The first in a series of recordings from the shifting Circuit ea-improv ensemble, here with Trevor Taylor, Paul Dunmall, Jonathan Implett and Nick Stephens.

The 3rd CD in a series by the ea-improv group Circuit (Pat Thomas, Trevor Taylor, &c). music influenced by the japanese artist and illusionist Akiyoshi Kitaoka.

Jay Crockers follows the allure of salvage from six years of recordings, taking sketches and mini-improvs and organizing them into a large and unusual sonic journey.

PAL format DVD that documents the history of one of free improvisation's greatest saxophonists, Paul Dunmall, with music clips, interviews, &c.

Portugal bassist Ze Eduardo's trio in a set of compositions that includes jazz versions of animated televisions series, including a great cover of The Simpson's theme.

The new Swedish grouping of Mats Gustafsson on reeds and electronics, bassist/guitarist Johan Berthling and drummer Andreas Werlin, hypnotic and psychedelic sounding "jazz".

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

Sax, bass clarinet and flutist Nobuyasu Furuya is a free player migrated from Japan to Lisbon, Portugal, here in a trio with bassist Hernani Faustino and drummer Gabriel Ferrandini.

Finnish free jazz master Frode Gjerstad in a trio with drummer Mark Sanders and bassist John Edwards performing live at the 2008 NattJazz Festival in Norway.

Birder started as a piece for solo tenor banjo to study of the music of Charlie Parker (Bird), an exhaustive work with Christine Duncan's trombone and theremin at the end.

Collaged recordings of old vinyl records being played with cactus needles and dried agave leaves, an unexpectedly fascinating tactile approach to vinyl and dry nature.

This Berlin based quartet play a collective jazz of uncommon strategy and amazing prowess on 17 tracks of economical and brilliant playing - recommended!

Simon H. Fell, Steve Noble, Pat Thomas and Han Bennink performing the works of Mancini scored for a jazz piano trio, plus 'sound manipulation artist' and prerecorded tapes.

Joe Morris returns to guitar in a trio with pianist Steve Lantner & drummer Luther Gray, parallelling the Colorfield painters, evoking emotions with color through harmony, phrase, tempo & rhythm.

"Surreal slabs of processed sound float by each other in brilliant high fidelity, from the man behind much of the documentation of Bug Incision's live activites..."

An amazing jazz quartet with saxophonist Alberto Pinton and Jonas Kullhammar (Moserobie Music), music inspired by the 50s & 60s Blue Note style with a 21st century edge.

This pioneering British group recorded these track in the 1970s, pushing free improvisation and experimental music, in their day performing alongside Henry Cow, Red Brass and Lol Coxhill.

UK's Remote Viewers latest blends electronics, rock, composition and improv in unusual and seductive ways, with guests John Edwards, Steve Noble, Caroline Kraabel, &c.

Guitarist and composer Myk Freedman's little big band, a salon orchestra that's both entertaining and remarkably sophisticated, a playground of styles and ideas.

The unusual Scatter group formed in the early 90s to perform live improvisation with a rich dynamic range, expressive depth, quicksilver reactions and a sly sense of humour.

The trio of guitarist Barry Edwards, who has performed with Paul Dunmall; bassist Collin Somervell; and drummer Mark Sanders (Evan Parker, Paul Dunmall, &c. &c.)

Music inspired and fascinated by Italian cultural history, art, poetry, &c., from the collective quartet of John Butcher, John Edwards, Fabrizio Spera and Alberto Braida.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

The 1st release from Andy Moor & Colin McLean since they disbanded Dog Faced Hermans 13 years ago, 3 years of live improvisations from Amsterdam's OT 301's Music Dance 301 sessions.

Moodring is centered around Rollerball's Monte Allen & Mae Starr, mixing rock with sound & noise, tinted with a free post-jazz flavor in deep doom filled grooves and ghostly vocals.

This incredible trio, recorded at the 25th Victo Actuelle Festival, play complex music using shared ideas about articulation, timbre, and methods of interaction.

New Yorker Matt Lavelle's 3rd KMB release, here with Morcilla (Martinez/Grillot/Forbes) playing over a set of 7 compositions that blend latin rhythms with free swinging jazz.

Charles Tyler's Ensemble with Henry Grimes, Ronald Jackson, Charles Moffett and Joel Friedman in 4 extended original compositions, incredible and historic free sessions.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

A co-production between BeCoq Records and Creative Sources, the quartet of saxophonist Mathhiew Lebrun with 3 guitarists--Leo Rathier, Paul Menard, and Thomas Coquelet--use preparations, feedbacks, glass, cymbals, microswitches, and unusual sax techniques to create unusual sonic environments that ebb and flow in introspective and disquieting ways.

The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.

The second volume of the project heard in the previous Creative Sources album, "Suspensao", here in a 9-piece electroacoust ensemble with viola, cello, doublebass, alto sax, trombone, piano, electric guitar, computer and percussion, suspenseful lowercase music that unfolds in mysterious, beautiful and rewarding ways.

NY drummer Perowsky's Quartet with Chris Speed, Drew Gress and Ted Reichman in an eclectic set of original compositions alongside Geroge Harrison, Beatles and Hendrix tracks.

Drummer Charles Rumback in a quartet with Greg Ward & Joshua Sclar on sax, bringing together jazz tradition with the aesthetics of the eclectic Chicago scene.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.

A beautiful solo set of 12 improvisations, Michael Attias performing on alto sax with his left hand and piano with his right, captured in the natural reverberation of La Maison en Bois in Abeville-La-Riviere, France; surprisingly his 1st solo album, developed over 12 years yet played in under an hour with no retakes, a wonderful nuanced reflection in tone, melody & color.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

Toronto-area saxophonist Colin Fisher, best known for his group I Have Eaten The City, with his collective quartet of NY players Daniel Carter on tenor, alto & soprano saxophones + clarinet & flute, Brandon Lopez on upright bass, and Marc Edwards on drums & percussion, for three extended and exploratory improvisations of exemplary creative insight.

Recording in Toronto, the core trio of drummer Nick Fraser, saxophonist Tony Malaby and pianist Kris Davis are joined on four tracks by tenor saxophonist Ingrid Laubrock and trumpeter Lina Allemano, in an album of composed and collective improvisation, merging Toronto, NY and European influences in an accomplished album of diverse approaches and orchestrations.

The 5th release from the trio of multi-instrumentalist/vocalist Keiji Haino, guitarist Jim O'Rourke and Oren Ambarchi on wineglass and percussion is an introspective and beautifully developed set recorded live at their March 2013 concert at SuperDeluxe.

Recorded in the mid-90s, Livebatts! was a project of John White (Cornelius Cardew, Scratch Orchestra) developed to exploit "toy" keyboards of the 80s--cheap battery-driven instruments that hold tremendous potential for "serious" music-making--used here in a playful quartet with vocalist MJ Coldiron, Andrea Rocca (guitar & samples) and Nancy Ruffer (electrified flute).

An excellent first meeting of two guitarists recording on a February afternoon and released in the sequence recorded with no edits or changes, from Jim McAuley on guitar and Scot Ray on lap steel slide guitar with effects, an innately lyrical blending of styles masking the strong technical skills and long histories of these two superlative players.

Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice & objects, Steve Marquette on acoustic & electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part "New Omens" and some "Telly Attire".

'Spilla' means 'to play' in the language of Neapolitan musicians, and playing here are NY guitarist and composer Elliott Sharp and Italian guitarist Sergio Sorrentino, presenting world premier recordings of 4 works recorded live in Vercelli, Italy: two improvisations and two graphic scores performed on electric guitar with incredible technique and passion.

Stochastic music for percussion and synthesizers from New York avant conceptualist and keyboardist Charlemagne Palestine, here on piano & electronics, with the Italian duo Trrma' of Giovanni Todisco on percussion and Guiseppe Candiano on synth, in two side-long works of irregular rhythm, complexity and dissonance that build and recede in a suspenseful journey.

While both improvisers were in New York City for the 2019 Vision Festival, multi-reedist and European Free Improv legend Peter Brötzmann met Chicago cellist and electronics artist Fred Lonberg-Holm to record their 3rd album together, their 1st album in the studio a diverse set of incredible concentration, with Brötzmann performing on tenor saxophone, woodwind, and clarinet.

A momentous 2020 concert at London's Cafe OTO, presented in two discs, the 1st with label leader Jean-Marc Foussat in a solo improvisation on synth and voice, the 2nd in a trio with Daunik Lazro on tenor & baritone sax, and Evan Parker on soprano sax, the 2 saxophones weaving and responding to Foussat's remarkable alien soundscapes and vocalization in an immersive extended improvisation.

German saxophonist Ingrid Laubrock and Vancouver pianist Kris Davis, both living and working in NY, and having worked together in a variety of groups including Laubrock's Anti-House, a trio with drummer Tyshawn Sorey, Tom Rainey's Obligatto, &c. &c., concentrate their sophisticated playing with this duo album of 7 original compositions and 2 free improvisations.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Trumpeter Dennis Gonzalez merges his Yells at Eel project with bassist Aaron Gonzalez and drummer/percussionist Stefan Gonzalez, with Texas-based experimental rock band Pinkish Black--Daron Beck on keyboards and Jon Teague on drums & synthesizers--for a gripping and masterful hybrid of improvisation, dark synthetic rock and heavy moods; a riveting journey.

Exploring the lineage of the Dukes of Bedford, the Russell lineage in Bedford, England, in groupings of acoustic & electric guitarists John Russell, Ray Russell, and Henry Kaiser along with double bassist Ollie Brice, from duos to quartets, eight Duke "Russells" from 1680 to 2003 are explored through intricate and joyfully creative and technically amazing string improvisations.