The Squid's Ear Magazine


Fox, Christopher: Hieroglyphs (ezz-thetics by Hat Hut Records Ltd)

Three works from English composer Christopher Fox performed by the five-member Ensemble SEV, with two renderings of his work "This is the Wind" along with three duos, each combining two of a set of six "Paralogos", a solo work for violin--"Planes and Folds"--and the title piece "Hieroglyph" about decoding the incomprehensibility of unfamiliar music.
 

Price: $17.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Christopher Fox-composer

Ensemble SEV-ensemble

Jonathan Chazan-tenor saxophone

Dennis Sobolev-electric guitar

Dan Weinstein-cello

Ido Akov-piano

Yael Barolsky-violin


Click an artist name above to see in-stock items for that artist.




UPC: 752156103028

Label: ezz-thetics by Hat Hut Records Ltd
Catalog ID: ezz-thetics 1030
Squidco Product Code: 31593

Format: CD
Condition: New
Released: 2022
Country: Switzerland
Packaging: Cardboard Gatefold
Recorded at the Israel Conservatory of Music, in Tel Aviv, Israel, on August 29th, and September 2nd, 2021, by Yaron Aldema.

Descriptions, Reviews, &c.

"Hieroglyph is a word that history has gradually prised away from its linguistic roots as the Greek term for sacred carvings. Over time it came to be associated principally with the enigmatic symbols found in Egyptian burial sites and because these symbols resisted translation for so many centuries the word hieroglyph became a synonym for incomprehensibility. It was the discovery of an artefact - the so-called 'Rosetta Stone', containing both hieroglyphs and parallel texts in other scripts - that in the early 19th century made translation possible: understand one text and the decoding could begin. Perhaps we follow a similar path when we listen to unfamiliar music. But what are the parallel texts: titles, other music that sounds similar, or a text like this?

The title track on this album is an attempt to make music out of this journey to understanding. Hieroglyph begins with a single plucked note on the cello, insistently repeated. Gradually it starts to gather resonance from the body of the instrument and the other strings and out of that resonance grows a sense of the identity of the cello, or at least the identity of the cello in this music. As the music evolves it becomes, phrase by phrase, section by section, less exploratory, more solid. At least this is how it seems to me. I wrote Hieroglyph in the summer of 2020 for Dan Weinstein; if I knew more about it I would say so.

The two works entitled This is the wind, both for an ensemble of three instruments, are easier to introduce. The first was written in 2017 and 2018 for the Fidelio Trio who premiered it in London in the 2018 Spitalfields Music Festival. In his 1984 poem 'Wind' James Fenton writes that 'great crowds are fleeing... down through the beautiful catastrophe of wind' and in This is the wind each movement imagines a different sort of wind, a different sort of catastrophe. 'Shamal' is a hot, dusty north-westerly wind that blows across Iran (originally this movement was to be premiered in Teheran) in June and July. In 'Interference' Debussy's prelude 'Le vent dans la plaine' becomes a series of glitches, like a digital file that is being corrupted as it is transmitted. 'Mouth' is based on the melody of a Welsh folk-song and takes its title from a line in R.S. Thomas's poem 'Depopulation of the Hills', in which he describes the harsh living conditions of Welsh hill farmers : 'the hole under the door was a mouth through which the rough wind spoke.' In 'Idaho' we hear the wind blowing across the plains, through the telegraph wires, the sound of LaMonte Young's childhood, inspiration for a radically reduced music.

In 2019 Dan Weinstein asked if I would make a version of This is the wind for a new trio in which he would be joined by tenor saxophone and electric guitar. As I reworked 'Shamal' I realised that the sonic possibilities of the ensemble were taking me in new directions. 'Chaff' returns to the imagery of James Fenton's poem - 'like chaff we were borne in the wind' - the instruments scattering grains of sound. 'Palmyra' reflects on the destruction of that ancient city by the Roman Empire in 273 and its further partial destruction by ISIS in 2015. The music is a sort of archaeology, as if fragments of Thomas Tallis's 16th century settings of the Book of Lamentions, in which the prophet Jeremiah mourned the destruction of Jerusalem in 586 BCE, had been recovered from the ground. Over and over again the saxophone, guitar and cello piece together these shards of Tallis's music, trying to make them into a coherent form.

The title of Planes and folds suggests a different relationship between music and earth: not the recovery of shards from the ground but the tectonic processes through which that ground itself was formed. It is also a nod of gratitude in the direction of the conductor and improviser Ilan Volkov, for whose Tectonics festival I wrote the orchestral piece Topophony.In 2017 Ilan directed the Tel Aviv premiere of the chamber orchestra version of Topophony and it was through that performance that I was introduced to Yael Barolsky and Dan Weinstein, the musicians whose playing has inspired so much of the music of this album.

Planes and folds was written in 2018 for Yael and in it her violin traces a trajectory across the range of the instrument, her playing triggering sine-tones that measure the same acoustic space according to Pythagorean principles: music as a confrontation between the human and the abstract.

In between these longer works are three duos, each combining two of a set of six Paralogos. These scores were written at the beginning of 2021 and are intended to be used as commentaries on other music, either by me or by other musicians, and either simultaneously with that music or, as here, separately. But how can music 'comment' on other music? What is being created by such a commentary: a translation, a summary, or another musical hieroglyph?"-Christopher Fox, October 2021


Artist Biographies

"Christopher Fox (born 1955 in York) is an English composer.

He studied at the universities of Liverpool, Southampton and York, where his teachers included Hugh Wood and Jonathan Harvey. He received a PhD in composition from the University of York in 1984. From 1984 to 1994 he was a member of the composition staff at the Darmstadt New Music Summer School. He is currently Professor in Music at Brunel University, a post he took up in 2006. His music is widely performed, broadcast and recorded. He is also a prolific writer on music. In addition to concert works, Fox has collaborated with artists on gallery works, and with the poet Ian Duhig on a "musical box".

An important aspect of Fox's music is its stylistic breadth-whilst his principal considerations may seem to be with systems music and adopting a systematic approach, his music also serves a political function, is deeply rooted in the post-war Darmstadt traditions of applying psychological and intellectual models to the structure and content of music and at the same time exists in a world of diverse musical attitudes, including references to the popular arts, to historical music and to cross-cultural music. The stylistic range of his works is very aurally apparent and includes complex microtonal chamber works, large-scale modernist ensemble pieces, tape cut-up collages and minimalistic pieces for guitars and saxophones.

His writings on music have also been published widely, in the journals Contact (of which he was an editor), Contemporary Music Review, Musical Times and Tempo, and deal principally with new music, in particular experimental, minimalist and complex tendencies in American and European music. He was co-editor of Von Kranichstein zur Gegenwart (1996, DACO Verlag, Stuttgart), a history of 50 years of the Darmstadt Ferienkurse, and of Uncommon Ground: The Music of Michael Finnissy (1998, Ashgate Press, Aldershot)."

-Wikipedia (https://en.wikipedia.org/wiki/Christopher_Fox_(composer))
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jonathan Chazan is a contemporary saxophones player, arranger, improviser and a devoted performer of contemporary and ancient music. By performing both pieces originally written for the saxophone and self arranged pieces from different epochs, styles and instruments, he produces original solo recitals, while regularly commissioning, co-working and premiering new pieces by many prominent Israeli composers, ever exploring, expanding and reinventing the "old" and "new" repertoire. Jonathan played with most of Israeli leading ensembles, and orchestras, as a soloist with Rishon-Letzion Symphonic Orchestra, conducting Dan Etinger, and with the Israeli Philharmonic Orchestra (conducting Zubin Metha) and he is also a founding member of the Tel-Aviv saxophone quartet. Master of pedagogy (Tel-Aviv university), Bachelor (Lausanne conservatoire), academy's high school graduate with honorary, AICF scholarship of extinct excellency, and 1st place winner of the contemporary music competition of the Tel-Aviv university. Jonathan believes that the musician is an essential part of its community, thus, he is considerably invested in educational activities through music, in workshops, masterclasses and as a member of the Israeli conservatory of music, Tel-Aviv."

-Ensemble SEV (https://saxelecvcl.wordpress.com/musicians/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dennis Sobolev is a guitarist, composer, and improviser whose primary interest is contemporary music. As an improviser, he developed his own playing style, in which he incorporates idioms borrowed from jazz and rock music, as well as extended techniques often associated with contemporary classical and experimental music. He is a member of various improvising ensembles and collaborates for many years with leading musicians on the scene. As a performer of contemporary classical music, he took part in various festivals, such as Tzlil Meudkan, Tectonics, Darmstadt Summer Course for New Music and others, collaborated with various ensembles as well as composers such as Chaya Czernowin, Clinton McCallum, Stefan Prins, Lois Vierk, Andreas Staffel, Amnon Wolman, Alexandra Filonenko and others."

-Ensemble SEV (https://saxelecvcl.wordpress.com/musicians/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Dan Weinstein is a virtuoso and versatile cellist, teacher and lecturer, focusing mainly on contemporary, avant-garde and experimental music. As a cello player his repertoire is dedicated to exploring new ways of interpretation of contemporary music as a platform for modern and updated art form. Enthusiastic about the intersection between traditional and contemporary instrumental practices, close and open forms, improvisation and written music, Dan has inspired composers and instrumentalists alike for collaborative work as solo and chamber musician. Dan regularly performs as soloist and with several contemporary music ensembles and is He is a senior lecturer in the new-music department of Naggar Multidisciplinary School of Art and Society, Musrara in Jerusalem. Dan is co-founder of the advanced program studies of experimental music and sound art and conducting a open-social-orchestra ("Scratch Orchestra") in the Israeli Center of Digital art."

-Ensemble SEV (https://saxelecvcl.wordpress.com/musicians/)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ido Akov (1993) received his B.Mus in piano performance from the Jerusalem Academy of Music and Dance, studying with Ron Regev and Allan Sternfeld.As a pianist Ido has won prizes in the Bay Area Chopin and Fremont Symphony competitions in the United States, and in the "Piano Forever", "Haim Kalmi" and "Young Artist" competitions in Israel, and subsequently Ido performed with the Fremont symphony orchestra, Lancaster orchestra, Ashdod symphony orchestra, IBA orchestra, as well as with the Thelma Yellin orchestra, Rishon leZion symphony orchestra, Israeli Chamber orchestra, and with members of the Israeli Philharmonic.Ido has played recitals and chamber music across the world, in venues ranging from the Hong Kong academy for performing arts to the National Library of Georgia in Tbilisi.

Ido is a four year America-Israel Cultural Foundation scholarship recipient (in piano as well as double bass), and has also participated in the past in the Jerusalem Music center's program for excellence in piano. Through this program he was invited to play in master classes for Murray Perahia, Andras Schiff, Richard Goode, Stefan Kovacevich and many others.Ido is active as a performer of contemporary music: having taken part in ensemble Meitar's Tedarim project, and is currently pianist for the Israel Contemporary Players.

Ido is also a composer, and his works have been performed by the ensembles Musica Nova, Modalius, Meitar, the Great Gehenna choir, the Ashkelon Andalusian orchestra, and the Kiryat Ono conservatory concert band.As an accordionist Ido has played in theatre productions such as "Ritza" by the Ruth Kanner theatre company (with music composed by Avshalom Ariel), as well as in various indie and popular-music groups.

Ido is also a singer in the Great Gehenna Choir- an experimental group which acts as a musical co-operative, with all music performed written by members of the choir.Ido teaches piano at the Kiryat Ono Conservatory."

-Ensemble 21 (https://www.ensemble21.org.il/idoakov)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Yael Barolsky-Violin

"Born in Tel Aviv, performs regularly with leading musicians from Israel and abroad in chamber music concerts, is a member of the Israel Contemporary Players and was guest artist in numerous festivals including Rolandseck - Festival, Kfar Blum Music Festival, Tectonics Festival and Lucerne Festival.

Yael has performed as a soloist with conductors Pierre Boulez, Ilan Volkov, Marcello Panni. She has performed with Ensemble intercontemporain and Ensemble musikFabrik, with the Maria Kong dance company and video artists. Yael is the artist director of the chamber music series "CameriNegev" and the "Crater players" in Mitzpe Ramon in the Negev desert.In 2015 she released her solo cd album "Meanderings" which has received enthusiastic."

-Ensemble 21 (https://www.ensemble21.org.il/yaelbarolsky)
12/11/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Shamal 4:32

2. Interference 3:11

3. Mouth 4:21

4. Idaho 5:04

5. Paralogos (a) + (y) 4:15

6. Planes And Folds 13:22

7. Paralogos (c) + (x) 4:14

8. Hieroglyph 18:03

9. Paralogos (b) + (z) 4:26

10. Shamal 5:22

11. Chaff 3:24

12. Palmyra 8:43

Related Categories of Interest:

Hat Art

Compositional Forms
Large Ensembles
Duo Recordings
Solo Artist Recordings
Stringed Instruments
New in Compositional Music
Hat Hut Masters Sale

Search for other titles on the label:
ezz-thetics by Hat Hut Records Ltd.


Recommended & Related Releases:
Fox, Christopher
Music For Piano
(ezz-thetics by Hat Hut Records Ltd)
Six compositions for solo piano written by English composer Christopher Fox between 1991 and 2015, performed by Netherlands pianist John Snijders at Abbey Road Studios in London, each work uniquely approached in both writing and performance, each a concept or style that brings something unique to Fox's music while still retaining his voice and character in composition.
Other Recommended Releases:
Sanna, Claudio
Compositori Sardi Contemporanei II [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
The second volume in pianist and composer Claudio Sanna exploration of composers, improviser and experimenters from Sardinia, in a wonderfully diverse set of works and performances from Sanna himself, Anna Zeriotto (double bass), Federico Nicoletta (piano), Leoardo Zunica (piano), Sandro Mungianu (live electronics), and Paolo Pastorino (live electronics).
Wegmann, Judith / Jens Ruland / Robert Torche
Kon.Takte
(ezz-thetics by Hat Hut Records Ltd)
Surrounding the realization of Karlheinz Stockhausen's ground-breaking work of electronic music and acoustic improvisation, Kontakte, performed by Judith Wegmann (piano) Jens Ruland (percussion) & Robert Torche (electronics), are Antoine Chessex's exploratory score Geschichte der Gewalt, applying improvisation to frequency and form, and the improvised prelude from all three: Spiegelungen.
Johansson, Karin / Lisen Rylander Love
Arter [VINYL]
(Havtorn Records)
The Swedish title translating to "Species", the contemplatively elegant interactions between pianist Karin Johansson and tenor saxophonist Lisen Rylander are named for extinct species of animals and plants, as the two improvise over the loss of species that disappear from the earth every year, their wistful music augmented through preparations, kalimbas, live electronics and percussion.
Gerszewski, Nikolaus
3 Works For Strings, Giusto Chamber Orchestra
(ezz-thetics by Hat Hut Records Ltd)
Giusto Chamber Orchestra performs three works for twelve strings by German composer and visual artist Nikolaus Gerszewski, whose music of shifting pitches, vibrations and volumes--compared with experimental sound & noise work--is influenced by composers Radulescu and Dumitrescu's spectral music, James Tenney's "swell form" and Cornelius Cardew's graphic scores.
Inoue, Satoko / Jo Kondo
Presents Jo Kondo's Works for Piano, 2015-2020
(ezz-thetics by Hat Hut Records Ltd)
The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.
von Orelli, Marco / Sheldon Suter
Draw From The Source
(ezz-thetics by Hat Hut Records Ltd)
A series of extraordinary sound painting from the Swiss duo of trumpeter Marco von Orelli and percussionist Sheldon Suter, von Orelli also performing on cornet, prepared slidetrumpet & little bells while Suter works with drums, cymbals, prepared zithers, gong & singing bowls, creating detailed aural environments that evoke bewitching twilight spaces.
Sanna, Claudio
Compositori Sardi Contemporanei [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
An astonishingly diverse album of solo piano works performed by pianist and composer Claudio Sanna, performing works from eight Sardinian composers including his own, weaving improvisation, acousmatic & musique concrete elements, turntablism, electronics, inside piano playing, chalk-board writing and more into lyrical and experimental pieces that flow together exquisitely.
Coltrane, John Quartet
Song Of Praise, Live New York 1965 Revisited
(ezz-thetics by Hat Hut Records Ltd)
Recorded during an extended stay at the Half Note in NYC from saxophonist John Coltrane's Quartet with pianist McCoy Tyner, double bassist Jimmy Garrison and drummer Elvin Jones, originally recorded for radio broadcast, here reissued and resequenced to demonstrate Coltrane's evolution in presentation & performance, while also mapping a future to his music.
Sun Ra Arkestra
Nothing is ... Completed & Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing and remastering Sun Ra's 1966 Arkestra album Nothing Is, the complete live recording from St. Lawrence University in NY with a classic ensemble including saxophonists Marshall Allen, Pat Patrick & John Gilmore, bassist Ronnie Boykins, drummer Cliffor Jarvis, &c., an incredible concert with an exemplary set of Sun Ra compositions and performances.
Wegmann, Judith / Marlies Debacker / Lukas Biner / Nicolas Wolf
Things In Between
(ezz-thetics by Hat Hut Records Ltd)
Featuring two pianists--Judith Wegmann and Marlies Debacker--and two percussionists--Lukas Briner and Nicolas Wolf (a duo who play concerts in the dark under the name of Night Shadow Noise)--in collective improvisations of two pianists or as a quartet of duel pianists and drummers, for seven exciting and sophisticated recordings of instant composition.
Feldman, Morton (Judith Wegmann / Andreas Kunz)
For John Cage [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
First performed in 1982, Morton Feldmans' monumental composition for piano and violin dedicated to peer John Cage creates a distinctive environment of instrumental interaction where patterns are subtly varied in a virtual suspension of time as the music drifts and reflects, beautifully rendered in this 2021 recording by pianist Judith Wegmann and violinist Andreas Kunz.
Hope, Cat
Decibel
(ezz-thetics by Hat Hut Records Ltd)
A diverse set of works from Australian composer Cat Hope, employing acoustic instrumentation--strings, keys, flutes, reeds & percussion--along with electronics and field recordings, in chamber configurations from duos to quintets, performed by the Western Australia Decibel new music ensemble for which Hope is both director and a performer.
Armaroli, Sergio (w/ Fritz Hauser)
Prismo
(ezz-thetics by Hat Hut Records Ltd)
The quartet of Sergio Armaroli (vibraphone), Martina Brodbeck (cello), Francesca Gemmo (piano), and Fritz Hauser (drums & percussion), also heard in free improvisational duos and trios, perform Armaroli's "Structuring the Silence", aiming to extend the performers' improvisational freedom using time and space through broad compositional instructions.
Feldman, Morton (Judith Wegmann)
Triadic Memories [2 CDs]
(ezz-thetics by Hat Hut Records Ltd)
The second of four connected solo piano works by Morton Feldman, Triadic Memories is about that reality, the acoustic space created by the piano's strings and soundboard, as Feldman attempted to expand the temporal frame of his music, heard here in Judith Wegmann's 2019 recording, where thThe second of four connected solo piano works by Morton Feldman, Triadic Memories is about the acoustic space created by the piano's strings and soundboard, as Feldman worked to expand the temporal frame of his music, heard her in Judith Wegmann's 2019 studio recording where that space is revealed by a magnificent Bosendorfer 280VC piano.at space is revealed by a magnificent Bosendorfer 280VC piano.
Gottschick, Sebastian
Notturni
(ezz-thetics by Hat Hut Records Ltd)
Seven works composed in the 21st century by Sebastian Gottschick, who arranges and conducts the Ensemble Fur Neue Musick Zurich, configured as an ensemble with percussion, a sextet, a chamber ensemble with baritone and soprano, and performing himself solo on viola; sophisticated and modern works that employ complex tonality, timbre and playing techniques.
Ives, Charles E.
Another Songbook
(ezz-thetics by Hat Hut Records Ltd)
Conductor Sebastian Gottschick presents an additional selection of songs and chamber music works from composer Charles Edward Ives that reflect this broad range, 20 mostly brief and innovative works composed between 1898 and 1921, blurring the boundaries between genres through unusual motifs, themes, gestures and phrases that appear in new vocal and/or instrumental contexts.
Fox, Christopher
Music For Piano
(ezz-thetics by Hat Hut Records Ltd)
Six compositions for solo piano written by English composer Christopher Fox between 1991 and 2015, performed by Netherlands pianist John Snijders at Abbey Road Studios in London, each work uniquely approached in both writing and performance, each a concept or style that brings something unique to Fox's music while still retaining his voice and character in composition.
Haubensak, Edu / Tomas Korber
Works For Guitar & Percussion by Buck-Wolfarth
(ezz-thetics by Hat Hut Records Ltd)
Active since 2010, the German/Swiss duo of classical guitarist Christian Buck and improviser Christian Wolfarth occupies a space between music and sound art, as they perform two works each by Ed Haubensak and Tomas Korber, pieces that make use of time, microharmonies, multiphonics, unusual tuning systems, interference patterns, and other conceptual approaches to music.
Wegmann, Judith
Le Souffle Du Temps II - Reflexion
(ezz-thetics by Hat Hut Records Ltd)
Through preparations, computers, contact microphones, gongs, feedback and other tools, Swiss pianist, composer & improviser Judith Wegmann's work transform the sound of the piano into an otherworldly instrument, set against more traditional acoustic pieces of a reflective nature, together creating a conceptual set of ten pieces in a uniquely flexible approach.
Hope, Cat / Erkki Veltheim
Works For Travelled Pianos
(ezz-thetics by Hat Hut Records Ltd)
As part of her Colonial Piano Project, Australian pianist Gabriella Smart commissioned and performs "Kaps Freed" by Cat Hope, a contemplation of composer Percy Grainger's Free Music ideals, with Stuart James on electronics; and the alliterative "Two New Proposals for an Overland Telegraph Line ..." by Erkki Veltheim, inspired by the 1st piano to arrive in Alice Springs, AU.
Kurka, Irene
Chants
(Edition Wandelweiser Records)
Soprano vocalist Irene Kurka performs two works works by Antoine Beuger, and one each by Christopher Fox, Eva-Maria Houben, and Thomas Stiegler, accompanied by Antoine Beuger on flute for his composition "Chants de Passage"; 5 beautiful, unhurried works that bring the delicate beauty of each compositions, and of Kurka's refined voice, to a resonant foreground.
Transatlantic Swing
Works For Piano
(Hat [now] ART)
American pianist John Snijders performing the music of European composers Christopher Fox, Ivo Van Emmerik, Richard Rijnvos, James Rolfe, and Luca Francesconi.



Customers Who Bought This Item Also Bought:
CALATO / John Cage
Variations + Four6
(ezz-thetics by Hat Hut Records Ltd)
Calato, the quartet of Javier Areal Vélez, Jorge Espinal, Agustín Genoud and Pablo Verón based in Buenos Aires, formed in 2010 as an improvisation and experimental composition group exploring music notation and graphic scores in convergence with free improvisation, performing on prepared electric guitars, drums, sampler and amplified voice, here taking on two works by John Cage: Variations I-III, and Four6.
Parker, Charlie
At Birdland 1950 "Revisited"
(ezz-thetics by Hat Hut Records Ltd)
A remarkable feat of remastering, sound restoration and pitch correction from the tapes of this June 1950 radio broadcast at Birdland in NYC, finding the exceptional quintet of jazz pioneers led by alto saxophonist Charlie Parker in superb form, with Fats Navarro on trumpet, Bud Powell on piano, Curley Russell on double bass and Art Blakey on drums.
Gillespie, Dizzy & Charlie Parker
Live, Revisited
(ezz-thetics by Hat Hut Records Ltd)
Three essential concerts remastered, from the legacy of be-bop trailblazers, trumpeter Dizzy Gillespie and alto saxophonist Charlie Parker, with Don Byas, Al Haig piano, Curley Russell, Max Roach & Sidney Catlett at Town Hall 1945; with John Lewis, Al McKibbon & Joe Harris at Carnegie Hall 1947; and with Bud Powell, Tommy Potter & Roy Haynes at Birdland 1951.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC