One of Satoko Fujii's wildest groups, the quartet of Fujii on piano, Natsuki Tamura on trumpet, Hayakawa Takeharu (HAYAKAWA, Dr. Umezu Band) on bass and Magaibutsu label leader & Ruins drummer Tatsuya Yoshida present their first album since 2007, expanding their assertive approach to improv in an adventurous set that merges rock and jazz forms with lyricism and power.
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Sample The Album:
Natsuki Tamura-trumpet
Satoko Fujii-piano
Hayakawa Takeharu-bass
Tatsuya Yoshida-drums
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UPC: 4582561402166
Label: Libra
Catalog ID: 204-076
Squidco Product Code: 35252
Format: CD
Condition: New
Released: 2024
Country: Japan
Packaging: Cardstock Gatefold Sleeve 3 panels with Insert and Obi Wrapper
Recorded at Orpheus Recording Studios, in Tokyo, Japan, on April 8th, 2024, by Naoto Sugahara.
"On Dog Days of Summer (Libra) pianist-composer Satoko Fujii reconvenes her powerhouse avant jazz-rock fusion quartet for their first recording in nearly 20 years. Getting together again with trumpeter Natsuki Tamura, bassist Takeharu Hayakawa, and drummer Tatsuya Yoshida reminded Fujii of "how much I enjoy playing with this wild quartet." Indeed, you can hear how much the entire band enjoys themselves-the music is boisterous and full of surprises and comradery. But she didn't want to simply recreate the music of 18 years ago. "I don't like looking back," she says. "I don't want the band to be fixed in a certain shape. I believe good music needs to be alive, and that means it changes. I want each project I do to be a new step forward." As much as the music is fun and challenging, it is also fearlessly adventurous as the quartet discovers new ways to travel in the uncharted grey areas between musical genres.
Originally founded in 2001, the ferociously energetic all-star quartet was one of Fujii's first working bands. They recorded five albums together before she put the band "on hold" in 2007. Although no longer working as a group, the band members remained friends and occasional collaborators (The Fujii-Yoshida duet, Toh-Kichi, released their third recording, Baikamo, in 2019). Then last year, Fujii brought the foursome together again for her Marathon Live event at Shinuku Pit Inn, during which she plays several sets, each featuring a different combination of musicians. In July of that year, they did a short four-city tour in Japan, after which they went in the studio to record their sixth album of new music composed by Fujii.
Fujii's writing and arranging breaks up the band into different combinations and frequently pulls it in different directions in the course of one composition, but the quartet never loses its sense of togetherness. Each member can take the piece in their own direction but they always circle back to composition, which means there are unexpected turns on every track. It's music that delights in being off balance, but never toppling over. "Not Together" is playful in tone, but also serious music making, a neat summary of the band's approach. "Haru wo Matsu" features a duet that contrasts Hayakawa's rock-inflected lines with Fujii's pulsing free jazz phrases. It's a passage of close listening with a nice sense of development and tension and release. The odd-metered jazz-rock extravaganza for the quartet that follows is one of the album's high points.
"Metropolitan Expressway" is a great example of how the disparate personalities in the band can retain their independent identity while creating a unified whole. Yoshida's funky beat propels the band while Hayakawa surges up from the bottom with his own rocking sense of time and a kaleidoscopic variety of textures and colors. Tamura is white hot using a mute and Fujii weaves in and out with free jazz cascades. It somehow all coheres.
"A Parcel for You" separates the band into bass and drums and trumpet and piano duos alternating thrashing rock and tangled free jazz passages, then merges them for a rousing finale. "Circle Dance" starts quietly with unusual abstract sounds then roars forward on Yoshida's rocking groove and a dazzling Tamura trumpet solo. Overlapping solos by each bandmember highlight "Low." The concluding title track features some rock hero bass lines from Hayakawa and a quartet passage with Fujii soloing as Tamura plays a poignant melody.
The Satoko Fujii Quartet is truly an all-star ensemble. Drummer Tatsuya Yoshida, co-founder of The Ruins, has earned an international following as one of the most innovative rock drummers in the world. His unbridled energy has powered some of the most innovative bands in Japan, pushing the boundaries of prog-rock, noise rock, and improvisation.
Trumpeter and composer Natsuki Tamura is recognized for a unique musical vocabulary that blends jazz lyricism with extended techniques. In addition to appearing with many of Fujii's projects and recordings, he is a leader in his own right.
Takeharu Hayakawa, one of Japan's premiere new-music bassists, is a longtime member of the internationally celebrated Dr. Umezu Band and has performed with John Zorn. His many albums as a leader continue to blur genre lines in creative and surprising ways, sometimes hueing closer to avant- rock, sometimes closer to jazz and free improv.
Pianist and composer Satoko Fujii, "an improviser of rumbling intensity and generous restraint" (Giovanni Russonello, New York Times), is one of the most original voices in jazz today. For nearly 30 years, she has created a unique, personal music that spans many genres, blending jazz, contemporary classical, rock, and traditional Japanese music into an innovative synthesis instantly recognizable as hers alone. A composer for ensembles of all sizes and a performer who has appeared around the world, she was the recipient of a 2020 Instant Award in Improvised Music, in recognition of her "artistic intelligence, independence, and integrity." Frequently cited in the DownBeat Critics' Poll, in 2024, she ranked high in three categories-piano, big band, and arranger.
Since she burst onto the scene in 1996, Fujii has performed and recorded prolifically. In 2022, she released her 100th album as a leader. On the way to this impressive milestone, she has led some of the most consistently creative ensembles in modern improvised music, including a piano trio with Mark Dresser and Jim Black (1997-2009). In addition to a wide variety of small groups of different instrumentation, Fujii also performs in a duo with trumpeter Natsuki Tamura, with whom she's recorded nine albums since 1997. She and Tamura are also one half of the international free-jazz quartet Kaze, which has released seven albums since their debut in 2011. Fujii has established herself as one of the world's leading composers for large jazz ensembles. Fully a quarter of her albums have been with jazz orchestras, prompting Cadence magazine to call her "the Ellington of free jazz."-Brathwaite & Katz
Artist Biographies
• Show Bio for Natsuki Tamura "Japanese trumpeter and composer Natsuki Tamura is internationally recognized for a unique musical vocabulary that blends extended techniques with jazz lyricism. This unpredictable virtuoso's seemingly limitless creativity led François Couture in All Music Guide to declare that "... we can officially say there are two Natsuki Tamuras: The one playing angular jazz-rock or ferocious free improv... and the one writing simple melodies of stunning beauty... How the two of them live in the same body and breathe through the same trumpet might remain a mystery." Born on July 26, 1951, in Otsu, Shiga, Japan, Tamura first picked up the trumpet while performing in his junior high brass band. He began his professional music career after he graduated from high school, playing in numerous bands including the World Sharps Orchestra, Consolation, Skyliners Orchestra, New Herd Orchestra, Music Magic Orchestra, and the Satoko Fujii Ensemble, as well as in his own ensemble. He was the trumpeter for numerous national television shows in Japan from 1973-1982, including The Best Ten, Music Fair, Kirameku Rhythm and many others. In 1986, he came to the United States to study at Berklee College of Music. He then returned to his native Japan to perform and teach at the Yamaha Popular Music School and at private trumpet studios in Tokyo and Saitama, before coming back to the US to study at New England Conservatory. He made his debut recording as a leader in 1992 on Tobifudo. In 1997 he released the duo album How Many? with pianist Satoko Fujii, who is also his wife. It marked the beginning of an artistic collaboration that continues up to the present. The duo has made a total of five CDs over the years, including 2012's Muku. "Muku contains some truly stunning, spine-tingling music...its sheer beauty and elegance is what lingers most," wrote Dave Wayne in All About Jazz. "Fujii's orchestral technique, clear chromatic lines and "prepared piano" devices contrast effectively with Tamura's arsenal of extended techniques which he executes with a warm, vocalized tone throughout the trumpet's full range," Ted Panken said in his four-star DownBeat review. Tamura's collaborations with Fujii reveal an intense musical empathy, and have garnered wide popular and critical acclaim. Jim Santella in All About Jazz described their synergy well in his glowing review of the couple's 2006 Not Two disc, In Krakow, In November: "... the creative couple forcefully demonstrates what can happen when you let your musical ideas run free... Similarly, Tamura's mournful trumpet can fly high or low in search of his next surprise. Oftentimes, they both issue plaintive moans that sing like angels on high." Their sixth duet album is due out in 2017. In 1998, Tamura began recording his unaccompanied solo performances. The stunning solo trumpet debut release, A Song for Jyaki earned a Writers Choice 1998 in Coda magazine, and Andy Bartlett wrote in Coda, "A fabulous set of hiccuping leaps, drones and post-bop trumpet hi-jinx. Tamura goes from growling lows to fluid, free solo runs and echoes not only Don Cherry's slurring anti-virtuosic chops but also Kenny Wheeler's piercing highwire fullness." He followed it up in 2003 with KoKoKoKe, which Jon Davis described in Exposé as "Buddhist chants from an alien planet." Grego Applegate Edwards explains that on Tamura's most recent solo album, 2013's Dragon Nat, "he pares down to focus on simple unwinding melodic material, the sound of his trumpet as a sensuous thing, a periodicity. Taken as a whole it is a kind of environmental tone poem for the moment Natsuki is in now." 2003 was a breakout year for Tamura as a bandleader, with the release of Hada Hada, featuring his free jazz-avant rock quartet with Fujii on synthesizer. Peter Marsh of the BBC had this to say about the high voltage CD: "Imagine Don Cherry woke up one morning, found he'd joined an avant goth-rock band and was booked to score an Italian horror movie. It might be an unlikely scenario, but it goes some way to describing this magnificent sprawl of a record." The quartet's 2004 Quartet release Exit was deemed "...a brilliantly executed set with a neon glow," by Dan McClenaghan in All About Jazz. In 2005, Tamura made a 180-degree turn in his music with the debut of his all acoustic Gato Libre quartet. Focusing on the intersection of European folk music and sound abstraction, the quartet featured Fujii on accordion, Kazuhiko Tsumura on guitar, and Norikatsu Koreyasu on bass. The quartet's poetic, quietly surreal performances have been praised for their "surprisingly soft and lyrical beauty that at times borders on flat-out impressionism," by Rick Anderson in CD Hotlist. Dan McClenaghan in All About Jazz described their fourth CD, Shiro, as "intimate, something true to the simple beauty of the folk tradition...Tamura's career has largely been about dissolving musical boundaries. With Gato Libre and Shiro, the trumpeter extends his reach even deeper into the prettiest, most accessible of his endeavors." After the unexpected passing of Norikatsu in 2012, Tamura added trombonist Yasuko Kaneko to the group. The new configuration has toured Europe and Japan and released its debut recording, DuDu, in 2014. "DuDu follows the winning formula of its predecessors but, as with the other discs, eschews the formulaic. The result is another sublimely satisfying, elegant record that brims with raw excitement and a reflective nostalgia," writes Hrayr Attarian in All About Jazz. With the tragic death of guitarist Kazuhiko Tsumura, Gato Libre is now a trio. They will release a CD and LP in 2017. In 2010, Tamura debuted a new electric quartet, First Meeting, featuring Fujii, drummer Tatsuhisa Yamamoto and electric guitarist Kelly Churko. Their first release, Cut the Rope, is "is a noisy, free, impatient album, and ranks among Fujii and Tamura's most accomplished," according to Steve Greenlee in the Boston Globe. While fronting groups and recording as a leader, Tamura has also played an integral role in nearly all of Satoko Fujii's many projects. He is featured on all of the CDs by Satoko Fujii's various orchestras (NY, Tokyo, Nagoya, Kobe, and Berlin) and has contributed original compositions and arrangements to each of their 19 critically celebrated albums. In addition, he was a featured soloist in the Satoko Fujii Quartet, her avant-rock free jazz group that also included Tatsuya Yoshida of The Ruins. Of his work on the quartet's 2003 release Minerva, Mark Keresman wrote in JazzReview.com, "Natsuki Tamura's trumpet has some of the stark, melancholy lyricism of Miles, the bristling rage of late 60s Freddie Hubbard and a dollop of the extended techniques of Wadada Leo Smith and Lester Bowie." Tamura is a vital member of Fujii's Min-Yo Ensemble as well. "Tamura tempers his avant-garde antics with an innate lyricism," wrote Steve Smith of Time Out New York in his review of Fujin Raijin, the intimate acoustic quartet's debut CD. He's also been singled out for his contributions to Fujii's ma do ensemble. "With Tamura's brash and glowing lines, the band incorporates mesmeric ostinatos and thrusting opuses into the grand schema," Glenn Astarita wrote in Ejazznews about their first CD, Desert Ship. Collaborative groups also play an important role in Tamura's career. Most recently, Tamura joined Fujii and two French musicians, trumpeter Christian Pruvost and drummer Peter Orins, to form Kaze, which made their recording debut in 2011. In 2015, they released their third album, Uminari, which Jazz Magazine (France) called, "a compelling example of free jazz today. Compositions are perfectly scripted, with a well-oiled interaction and playing of beautiful power..." The collaborative trio Junk Box, which he co-founded in 2006 along with pianist Fujii and drummer John Hollenbeck, plays Fujii's "composed improvisations," graphic scores that take "ensemble dynamics to great creative heights," says Kevin Le Gendre in Jazzwise. Their music "is full of bluster and agitation that nonetheless retains moments of great melodic beauty, usually by way of concise, pertly pretty motifs that trumpeter Tamura plays in between bursts of withering roars that often dissolve into austere overtones." Their premiere CD, Fragment, appeared in 2006. As Daniel Spicer wrote of Fragment in JazzWise, "Tamura spits out gloriously rude Lester-Bowie-like snorts, lows like a herd of robotic cattle or makes like a wheezy howler monkey... Cool and clever." Glenn Astarita of All About Jazz declared it "Required listening." Along the way, there have been one-off cooperative groups and sideman appearances for Tamura as well. In the Tank, an ad hoc quartet with Fujii and electric guitarists Takayuki Kato and Elliott Sharp, is a "triumphant electro-acoustic adventure" according to Daniel Spicer of Jazzwise. "Think AMM meets blues guitar meets 1970s Miles Davis and you get some idea of the disc's flavor: a slow-moving panorama for the ears, where sounds are systematically added, repeated, refined, and replaced in turn," wrote Nate Dorward in Cadence. Tamura and Fujii were one of two piano/trumpet duos featured on the Double Duo Crossword Puzzle CD, a live recording with Dutch trumpeter Angelo Verploegen and pianist Misha Mengelberg. Tamura has also toured and recorded with saxophonist Larry Ochs' Sax and Drumming Core, and appeared on albums by drummer Jimmy Weinstein, saxophonist Raymond McDonald, and CDs by Japanese free-jazz pioneers trumpeter Itaru Oki and pianist Masahiko Sato. In 2014 he released Nax, a duet album with bassist Alexander Frangenheim. Tamua has toured throughout Japan, North America, and Europe, appearing at major jazz festivals, concert halls, and clubs." ^ Hide Bio for Natsuki Tamura • Show Bio for Satoko Fujii "Born on October 9, 1958 in Tokyo, Japan, Fujii began playing piano at four and received classical training until twenty, when she turned to jazz. From 1985-87, she studied at Boston's Berklee College of Music, where her teachers included Herb Pomeroy and Bill Pierce. She returned to Japan for six years before returning to the US to study at the New England Conservatory in Boston, where her teachers included George Russell, Cecil McBee, and Paul Bley, who appeared on her debut CD Something About Water (Libra, 1996). Since then Fujii has been an innovative bandleader and soloist, a tireless seeker of new sounds, and a prolific recording artist in ensembles ranging from duos to big bands. She has showcased her astonishing range and ability approximately 80 CDs as leader or co-leader. With each new recording or new band, she explores new aspects of her art. Regular collaborations include her New York trio with bassist Mark Dresser and drummer Jim Black, augmented by trumpeter/husband Natsuki Tamura to form the Satoki Fujii Four; her duo with Tamura; the Satoko Fujii Quartet featuring Tatsuya Yoshida of the Japanese avant-rock duo, The Ruins; Orchestra New York, which boasts the cream of New York's contemporary avant garde improvisers, including saxophonists Ellery Eskelin and Tony Malaby, trumpeters Herb Roberton and Steven Bernstein, and trombonist Curtis Hasselbring, among others; Orchestra Tokyo, drawing on that city's best improvisers; Orchestra Nagoya; Orchestra Kobe; the co-operative trio Junk Box with Tamura and percussionist John Hollenbeck; ma-do, a quartet including Tamura on trumpet, bassist Norikatsu Koreyasu, and Akira Horikoshi; the Min-Yoh Ensemble with Tamura, trombonist Hasselbring, and accordionist Andrea Parkins; the Satoko Fujii New Trio, featuring bassist Todd Nicholson and drummer Takashi Itani― plus countless engagements and collaborations with some of the world's most important improvisers." ^ Hide Bio for Satoko Fujii • Show Bio for Tatsuya Yoshida "Tatsuya Yoshida, born in Kitakami, Iwate is a Japanese musician; drummer and composer who is the only consistent member of the renowned progressive rock duo Ruins, as well as Koenji Hyakkei. He is also a member of the progressive rock trios Korekyojinn and Daimonji. Outside his own groups, Yoshida is renowned for his tenure as drummer in the indie progressive group YBO2, a band also featuring guitarist KK Null, whom he also joins in the current line up of Zeni Geva and he has played drums in a late edition of Samla Mammas Manna. He has been cited as "[the] indisputable master drummer of the Japanese underground". Along with his participation in bands, he has also released several solo recordings." ^ Hide Bio for Tatsuya Yoshida
11/29/2024
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11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/29/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Not Together 5:47
2. Haru wo Matsu 9:22
3. Metropolitan Expressway 8:27
4. A Parcel for You 5:45
5. Circle Dance 11:19
6. Low 6:42
7. Dog Days of Summer 7:29
Satoko Fujii & Natsuki Tamura's Libra Label
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