The seventh album from Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, recording at SMUP in Parede, Portugal in 2022 with Joana Sa on soprano sax, Nuno Torres on alto sax, Luisa Goncalves on piano, Joao Madeira on double bass, Carlos Santos on synthesizer and Jose Oliveira on percussion.
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Sample The Album:
Ernesto Rodrigues-viola
Joana Sa-soprano saxophone
Nuno Torres-alto saxophone
Luisa Goncalves-piano
Joao Madeira-double bass
Carlos Santos-synthesizer
Jose Oliveira-percussion
Click an artist name above to see in-stock items for that artist.
UPC: 5609063407716
Label: Creative Sources
Catalog ID: cs771
Squidco Product Code: 33232
Format: CD
Condition: New
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at SMUP, in Parede, Portugal, on October 15th 2022 by Claudio Rego.
The seventh album from Creative Sources' detailed electroacoustic improvising group Suspensão led by violist Ernesto Rodrigues, recording at SMUP in Parede, Portugal in 2022 with Joana Sa on soprano sax, Nuno Torres on alto sax, Luisa Goncalves on piano, Joao Madeira on double bass, Carlos Santos on synthesizer and Jose Oliveira on percussion.
Artist Biographies
• Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Joana Sa "Born in Lisbon in 1979, pianist, composer and improviser Joana Sá works in the field of new music/contemporary classical music. She is currently enrolled in a doctoral program in music (performance) at the University of Aveiro, as an FCT (Fundação para Ciência e Tecnologia) fellow. She holds an undergraduate degree in piano, having studied under Caio Pagano and Paulo Álvares, in Lisbon, Paris, Castelo Branco and Köln. She received an INOV-ART grant in 2009 and, in 2010, was distinguished with a honourable mention from the Ernesto de Sousa Scholarship program. Joana Sá is particularly interested in incorporating other means and artistic areas in her works. Her first solo work, through this looking glass, shot by filmmaker and cinematographer Daniel Costa Neves, was released as a dvd+cd by the German label blinker - Marke für Rezentes in 2011. Her current work, IN PRAISE OF DISORDER, integrating texts by Gonçalo M. Tavares as read by Rosinda Tavares, was just released by Shhpuma, an imprint of Clean Feed Records. Joana Sá has performed in several festivals and as part of season programs of renowned institutions both in Portugal and abroad, such as Teatro Maria Matos, Gulbenkian Foundation, CCB, Casa da Música, Culturgest, Serralves, Kunst Station Sankt Peter (DE), Studium MusikFabrik (DE), Festival Música Viva (PT), Forum Neue Musik (DE), Ring Ring Festival (SER), Festival Jazz Cerkno (SL). She is one half of the duo of Almost a Song (with Luís José Martins), with whom she recorded the album Almost a Song, in 2013, and one third of POWERTRIO (with Luís José Martins and Eduardo Raon). She collaborates frequently with visual artist Rita Sá. Highlights of the collaboration between the two include installations at Gallery of Visual Arts, 255 Canal (New York) and Siggraph Asia (Yokohama). Joana Sá has made music for films, including Tabu, by Miguel Gomes, which was nominated for best music at the 2013 Sophia awards. She has collaborated with artists and projects in a number of musical genres (Deolinda, Simão Costa, Marco Franco, Nuno Aroso, Drumming GP and Peixe, among others). As co-coordinator (with Luís José Martins) of the music department at CENTA, Centro de Estudos de Novas Tendências Artísticas, at Vila Velha de Ródão (2007/08), she worked with the community (Sons do Salgueiral, Concertos Improváveis), as well as developing personal projects (50 anos - Cage, Concert for piano e POWERTRIO - ensemble residente do CENTA). In this condition, she took part in rExistir, a project with inmates from the Instituto Prisional de Castelo Branco and accompanied artistic residencies, seminars and concerts held at CENTA. Joana Sá has recorded for radio stations such as Deutschland Funk and SWR2, in Germany, and Antena 2, in Portugal, and has released music through blinker, Shhpuma, Creative Sources and Centa. Between 1993 and 2000 she played bass in Pinhead Society, a band with which she performed more than a hundred shows, including concerts at the main stages at festivals such as Sudoeste, Vilar de Mouros and Paredes de Coura as well as the Coliseu dos Recreios. With Pinhead Society she shared line-ups with bands such as Sonic Youth and Morphine and recorded for Música Alternativa and Bee Keeper." ^ Hide Bio for Joana Sa • Show Bio for Nuno Torres "Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives." ^ Hide Bio for Nuno Torres • Show Bio for Luisa Goncalves Luísa Gonçalves Lisbon, Portugal is a musician, pianist, & composer. She holds a superior degree in classical piano performance ESMAE, and works frequently with other musicians and performing arts. ^ Hide Bio for Luisa Goncalves • Show Bio for Joao Madeira Joao Madeira: "I was born in Lisboa and I've dedicated most of my energy to the doublebass since I was 12. When I went to study at the Conservatório de Lisboa my role model was doublebassist João Panta Nunes, and lately my studies were oriented by Jorge Lee, at Cascais. I have a degree in Musicology, investigation work on Fado's candidature to World Immaterial Heritage by UNESCO, and coordination of the Music Department at INATEL/FNAT. Since 1999 I have a strong activity (studio and performance) in several styles and genres, but improvised music and original composition (whatever the style...) are the places where my musical language riches its higher satisfaction and plenitude. In the recordings you are about to hear it's me who plays all the instruments. My passion is at the simple act of artistic creation. For me, music is all about musicians and genuine expression! It doesn't matter the genre neither the instrument per si. In theater I have collaborations (musician, composer, actor) with Companhia do Chapitô and Artistas Unidos, amongst others. I also love books (...) I've studied aesthetics and Portuguese literature since I remember, and love to read and write poetry." ^ Hide Bio for Joao Madeira • Show Bio for Carlos Santos "Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production. Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces. Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise." ^ Hide Bio for Carlos Santos • Show Bio for Jose Oliveira "Polivalent artist with conections to the Fluxus movement, José Oliveira is well known, besides music by his "mail art" creations, performance and poetry. As an improvisor, his aproach to percussion is similar to Paul Lovens, Roger Turner, Lê Quan Ninh and Paul Lytton. He prefers a non conventional "set", where he uses instruments and objects as raw materials to create an improvised language rich in terms of timbre and textures. To this he adds sometimes inside piano manipulations and prepared guitar, in the same way as John Cage: the objects are placed on the strings or in between them in real-time performance, and not according to a previous plan. He belonged to Sei Miguel collective between 1989 and 1996, played with Carlos Bechegas and Pedro Roxo and has a regular activity with Ernesto Rodrigues." ^ Hide Bio for Jose Oliveira
12/11/2024
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12/11/2024
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12/11/2024
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Have a better biography or biography source? Please Contact Us so that we can update this biography.
12/11/2024
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12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
12/11/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. In the name of moral order 41:08
Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
lowercase, reductionist, micro-improv, sound improv, onkyo sound
European Improvisation, Composition and Experimental Forms
Septet recordings
Search for other titles on the label:
Creative Sources.