian cultural history, art, poetry, &c., from the collective quartet of John Butcher, John Edwards, Fabrizio Spera and Alberto Braida.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

The 1st release from Andy Moor & Colin McLean since they disbanded Dog Faced Hermans 13 years ago, 3 years of live improvisations from Amsterdam's OT 301's Music Dance 301 sessions.

Moodring is centered around Rollerball's Monte Allen & Mae Starr, mixing rock with sound & noise, tinted with a free post-jazz flavor in deep doom filled grooves and ghostly vocals.

This incredible trio, recorded at the 25th Victo Actuelle Festival, play complex music using shared ideas about articulation, timbre, and methods of interaction.

A lyrical and risk-taking outing from Tyler's Swedish quartet, recorded in 1988 in Stockholm.

The long-distance collaborative Vlor project constructs rock and sound work from a wide array of rock influcences leveraging their dichotomy to creative a cohesive brooding music.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Michiel Braam's extraordinay electric jazz release, named after the Wurlitzer 200A that drives these nine compelling "non-functional" tracks of melodic and technical skill.

Ex guitarist Andy Moor teams up with turntablist dj /rupture to make the 1st release on Unsuitable Records, a series of live improvisations from venues across Europe.

New Yorker Matt Lavelle's 3rd KMB release, here with Morcilla (Martinez/Grillot/Forbes) playing over a set of 7 compositions that blend latin rhythms with free swinging jazz.

Hyperpianist Maroney in "Music for Words" using the poetry of Yeats; and 2 works for Maroney's reunited 1980's band Iota Jot Yod band with Shelley Hirsch and Herb Robertson.

Electroacoustic genre-clashing romps through a universe of sound blending live and organized sources from composer Maguire, works that have to be heard to be believed.

Charles Tyler's Ensemble with Henry Grimes, Ronald Jackson, Charles Moffett and Joel Friedman in 4 extended original compositions, incredible and historic free sessions.

Brooklyn's W.O.O.Mambo madness has nothing to do with mambos, but definitely with madness: psychedelic free noise jazz that mutates melody into riveting sonic jams.

Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Emilie Girard-Charest is a Montreal cellist, composer and improviser, here presenting 5 works, one of her own and 4 from Fredrik Gran, Sergio Castrillon, Maxime Corbeil-Perron and Joane Hetu, using extreme techniques and electroacoustic accompaniment in both joyful and terrifying ways.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.