Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
"Zwirn" means "twine" in German, an apt description of the interweaving sound that double bassists Daniel Studer and Peter Frey play together, in 7 freely improvised works of unusual technique and new musical structures.
The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.
Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.
Friction, one of the most important and longest running underground bands in Japan, is currently the trio of Reck (bass, guitar & vocals), Iami Akinobu (guitar) and Sato Minoru (drums), in a hard-edged album of original songs and remixes; demanding and powerful modern rock.
Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.
Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents a 3-part work and an extended track from electro-acoustic improviser Miguel A. Garcia; side B presents 3 tracks from Bicephalic label leader August Traeger using contact mic and broken instruments.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Referencing sci-fi, C.S. Lewis, and alien worlds, the compositions of Marek Poliks each have a central metaphor like alien environment and warmth, spaceship and cradling, performed by ensembles using traditional and electronic instruments and objects.
A masterful fountain of melodic ideas, intriguing rhythms, and exceptional technical skill from the duo of Hamid Drake on drums and frame drum, and Sylvain Kassap on clarinets and chalumeau, recording live at the France Musique at Studio Theatre d’Alfortville and in the studio.
A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.
Pianist Myra Melford joins frequent collaborators, double bassist Joelle Leandre and flutist Nicole Mitchell, in a live performance at Galerie Zurcher, in Paris in 2016, for a set of spontaneous improvisations with a warm chamber jazz feeling of masterful dialog.