Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
A large work from Brooklyn's jazz-oriented Little Women with saxophonists Travis Laplante & Darius Jones, guitarist Andrew Smiley, and drummer Jason Nazary, a sophisticated building work collectively composed and refined over two years.
A work that pays homage to chilly northwest winds, sparkling winter light, the February moon, and the tedium and the exasperation of March , all of which allow the emotional excitement of winter to show through.
Holy Abyss is a modern, tuneful and occasionally haunting electric jazz collaboration between guitarist Joel Harrison and bassist Lorenzo Feliciati, with Cuong Vu (trumpet), Roy Powell (keys) and Dan Weiss (drums).
On her first solo album, pianist Lisa Ullen plays 13 of her complex compositions, and, in addition to the keyboard, uses the inside piano and, on one track, her own upright bass, to illustrate her extended piano techniques.
A sublime five-part suite commissioned by Chamber Music America, performed by Loren Stillman (sax), Fabian Almazan (piano), Ryan Ferreira (guitar), Linda Oh (bass), and Justin Brown drums), exploring the subliminal patterns hidden below apparent reality.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Using guidelines related to form, time, sound source and density, the trio of Tim Olive on magnetic pickups, Takahiro Kawaguchi and Makoto Oshiro on self-made instruments, recorded these compositions live, named for the atmosphere of the recording environment.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.