Ten improvisations in the 3rd release of New York trumpeter Nate Wooley and tenor saxophonist Ivo Perelman's Polarity series, their dialogs an incredible weaving of creative ideas and technical prowess that started in 2020 after recording a series of larger group albums, their affinity and cooperative approach to instrumental dialog exceptional and exemplary.
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 4.00 units
EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs
Sample The Album:
Ivo Perelman-tenor saxophone
Nate Wooley-trumpet
Click an artist name above to see in-stock items for that artist.
Label: Burning Ambulance Music
Catalog ID: BAM101
Squidco Product Code: 35304
Format: CD
Condition: New
Released: 2024
Country: USA
Packaging: Cardboard Gatefold
Recorded at Park West Studios, in Brooklyn, New York, in June, 2024, by Jim Clouse.
"...a mostly bucolic, thoughtful exploration of instrumental counterpoint, with hints of tradition...but mostly spare and abstract"-The Wire
"Tenor saxophonist Ivo Perelman and trumpeter Nate Wooley have been collaborating for several years in various contexts. Their first duo album, Polarity, was one of the first releases on Burning Ambulance Music in 2021, and it got excellent reviews from DownBeat, Jazziz, and The Wire. In 2023, they released Polarity 2, and now they're back with Polarity 3. Each is entirely different from the others, but their shared musical language continues to evolve and you can tell it's the two of them in seconds."-Burning Ambulance"...a mostly bucolic, thoughtful exploration of instrumental counterpoint, with hints of tradition...but mostly spare and abstract"-The Wire
Artist Biographies
• Show Bio for Ivo Perelman "Born in 1961 in São Paulo, Brazil, Perelman was a classical guitar prodigy who tried his hand at many other instruments - including cello, clarinet, and trombone - before gravitating to the tenor saxophone. His initial heroes were the cool jazz saxophonists Stan Getz and Paul Desmond. But although these artists' romantic bent still shapes Perelman's voluptuous improvisations, it would be hard to find their direct influence in the fiery, galvanic, iconoclastic solos that have become his trademark. Moving to Boston in 1981, to attend Berklee College of Music, Perelman continued to focus on mainstream masters of the tenor sax, to the exclusion of such pioneering avant-gardists as Albert Ayler, Peter Brötzmann, and John Coltrane (all of whom would later be cited as precedents for Perelman's own work). He left Berklee after a year or so and moved to Los Angeles, where he studied with vibraphonist Charlie Shoemake, at whose monthly jam sessions Perelman discovered his penchant for post-structure improvisation: "I would go berserk, just playing my own thing," he has stated. Emboldened by this approach, Perelman began to research the free-jazz saxists who had come before him. In the early 90s he moved to New York, a far more inviting environment for free-jazz experimentation, where he lives to this day. His discography comprises more than 50 recordings, with a dozen of them appearing since 2010, when he entered a remarkable period of artistic growth - and "intense creative frenzy," in his words. Many of these trace his rewarding long-term relationships with such other new-jazz visionaries as pianist Matthew Shipp, bassists William Parker, guitarist Joe Morris, and drummer Gerald Cleaver. Critics have lauded Perelman's no-holds-barred saxophone style, calling him "one of the great colorists of the tenor sax" (Ed Hazell in the Boston Globe); "tremendously lyrical" (Gary Giddins); and "a leather-lunged monster with an expressive rasp, who can rage and spit in violence, yet still leave you feeling heartbroken" (The Wire). Since 2011, he has undertaken an immersive study in the natural trumpet, an instrument popular in the 17th century, before the invention of the valve system used in modern brass instruments; his goal is to achieve even greater control of the tenor saxophone's altissimo range (of which he is already the world's most accomplished practitioner). Perelman is also a prolific and noted visual artist, whose paintings and sketches have been displayed in numerous exhibitions while earning a place in collections around the world." ^ Hide Bio for Ivo Perelman • Show Bio for Nate Wooley "Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances. Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson. Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile". In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist. Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums." ^ Hide Bio for Nate Wooley
11/4/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/4/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. One 8:13
2. Two 2:05
3. Three 2:49
4. Four 6:27
5. Five 7:34
6. Six 8:08
7. Seven 6:30
8. Eight 5:33
9. Nine 5:00
10. Ten 10:23
Improvised Music
Jazz
Free Improvisation
Collective Free Improvsation
NY Downtown & Metropolitan Jazz/Improv
Recordings by or featuring Reed & Wind Players
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Duo Recordings
Nate Wooley
Staff Picks & Recommended Items
New in Improvised Music
Recent Releases and Best Sellers
Search for other titles on the label:
Burning Ambulance Music.