Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
"Zwirn" means "twine" in German, an apt description of the interweaving sound that double bassists Daniel Studer and Peter Frey play together, in 7 freely improvised works of unusual technique and new musical structures.
The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.
Friction, one of the most important and longest running underground bands in Japan, is currently the trio of Reck (bass, guitar & vocals), Iami Akinobu (guitar) and Sato Minoru (drums), in a hard-edged album of original songs and remixes; demanding and powerful modern rock.
Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents a 3-part work and an extended track from electro-acoustic improviser Miguel A. Garcia; side B presents 3 tracks from Bicephalic label leader August Traeger using contact mic and broken instruments.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.
The Swedish duo of percussionist Andreas Pollak and prepared pianist Johan Graden (Adam & Alma) in an album of references and innuendo, clandestine and furtive sounds that evoke great mystery and drama in beautifully shaped sound; evocative music that deceives to emerge from the electronic realm while in actuality coming from all acoustic sources.
Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.
AMM percussionist Eddie Prevost has presented weekly Workshop Concerts since 1999, here recording live at London's Cafe Oto in May, 2012 with a sextet of acoustic and electronic performers on violin, cello, theremin, zither, electronics, and percussion.
Drummer Bobby Previte's "Mass" is based on heavy electrified rearrangements of 15th century composer Guillaume Dufay's "Missa Sancti Jacobi", performed by The Rose Ensemble, Stephen O'Malley, Don McGreevy, Mike Gamble and Jamie Saft, Marco Benevento, and Reed Mathis.