Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
Fourteen musicians perform drummer Dan Weiss' ambitious compositional project, a through-composed work featuring an ensemble with guitar, horns, voices, harp, piano, organ, bass and percussion, with players including Weiss, Matt Mitchell, Judith Berkson, David Binney, &c. &c.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.
It started as Rutger Zuydervelt, aka Machinefabriek's, request to saxophonist Neil Welch to improvise over a track that he sent to him; on receipt of the track he was so impressed with the details that he created this unexpected and rich work of organized sound from it.
A work for two quartets of voices about our relationship with the world, using four text sources from Rutherford Bowey & Westerberg, John Cage, Fernando Pessoa/Alberto Caeiro, and a critiques of "Vermeer's painting The Little Street"; a fascinating weaving of voice and song.