The Squid's Ear Magazine


Cammisa, Edoardo: io_u,E (Sublime Retreat)

Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Edoardo Cammisa-synthesisers, spring reverb, microphones, field recordings, no—input mixing, organ, sampler


Click an artist name above to see in-stock items for that artist.




Label: Sublime Retreat
Catalog ID: SR007
Squidco Product Code: 33371

Format: CD
Condition: New
Released: 2021
Country: Poland
Packaging: Cardboard Gatefold

Descriptions, Reviews, &c.

"Although I am not entirely sure about this, the Polish label Sublime Retreat has the perfect name for the music they release. It is music for a retreat, for the listener to engage in some fine relaxing modus to do what they want to do. I had not heard of either musician here before, although we reviewed work that involved Edoardo Cammissa earlier, but under the banner of Banished Pills (Vital Weekly 1197). He has his label, Sounds Against Humanity. Unfortunately, his new CD is damn short, which is a great pity. He has two long tracks and one very short opening salvo. Cammisa uses "analogue synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ, sampler".

The short piece is a study in decay, thirty-eight seconds long, but the other two aren't. These are highly mysterious affairs of field recordings and electronics on a subdued volume, with minimal development. Still, they hoover close to the ground over the passage of the fourteen minutes (more or less). I find this both mysterious and intriguing, and I see the music from Cammisa as part of the big family of musicians that work with lo-fi sound, offering all sorts of moods and textures. In this case, the music is subdued and quiet, all on the ambient side. Play this on a medium to low volume, and your space pleasantly fills with sound; play it is a bit louder, and there is a pleasant sort of unrest noticeable in the music, which made me enjoy the music even more. Undercurrents in the music now surface and make it all even more mysterious, I think. An excellent release this is, and its only shortcoming lie in the fact that it is so damn short. Another one or two of these excursions would have made perfect sense. [...]"-Frans de Waard, Vital Weekly


Get additional information at Vital Weekly

Artist Biographies

"Edoardo Cammisa is a northern-Italy based sound artist active since 2013 primarily known for his more emotion-driven project Banished Pills. His main interest is to explore the perspectives of the difficult relationship between sound and silence through digital tools and physical objects. His solo and collaborative works can be found on Line (US), Shimmering Moods Records (NL), Cathedral Transmissions (UK), Hemisphäreの空虚 (AU) and several other labels. He is collaborating with "Museo Alessandri" museum in Giaveno, Italy as soundtrack composer. In 2017, he founded the label Sounds Against Humanity, devoted to experimentalism and research-oriented concrète music."

-Discogs (https://www.discogs.com/artist/5977457-Edoardo-Cammisa)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. (a):erase 00:37

2. i owe you, 13:35

3. E 14:57

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Sound, Noise, &c.
Field Recordings
Electronic Forms
Piano & Keyboards
Ambient & Minimal Music
Solo Artist Recordings
European Improvisation, Composition and Experimental Forms
New in Experimental & Electronic Music

Search for other titles on the label:
Sublime Retreat.


Recommended & Related Releases:
Cammisa, Edoardo
io_u,E
(Sublime Retreat)
Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
Other Recommended Releases:
Abcess Grenk
Erguss Von Licht [CASSETTE w/ DOWNLOAD]
(Copy This!)
Marc Myers, recording in Lincoln, Nebraska, is the creative force behind Abcess Grenk, merging analog electronics and experimental guitar in Erguss Von Licht, as a blend of synthesizers, modular synths, a Fender guitar, and a '69 Fender Deluxe Reverb amp, for richly layered and textured improvisations steeped in a DIY aesthetic that reflects Myers' decades-long evolution in sound exploration.
Sheffield, Colin Andrew
Moments Lost
(Sublime Retreat)
Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.
Deasy, Johnathan
Le Sacre
(Sublime Retreat)
Unfolding as a deep listening experience with slowly oscillating sine waves created through SuperCollider, Jonathan Deasy's hour-long drone composition blends digital artistry with warmth, evoking orchestral textures reminiscent of processed cello or trombone with ascending and descending notes, creating a dramatic yet slow-moving, dark and spacious soundscape.
Modelbau
Extricate
(Sublime Retreat)
Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.
Monteiro, Alfredo Costa
Transient Spaces as Impermanent Lines
(Sublime Retreat)
Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.
Innovative Landscapes Laboratory
Spontaneous Dimensions
(Sublime Retreat)
Ukrainian composer Taras Opanasiuk explores spontaneous soundscapes, blending free improvisation with a meticulous compositional process as he transforms modular synthesizer sessions into five compelling sound collages that balance atmospheric electronics, musique concrète, and studio layering, in an imaginative and introspective journey through Opanasiuk's unique sonic palette.
Alva Noto
HYbr:ID III
(Noton)
The third part of the HYbr:ID series from electronic composer Alva Noto, aka Carsten Nicolai, investigating new approaches to composition through unique systems of musical notation and graphic scores, rendered in beautifully paced multi-spacial sound, this part influenced by the movement and subtle gestures of the traditional Japanese theater form, Noh.
Vehicule
Aubusson
(Sublime Retreat)
A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.
Dead Mauriacs, The
Le Parc, rapport d'observations
(Sublime Retreat)
The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.
Deli Kuvveti
In the Summer Dusk
(Sublime Retreat)
The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives.
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Lareau, Charles
Stasis (CASSETTE w/ DOWNLOAD)
(Eh?)
Sound artist Charles Lareau, a member of Naturaliste with Bryan Day, Chris Fischer & Lonnie Methe, in six solo compositions of assertive electronics and noise, using recordings, found sounds and various electronics while often incorporating his environment to add aural excitement and unexpected moments between sections of slowly shifting, static textures.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Belorukov, Ilia
Someone Has Always Come
(Sublime Retreat)
The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
Zenial
Lancelot's Delusions
(Sublime Retreat)
The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
Machinefabriek
Our Arms Grew Together (Music for a performance by Marta & Kim)
(Machinefabriek)
Following his collaborations with choreographers & dancers Marta Alstadsaeter and Kim-Jomi Fischer resulting in the performances & albums As Much As It Is Worth and Engel, Rutger Zuydervelt composed this work for their dance/circus performance Our Arms Grew Together about romantic relationships, developed around recordings from the daily lives of Alstadsaeter and Fischer.
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC