Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Drummer/percussionist Hubert Zemler's second solo album with two compositions inspired by electronic music, particularly by works of the ensemble Suaves Figures, recorded in the vaults of the Camaldolese Church in Bielany, Warsaw with Milosz Pekala on vibraphones.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Saxophonist Tim Berne in his 3rd ECM album, leading his NY band Snakeoil, now a quintet with guitarist Ryan Ferreira joining pianist Matt Mitchell, clarinetist Oscar Noriega, and percussionist Ches Smith, for intricate, dynamic and sophisticated modern jazz.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.
Secret Tempo juxtaposes NY saxophonist Jonathan Moritz' feel of jazz with elements of modern compositional and improvised music, from Bird to Webster, Webern to lowercase, as performed with his trio of bassist Shayna Dulberger and drummer Mike Pride.
Two superb improvisers who both sadly passed away in 2016, performing together in 2014 at John Zorn's The Stone in NYC, originally released as a memorial for Crothers by Oliveros, and now as a testament to the incredible talents and improvisational dialog of both musicians.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from the acoustic realm.
A beautiful collaboration between Luis Jose Martins on classical guitar, percussion & electronics, and Joan Sa on piano, toy piano, celestra, idiophones & electronics, gentle music that's nearly a song, but actually sophisticated, textured, and lovely contemporary improvisation.
The Swiss string trio led by violinist Harald Kimmig, with Daniel Studer on bass and Alfred Zimmerlin on cello, is joined by UK saxophonist John Butcher for a set of improvisations that build with a unique percussive vitality and burning intensity.
An all-improvised transnational collaboration recorded in the studio and live at Les Instants Chavires in France, between Mike Ladd (vocals/synthi), Carol Robinson (clarinets/voice), Dave Randall (guitar) and Dirk Rothbrust (drum/percussion).