Using mostly unprocessed electric guitars, the duo of Elliott Sharp and Scott Fields' latest release presents eight dueling guitar works using dynamic, angular tones and textures, from extremely aggressive work to clean avant-jazz with twisted technical intent.
A large work from Brooklyn's jazz-oriented Little Women with saxophonists Travis Laplante & Darius Jones, guitarist Andrew Smiley, and drummer Jason Nazary, a sophisticated building work collectively composed and refined over two years.
Using field recordings made in Brussels together with TRMX, Johan Vandermaelen, Martiens Go Home, and Building Transmissions, Lopez mutates and records these into an intense 73 minute composition that takes the sounds of a city and transforms them into a interior landscape, a city within.
Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.
The trio of Evan Parker on tenor & soprano sax, Jeremiah Cymerman on clarinet & electronics, and Nate Wooley on trumpet, performing live at The Stone, NYC in 2013 in a remarkable concert intensified by Cymerman's studio processing to emphasize aspects of the performance.
Electric Bird Noise artist Brian Lea McKenzie extends his concepts in a new duo with vocalist Claudia Gregory (Exhaust the Fox, Claudia Versus the Queen of Hearts), with a new band name and a compelling set of epic electro-rock songs.
Revisiting Sex Pistols' "Never Mind the Bollocks" in a band with Benoit Delbecq on piano, Gilles Coronado on guitar, Olivier Py on sax, Franck Vaillant on drums, and Sarah Murcia on bass, splitting the vocals with Mark Tompkins in a unique take on a punk classic.
Recording in Brooklyn in 2014, this collaboration between Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation.
Free improvising saxophonist Simon Rose, on baritone and alto sax, meets composer/arranger Stefan Schultze on prepared piano for 11 exploratory works based around Schultze's "modules"--bits and pieces attached inside the piano--creating unusual platforms for free improvisation.
An album of tones and tonal environments from Barry Chabala and A.F. Jones, using guitars and effects to create slowly moving tones punctuated with unusual utterances of unknown origin; rich and curiously non-specific sound that lives in the back- and foreground.