Four reed players of the European improv community in a series of compositions exploring drones, flutters, grainy tones, and powerfully radical approaches to the sax.

The eclectic, transformative and fascinating Biota (Mnemonists) in their 6th ReR CD of freeform sound, with video files and 13 images of paintings, drawing and woodcuts.

Double CD of two extended Braxton compositions performed in trio with Taylor Ho Bynum and Tom Crean, recorded at the Glasgow's Centre for Contemporary Art in 2005.

Since 2003 this Vancouver septet has merged jazz, improv, electro-acoustic, and progressive/avant musics into an exhilarating ordered chaos of highly listenable music.

The trio of Peter Zummo, Yvette Perez (both members of Birdbrain) and Danny Tunick in a set of delicate and sophisticated songs about housework and nature.

Vancouver 4-piece with members from Fond of Tigers, Tony Wilson 6Tet, Carsick, &c, merging jazz, noise rock and free improv into music with few sonic boundaries.

A studio project from the elusive violinist Eyvind Kang, featuring many of his musical associates as well as several orchestral ensembles from around the world.

A specially priced double CD collecting two decades of composition and experimentation from Dr. Nerve alumnus guitarist Steve MacLean.

Intensely technical to beautifully pastoral dual acoustic guitars from Parisian Marzan, who has worked with Beresford, Rowe and Russell, and SME alumni Roger Smith.

An open dialog between 15 year collaborators pianist Nabatov and trombonist Wogram, both members of Wogram's Quartet and the NDR Big Band.

One long straight take of New York percussionist Nakatani in a building set of primal energy in bowed, rubbed and struck cymbals, gongs, bowls and drums.

A long, lovely and flowing improvisation from the Necks in a 54 minute live recording recorded in Townsville, Northern Queensland in February, 2007.

IMJ offshoot label Hitorri presents Sachiko M's minial solo work of dual oscillator eruptions.

Powerful debut from Vancouver guitarist Wilson's 6Tet after 4 years of musical investigations into collective improvisation, melody & noise, meter shifts, African Rhythms, &c.

Vancouver veterans Wilson, Lee & Bentley in a percussion-less improvisational trio that balances introspective beauty with adventurous technical ability.

Vancouver guitarist Tony Wilson in his 1st solo release recorded in an island cabin, showing his influences from Leadbelly, Fahey, Coltrane, and Ribot.

Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.

The trio of bassist Gary Peacock, pianist Paul Bley, and trumpeter Franz Koglmann interpret and improvise on the music of avant song-writer Annette Peacock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

The first Hopscotch release from the then husband/wife duo of wind player Assif Tsahar and drummer Susie Ibarra, lyrical and textural powerfully woven improvisation.

Jim Hobbs piano-less trio in an "emboldened program of muscular angularity Ornette-ish harmolodic lullaby and punk-rock deviousness."

A reduction of composer Simon James Phillips' 5 hour improvisation performed with Tony Buck (drums), Werner Dafeldecker (bass), BJ Nilsen (electronics), Liz Allbee (trumpet), Arthur Rother (guitar) & Simon James Phillips (piano) exploring time, perception and place.

An historical recording of Hermann Scherchen directing the RTSI Orchestra in a rehearsal of Beethoven's 6th Symphony, 1964, one of the works Scherchen is most associated with.

The Ex were in Ethopia in 2010 for their "Free the Jazz" saxophone project, here presenting Mats Gustafsson on baritone saxophone, Paal Nilssen-Love on drums, and Mesele Asmamaw on krar, a stringed bowl-shaped lyre.

The second release on Intakt pairing pianist Ulrich Gumpert and percussionist Gunter Baby Sommer in an album that borrows from blues, boogie-woogie, hard bop, German folk songs, and free jazz.

New York/Ohio skronkers Scarcity of Tanks with Jim Sauter of Borbetomagus plus Kid Millions in a hard free rock free improv blast.

Free and open-ended improvisation and amplified sound work from Mats Gustaffson with the duo of Gennaro and Newman AKA Wrist Error.

Compositions by composer, conductor and teacher Peter Eötvös, Bernd Alois Zimmermann & Martin Smolka.

Turntablist/sine wave artist Ignaz Schnick with laptop artist Dawid Szczesny in a series of minimalist recordings created around live performances in Wroclaw and Germany.

New York saxophonist Bonnie Kane/W.O.O. (Whole Other Orbit) in a quartet with Blaise Siwula, Ray Sage and Will Redmond.

A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre dÕAlfortville and in the studio.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Tonal tuba player Heasley's 4th CD, an atmopsheric duo with drummer Toss Panos recorded livat at Tossimo's, North Hollywood in 2006.

Downtown New York sax and reedists Bonnie Kane and Blaise Siwula in the W.O.O. Presents Mambo Mambis quintet Live @ Goodbye Blue Monday, Volume 1.

The Brooklyn duo of saxophonist Sam Weinberg (Captain Phillips) and synth player Chris Welcome (Chris Pitsiokos, Mike Pride) in an album of abrasive, rhythmically abraded and contorted electro-acoustic improvisation, each player embedding themselves into each other's sound, at time making their instruments indistinguishable from one another.

Vocalist Savoldelli in an exquisitely-crafted album of overdubbed vocal work, with help from trumpeter Paolo Fresu and bassist Jimmy Haslip; elaborite harmonies, interlocking rhythms, exultant influences.

Vancouver guitarist Tony Wilson in his 1st solo release recorded in an island cabin, showing his influences from Leadbelly, Fahey, Coltrane, and Ribot.

Toronto percussionist Debashis Sinha's first release as the Ima Ensemble features the vocals of Toronto world music singers Jayne Brown and Sophia Grigoriadis.

Calgary's saxophonist Darren Williams, who has worked with Mats Gustafsson, Cody Oliver, Eugene Chadbourne, and Han Bennink, in a solo album of remarkable power using extended techniques in composed and improvised pieces that push Williams into astounding territory.

Having previously worked together with Joe McPhee and Kent Kessler, this album distills the Portuguese saxophonist Rodrigo Amado and NY drummer/percussionist Chris Corsano to a concentrated sax and drum duo of earnest and edgy playing, bending jazz, free and blues idioms to their will with magnificent technique and power, both clearly elated in their meeting.

Recorded live at Silence Sounds in Guelph Canada, the duo of Xavier Charles on clarinet and Eric Normand on electric bass & objects eschew idiom in favor of their unique natural language on their instruments, applying patient development of truly idiosyncratic and fascinating command through a single extended work punctuated in seven diverse passages.

From 2008-16 until drummer Frank Rosaly moved to Amsterdam, alto saxophonist Nick Mazzarella's Trio was an active part of Chicago's creative jazz scene; in early 2018 Rosaly returned for a visit and Mazzarella composed a suite of 6 new pieces to commemorate the trio's tenth anniversary, the exuberant result this excellent concert recorded at Co-Prosperity Sphere!

Exploring human relationships and self perception through the use of physical objects and their potential sounds, San Antonio drummer Claire Rousay, who has worked with Jacob Wick, Ken Vandermark, Brandon Lopez, &c. recorded these six solo drum performances in the studio, developing each in a way that shows her strong technical skills and narrative voice on the drums.

Portland Oregon composer and sound artist Jeff Lane, co-founder of the Chicago/Portland record label Never Anything, as his alter-ego Tereshkova in a large work of electronic composition, part concrete, part acousmatic, spanning two cassettes with four side-long pieces, each an extended journey in mood, motion, perplexing sources and embrace-ably interesting.