Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Drawing on American creative music, Mbira music of Zimbabwe, and traditional Chinese music, trumpeter Leo Smith's ensemble with drummer Pheeroan akLaff and pipa player Min Xiao-Fen perform 5 extraordinary compositions of lyrical vision.
Chicago pianist Paul Giallorenzo's hard swinging band with Davis Rempis (sax), Josh Berman (cornet), Anton Hatwich (bass) and Frank Rosaly (drums) recalls 60's bop alongside modern free approaches and incredible enthusiasm for the leader's compositions.
Holy Abyss is a modern, tuneful and occasionally haunting electric jazz collaboration between guitarist Joel Harrison and bassist Lorenzo Feliciati, with Cuong Vu (trumpet), Roy Powell (keys) and Dan Weiss (drums).
This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.
An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.